Anytime is a good time for a new John Prine album. Found Dogs was released initially in April in a limited edition run of 2,000 LPs for Record Store Day. ‘Found Dogs’ celebrates the 30th anniversary of Prine’s ‘Lost Dogs & Mixed Blessings’ and includes alternate takes, demos, and five unheard original songs gathered from recording sessions from that time.
This album opens with an alternate version of “Ain’t Hurtin’ Nobody,” a swaying, New Orleans shuffle riding atop striding boogie-woogie piano with Prine’s growling baritone testifying to a live-and-let-live philosophy inherent in the rock and roll life. Circling fingerpicking lie beneath Prine’s tender vocals on the spacious and atmospheric “All the Way with You (Acoustic Version).”
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On their sixteenth studio album, Far and Wide, The Pineapple Thief feel more like a rock band than ever. Still progressive. Still masters of spine-tingling atmosphere. Still attuned to the strange, troubled world around us. And now, a decade and seven albums on from the arrival of Gavin Harrison on drums, they capture the chemistry, road miles and bigger stages of the last few years. You can hear that real-time heat in these songs. From the moody tones of opener New World Order, this music punches hard, all teeth and commanding shadows, without sacrificing the subtle twists and lightness’s that come to them so naturally. Rock songs of real class and nuance, in other words. Far And Wide is about shared ground. An abstract collection of feelings about…
A quiet celebration. A legendary return. Paul Simon brings his critically acclaimed and GRAMMY-nominated Seven Psalms to life in this first-ever live performance of the complete piece for his Quiet Celebration, an intimate evening spanning his vast career and celebrating new arrangements of timeless classics, deep cuts, and new musical discoveries. Inspired to perform again, Simon began work rehearsing and figuring out how he could bring ‘Seven Psalms’ to the stage. His transformation of the movements for live performance gave way to all-new renditions of some of his most cherished songs and a deep desire to bring these contemplative and intricate pieces to audiences. A Quiet Celebration toured the US in small venues…
The 2020s have been a decade marked by loss. We’ve lost faith and trust in institutions that were already slowly collapsing. A whole generation lost out on formative experiences without the turbulent disruption of the pandemic. And in the music world, we’ve largely lost the kind of artists who could emerge organically without the noxious influence of algorithms or million-dollar spends. It’s a miracle, then, whenever a legitimate gain comes along, and for the music industry in particular, someone who could both draw from the traditions of American rock and bring them to newer, deeper, unexpected places. Although his success was partly engineered by a digital marketing agency, Cameron Winter has proven to be a vital addition to this increasingly endangered species of performers…
Greta Van Fleet remain the most consistently successful standard bearers for The New Rock’N’Roll. While the mania that greeted them at the tail end of the 2010s has abated, the Michigan band’s three albums to date have still all breached the US Top 10, a feat that Rival Sons, The Struts, Dirty Honey and the rest can only dream of.
Palace for the People – named after North London venue Alexandra Palace, of all places – keeps their end up. Tear It Down and Into The Beginning shake their arena-rock tail feathers splendidly, defined instantly by Josh Kiszka’s rafter-rattling screech, which once again overshadows brother Jake’s impressively protean guitar playing. The whole thing is overseen by A-list producer Mike Elizondo, whose credits span everyone…
Having unexpectedly passed away in late 2025, the first posthumous album from Todd Snider, My Second Rodeo, arrives right before what would have been the beloved Nashville-based troubadour’s 60th birthday. Soft drums, big horns, and sweet backing vocals flesh out his folk tunes.
My Second Rodeo is not a collection of outtakes and B-sides. In October 2025, just weeks before his death, Snider sent a set of songs to his longtime friend/producer/engineer Joe Bisirri. In emails to Bisirri, Snider said this would be the foundation of his next record and “the sound of country music 10 years from now”.
Maybe, and maybe not, however, Snider recorded his guitars and vocals with the idea that a future set of musicians would follow his lead.
Search for Dalarna, Sweden, on Google Maps, and the red pin pops up in what looks like the middle of nowhere. Around the red pin are many towns that, apparently, are so small that Google doesn’t have a picture for them. Dalarna is a province (culturally) and a county (administratively), and the two don’t necessarily have the same boundaries. But somewhere in this mostly rural area, Kristian Matsson grew up in the 1980s and ’90s.
Located in south-central Sweden, Dalarna is often seen as the place to reconnect with traditional Swedish culture. For Mattson the kid, it was a place to escape, and his love of American rock, followed by his obsession with American folk and blues, gave him an escape route. For the last twenty years, Matsson has been performing…
A man from the future is an audio/musical biography of computer pioneer and codebreaker Alan Turing written by Pet Shop Boys with Turing biographer Professor Andrew Hodges.
…The duo originally wrote the songs with Hodges around 2012–2013, later performing it with the BBC Concert Orchestra at a BBC Prom in July 2014. They later decided to revise the piece to “give it more of an electronic emphasis”, and Sven Helbig, the original orchestrator, suggested reworking his orchestrations in a more intimate arrangement for eight string players. The band said about the album, “Our motive in creating this work was to make a musical memorial to Alan Turing who gave so much to his country and the world and was rewarded for it by being prosecuted…
On her previous album, 2024’s Evolution, Sheryl Crow set out to make a 21st-century statement about her career and the state of the world for her first album since turning 60 in 2022. It was also her first release since COVID-19 and the announcement that 2019’s country-rock Threads would be her final album. It became her first album not to chart on the Billboard 200.
