…features the original album alongside rarities, instrumentals, previously unheard songwriting demos, rehearsals, and live sessions.
October 1972: with Roxy Music’s first 45 ‘Virginia Plain’ still airborne, Bryan Ferry, wearing gold-trimmed black silk pyjamas, was convalescing from a tonsillectomy. “I may never sing again,” he said, drily. “But I can’t promise anything.”
Ferry’s voice was musical Marmite, shivering and trembling like a lounge singer from Mars. Expressive to the point of caricature, it stretched the bounds of believability to such an extent that some questioned its sincerity. There were similar misgivings over Roxy’s trailblazing, wildly eclectic music. “Style over substance,” grumbled rock TV host Bob Harris earlier that year.
Category: deluxe edition
The Monkees celebrate the 60th anniversary of their self-titled debut album with a new deluxe edition through Rhino. The 1LP/3CD collection expands the 1966 album with its original stereo and mono mixes alongside rare recordings from the sessions and the television series that established Micky Dolenz, Davy Jones, Michael Nesmith and Peter Tork as international stars. The collection has been produced by Monkees historian Andrew Sandoval, with new liner notes from Dolenz. The release documents an album that became central to the unusual relationship between television and recorded music in the 1960s. The Monkees was created alongside the NBC television series of the same name, with the music assembled through a combination of the four performers…
…May 1975 found Pete Townshend turning 30 and troubled by thoughts of the future. What would it hold for The Who, the music business, and rock and roll itself? He poured his anxieties and emotions into The Who by Numbers, the October ’75 release of which would become the band’s seventh studio album. On October 30, Polydor and UMe celebrates 51 years of The Who by Numbers with a new 5CD/1Blu-ray Super Deluxe Edition.
Sessions for the album began in April 1975 and continued through early June, with producer Glyn Johns (Who’s Next) at the helm. Though Townshend recalled being detached from the sessions with his bandmates in various states of distraction, the resulting album became one of the band’s most distinctive. Underneath a drawing…
…features four never-before-heard demos alongside rare B-sides, alternate studio takes, and a previously unreleased live set recorded on the Back to Black tour in Amsterdam in 2007.
…While U.K. native Winehouse’s 2003 debut Frank made overtures to establish her as a unique new talent – her combination of vintage jazz/soul styles with raw, honest lyricism won the album an Ivor Novello Award – it was Back to Black that made her a superstar. Working with one of Frank‘s primary producers, Salaam Remi (best known at the time for producing the Fugees’ “Fu-Gee-La”), as well as Mark Ronson (a wunderkind New York DJ and stepson of Foreigner guitarist Mick Jones), Winehouse’s songs became even more confessional and grimily indebted to…
Since Britpop began, there have been endless arguments about the best Britpop band, the best Britpop album, the defining Britpop image. Choices vary, but it feels inarguable that Elastica – and Elastica – remain the coolest in all the above categories. The four-piece were cemented as elegant, eternal stars on their self-titled 1995 debut album: a collection of short, sharp songs, with equally short, sharp haircuts on the cover. Like the supernatural pop ideal immortalised in 1998’s Velvet Goldmine – a film they cameoed in – Elastica came from London but also seemingly arrived fully formed from another, sexier, less effortful dimension. Untouchable louche perfection. Exacting boy-girl androgynous tension. Post punk guitars arrived encased in…
Hootie & the Blowfish mark the 30th anniversary of their multi-platinum sophomore album, Fairweather Johnson, with a digital deluxe edition via Rhino/Atlantic Records. The release includes the band’s MTV Unplugged concert.
Released in 1996, multi-platinum Fairweather Johnson was Hootie & the Blowfish’s second studio album. The album, which followed Cracked Rear View, the best-selling debut album in U.S. history and one of the top 10 best-selling albums of all time, debuted at No. 1 on the Billboard 200 and featured fan favorites including “Old Man & Me,” “Tucker’s Town” and “Sad Caper.”
