“Jazz is my religion,” once declared beatnik poet Ted Joans. “I know and feel the message it brings.” Throughout its expansive and enduring history, jazz has attached itself to countless different styles; it has been torn apart and reinvented in countless different ways. But that message has always remained the same, and it has always resonated with the hearts and souls of audiences across the world. Jazz, at its core, is the music of freedom, and Bill Evans’ 1962 work Interplay is as captivatingly, inventively free as they come.
Recorded in New York City in the summer of 1962, Interplay expertly captures the exciting spirit of that period in the city’s musical progression. Rising from its vibrant concrete streets, a seemingly endless array of inventive jazz…

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