Rebounding with her 12th LP, Pick You Up, Crow returns to a more comfortable environment. Originally intended to be a six-song EP, the project expanded to album length with an additional track, “Freedom Bus,” that continues the discussion about the U.S. and its relation to the rest of the world in 2026: “If all you can come up with is hate / Then turn around and march…
How to persuade men to open up about their feelings has long been an issue that has perplexed mental health professionals, an intractable problem leading to a range of outside-the-box solutions: men’s sheds, cycling groups, even, you suspect, the repeated commissioning of Mortimer and Whitehouse’s Gone Fishing. After hearing Do Not Dare To Dream, however, any future campaigns should think about signing up Teenage Fanclub as musical figureheads. Their thirteenth album might have been recorded in an isolated environment – the current quintet of Norman Blake, Raymond McGinley, Euros Childs, Francis Macdonald and David McGowan gathering on the Scottish island of Great Bernera – but it’s far from remote, its songs of sadness, alienation and creeping…
Canadian writer Anne Carson, whom Jules Reidy has cited as their favorite essayist, recently penned an intriguing review of a Rosalía concert. It’s a fish-out-of-water debrief from a critic skeptical of the singer’s use of spectacular “pop-song procedure” to upscale the emotions of flamenco. But her critique is not in bad faith: Carson rigorously investigates how the Catalan singer’s stage presence — as a hyper-stylized, quasi-religious vessel for ecstatic attention — commands her audience. The essay evaluates an artist’s methodology for contacting and channeling the divine, and a similar curiosity can be found in Reidy’s work. The Berlin-based guitarist seems to anatomize their own music, using complex tuning systems and a patient, cerebral…
If the name Greg Chako is unfamiliar to you, perhaps it is because the veteran Cincinnati-bred guitarist, composer, and arranger has spent much of his career performing and recording in Asia, including years abroad in Hong Kong, Singapore, China, and Japan.
After recovering from a near-fatal case of sepsis, Chako took full advantage of his new lease on life, returning home to lead a piano-less quintet on Hard Bop: For the Record, whose second track, “Second Chance,” salutes his return to good health and his ability to resume playing the guitar. Chako’s happiness and gratitude to be back on the jazz scene are evident on every theme, all of which he wrote and arranged.
The group’s two-horn front line consists of…
FM is an absolutely stunning collection of tracks by Freddie McGregor, recorded between 1977 and 1982, originally released as singles on Earl ‘Chinna’ Smith’s High Times label in Jamaica. Freddie McGregor is accompanied on the album by the Soul Syndicate band, one of the most important and defining roots reggae session groups, who worked regularly with many of the major producers in Kingston in the 1970s and ’80s.
What is amazing about this album is that ‘Natural Collie’, the most well-known cut of this set, is simply the first in a line of KILLER tunes as Freddie McGregor and the Soul Syndicate drop stunning original tunes as well as playfully recuts, re-versioning classic cuts and generally have a great time. The music is a startlingly…
Native Companion is the fourth collection of contemporary Celticana from the peregrine musician that is Ryan O’Reilly. Alongside his English roots, the Oxford-born and Winchester-bred troubadour has strong Irish and Canadian connections, and currently teaches poetry and songwriting at the Berlin campus of BIMM University. No surprise then, that his lyrics are carefully crafted and tell stories that paint scenes and memories drawn from his travels, taking in Brighton and Boston via Wicklow.
A keen collaborator with such talents as the English duo Flyte, there are influences of folk, traditional Irish music and americana at work here. Four of the songs were recorded in Toronto, five in Berlin, while the centre-piece ‘Wicklow’ was…
Aside from the obvious – the great albums, the thriving live scene – one of the best things about the folk music coming out of Dublin right now is its variety. Its artists display an admirable willingness to change and to embrace new forms: experimentation is the order of the day for groups like Landless, OXN and Lankum, all of whom have, to some extent, embraced drones or discordance. But for all the longform heaviness, all the avant-garde leanings, these groups have always acknowledged the importance of traditional Irish song, and there is still room under the umbrella for artists whose output is recognisably of that tradition. Foremost amongst those performers is Macdara Yeates. Yeates was there at the scene’s inception in 2012, one of the founders…
Rose Delta Rising is the latest LP from Derbyshire-based guitarist Nick Jonah Davis, his first solo full-length release since 2020’s When the Sun Came. Davis is best known for working solo; guitar, lap steel, the odd field recording. Rose Delta Rising is a band record. Arts Council England funded the sessions, which brought in drummer Joe Danks, bassist Neal Heppleston and composer Richard “Biff” Birkin on string arrangements. They recorded at Black Bay Studio in the Outer Hebrides and Pete Fletcher produced.
…Black Bay Studio is situated in the Outer Hebrides and overlooks the staggering landscape of that area: windswept hills and clear bodies of water. There is something magical and otherworldly about the Hebrides; a starkness and raw…
The well-traveled, two-time BMA Pinetop Perkins Piano Award winner Anthony Geraci has landed at one of the blues’ premier labels, Chicago’s Delmark Records, for his label debut, Where Were You. Without delving into his extensive biography, Geraci has long been a pillar of the New England blues scene, having had stints with Ronnie Earl and the Broadcasters, Sugar Blue and The Bluetones, leading the Boston All-Stars, and playing in the blues supergroup The Proven Ones, among his many pursuits.
Where Were You touches several bases, including Geraci leading a trio with Sheryl Youngblood (vocals/drums) and bassists Rodrigo Mantovani and Tom Terry. Geraci plays piano and Hammond B3, and sings on two tracks.

Ever since Lucas Debargue took fourth prize at the 2015 international Tchaikovsky competition, he’s refused to be pigeonholed. His distinctive journey brings him now to George Gershwin, complementing the piano concerto and preludes with beguiling original explorations of the composer’s songs in the form of a dozen études. His supple account of ‘Rhapsody in Blue’ is based on Gershwin’s solo piano arrangement, to which he adds his own partly improvised cadenzas. Like everything here, it comes up fresh as a daisy.