The digital deluxe edition expands the album with rare archival material. A centerpiece of the release is the band’s April 19, 1996…
Exclusively reissued on CD for the first time in over twenty years, presented in Deluxe 7” sized packaging with 2CDs featuring the album newly mastered, plus a comprehensive selection of the best of the original era remixes. Also features brand new sleeve notes written by author Kevin Sampson, The Farm’s former manager.
To celebrate National Album Day and the 2026 theme of ‘Icons’, Demon Records are proud to present the reissue of the Number One debut album from The Farm featuring the Top 10 singles ‘All Together Now’ and ‘Groovy Train’ on it’s 35th anniversary. The Farm had long been flying the flag for terrace chic, anthemic street poetry, training shoes and street fashion for many years since the mid 1980s, before the music press…
Brighton folk-rockers Levellers have been one of Britain’s most enduring and best-loved bands for nearly 40 years. And part of that incredible success has been built on the timeless anthems that comprised their platinum-selling, second album Levelling the Land, which celebrates its 35th anniversary in 2026.
Recorded at Ridge Farm studios in Surrey over the summer of 1991, it was produced by Al Scott, who was charged with translating the band’s incendiary live performances into something more refined within the recording environment. Featuring the huge hit singles ‘One Way’, ‘15 Years’ and ‘Far From Home’, Levelling The Land redefined the UK’s musical landscape providing the soundtrack for a society fed up with the twin…
…features seven previously unreleased bonus tracks from the same period, as well as a comprehensive selection of remixes from artists like Max Cooper, Robot Koch, and Aparde.
Christian Löffler’s second album is a lovingly sculpted and likeable collection of electro moodworks. Recorded in a log cabin on the Darss peninsula in the north-east of his home country, the isolation of the writing and recording process is party reflected in the bare-bone arrangements. For the most part, it works and less is more.
Mare models deep house grooves with minimal ornamentation and much of the album’s musicality manifests itself in warping loops, barely-there synth washes and deftly employed vocals. For the latter, Danish singer Mohna ghosts…
The line the Beatles drew to mark a turning point in late 1965 was both bold and significant. With the release of Rubber Soul, their sixth album, in December, the mop-tops took their first big step toward becoming artists. Its influence and history-making chain of events (from Pet Sounds to Revolver to almost every aspiring musical work released in the past six decades) have been well documented for decades. Then and now, it deserves all the attention. Things were happening fast for the Beatles in their fifth year together. Since the release of their debut album, Please Please Me, in March 1963, the quartet was on a nonstop rotation of live performances and studio dates. In the 13 months between their second LP and December 1964’s rushed Beatles for Sale…
…The album has been newly mastered for the reissue and the 2CD edition includes a selection of rarities appended to CD 1 including a newly discovered ‘Cricklewood Jam’ instrumental demo. CD 2 includes a newly mixed version of the band’s second set at the Fillmore East on 27 February 1970, which includes an 11-minute version of ‘Going Home’.
Cricklewood Green provides the best example of Ten Years After’s recorded sound. On this album, the band and engineer Andy Johns mix studio tricks and sound effects, blues-based song structures, a driving rhythm section, and Alvin Lee’s signature lightning-fast guitar licks into a unified album that flows nicely from start to finish. Cricklewood Green opens with a pair of bluesy…
…box set includes alternative versions as well as an unreleased live show from Rennes, rough mixes and radio sessions from the era. Plus ‘Twenty-Seven Points’ (that was also released in 1995), an album that consists of live recordings made in various locations between 1991 and 1995, but also contains interludes and two previously unheard studio tracks.
Mark E. Smith once again landed on his feet after departing a label, ditching Matador in favor of Permanent, but Cerebral Caustic is notable for many other reasons. First, of all people, Brix Smith (still going by the name) rejoined the lineup, while future events made this the last studio album featuring Craig Scanlon. Though not an original member, his guitar playing for many…
Taking a cue from Happy Mondays‘ smash’n’grab approach to making music, this super-deluxe reissue of the group’s totemic third album raids an array of previous Mondays releases. Alongside a new remaster of Pills ‘n’ Thrills and Bellyaches is an amalgamation of the Madchester Rave On and Hallelujah EPs; Baby Big Head Bootleg Album, the “unofficial” 1991 live recording originally let loose by the band themselves; and a slew of remixes, some lifted from original singles, others from projects issued earlier this year.
