Everyone remembers when bands like The All American Rejects began to surface in the rock scene early 2000s. A contagious earworm for the audio senses is an understatement for what they would achieve and create with their music alone. The All American Rejects would become a favorite for many, hooking fans with ultra-magnetic classics such as “Swing Swing,” with their lyrical charm and infectious power-pop instrumental fervor.
Standing out from the crowd of other bands at the time, All American Rejects was not quite pop, not quite punk, but sat pretty within the genre regions of pop-rock where they could test the waters of their craft.
Tyson Ritter and the band are no strangers to writing material that digs deep.

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