It all makes for a gloriously heady package which befits the Mondays’ time-warping maximalism. With grunge, Britpop and hip hop all outlasting the Madchester scene the Mondays birthed (and transcended), it’s easy to forget that…
The Everything But the Girl reissue campaign continues with 2CD deluxe editions of Walking Wounded and Temperamental.
Originally released in 1996, Walking Wounded peaked at No 4 on the UK Album Chart and includes two Top 10 hits, the title track and ‘Wrong’. The 2CD deluxe sees the album mastered at Abbey Road Studios by Miles Showell, with a tracklisting that follows the out-of-print Edsel 2015 deluxe edition with album and bonus tracks on CD 1, plus remixes and demos on CD 2. It’s actually not identical because for, some reason, the new reissue loses the Dilinja Remix of ‘Before Today’ (29 tracks in total versus 30 on the Edsel).
Temperamental was issued in 1999 and was Tracey Thorn and Ben Watt’s ninth studio album.
…6CD special edition featuring unheard material, including early demos, alternate takes, and unreleased songs.
There’s a live recording on this boxset that seems to perfectly embody the challenges faced by Paul Weller after he split up The Jam. He and his new band, The Style Council, are playing the Goldiggers in Chippenham, Wiltshire, in March 1984, showcasing tracks from the upcoming Cafe Bleu album to an increasingly restless audience.
“I need absolute quiet for this number,” Weller insists, before a bossa nova called “The Whole Point of No Return”. The crowd start wolf-whistling as Dee C Lee comes out to sing “Paris Match” and, as the band perform low-key acoustic songs inspired, variously, by Antonio Carlos Jobim, …
…’12 Golden Country Greats’, which includes Ween classics “Piss Up a Rope,” “I’m Holding You,” and “Pretty Girl,” has been remastered from the original tapes and comes with more than 20 unreleased demos and outtakes from the Nashville sessions. Among them are two songs cut from the original album, “I’ve Got No Darkside” and Jerry Garcia tribute “So Long, Jerry.”
The main problem with 12 Golden Country Greats is that it’s Ween’s first album to concentrate on a single music genre and such concentration lends the impression that they consider themselves above the genre. But that isn’t entirely the case. Ween recorded 12 Golden Country Greats in Nashville with numerous legendary musicians, including the Jordanaires, Buddy Spicher,…
…include the remastered album plus two discs of rarities, including previously unreleased tracks, B-sides, demos, acoustic recordings, covers, live performances and BBC sessions.
In the two years that followed the release of their debut album, Keane established themselves as a promising part of the mainstream rock canon. Hit singles like “Somewhere Only We Know,” “Bedshaped,” and “Everybody’s Changing” made Hopes and Fears a transatlantic hit, earning the trio two Brit Awards, a Grammy nomination, and a host of sold-out world tours. Critics deemed them as likeable and as accessible as Coldplay, but Keane’s return isn’t as buoyant as their initial introduction, even if it keeps melody at the forefront. Whereas Hopes and Fears faced…
Everyone remembers when bands like The All American Rejects began to surface in the rock scene early 2000s. A contagious earworm for the audio senses is an understatement for what they would achieve and create with their music alone. The All American Rejects would become a favorite for many, hooking fans with ultra-magnetic classics such as “Swing Swing,” with their lyrical charm and infectious power-pop instrumental fervor.
Standing out from the crowd of other bands at the time, All American Rejects was not quite pop, not quite punk, but sat pretty within the genre regions of pop-rock where they could test the waters of their craft.
Tyson Ritter and the band are no strangers to writing material that digs deep.