Category: latin


On A La Altura: Visionary Mexican Music 1977-1999, Volume 1, a new compilation of Mexican experimental music from the latter quarter of the 20th century, the misconception that cosmic exploration is reserved for futuristic science fiction is thoroughly righted. Instead, ambient and New Age ruminations sprawl with celestial curiosity, while pre-Hispanic instruments and cinematic field recordings ground the secrets of the universe in our own verdant home-world. The result is a fascinating dialogue between ancient wisdom and Space-Age zeal, with just enough rock grooves for the body to pick up wherever your intellectual journey peters out.
Curated by the Mexican journalist Carlos “Tropicaza” Icaza and Mark “Frosty” McNeill of…

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Orchestra Baobab was founded in 1970 to serve as house band at Dakar’s Baobab Club. Between 1971 and 1987 they cut numerous albums fusing Afro-Cuban rhythms, Wolof griot traditions, mbalax, Congolese rhumba, and jazz. 1982’s internationally celebrated cassette Pirates Choice offered the depth and breadth of their musical range. It has been reissued internationally several times. After splitting in the ’90s, they reunited for 2002’s Specialist in All Styles. 2017’s Tribute to Ndiouga Dieng offered homage to OB’s late original vocalist. No less than six of the band’s former members have died, leaving alto saxophonist and musical director Seydou Norou “Thierno” Koité the only survivor from the original group. On Made in Senegal, he used veteran…

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In the small town of Bomarzo in central Italy lies the Parco dei Mostri, a 16th-century garden filled with enormous, grotesque sculptures that have been carved directly into the rock. Also known as the Sacro Bosco (“Sacred Grove”) it was commissioned by Pier Francesco Orsini and stands apart from the more ordered ideals of Renaissance garden design. Among its many sculptures, the Orcus Mouth — a huge stone face with an open mouth leading into a small chamber — has become its most recognizable image.
Its cavernous jaws have also found their way into music: Anna von Hausswolff used the sculpture for All Thoughts Fly, Italian prog band Taproban had featured the same image on their 2002 debut album, and now Mexican trio…

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As a club DJ, radio broadcaster, podcaster, and label founder, Jamz Supernova has become one of the U.K.’s foremost tastemakers, exposing audiences to music from around the world, particularly from regional dance music scenes. Her first official release is Dance Around the World, an unmixed selection related to her radio show and event series. The set is programmed to resemble a day-into-night sequence, with the more acoustic, earthy tracks up front, and the heavy dance grooves in the second half. She gives a particular spotlight to Maloya music from the Réunion Island, first with the lush harmonies of Simangavole and Soa Ravelo, then later with a jagged electro remix of a song by singer and storyteller Lo Rwa Kaf. Brazilian group Oruã’s “Capoeira Demo”…

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For the most recent offering on Easy Eye Sound, the Swiss-Ecuadorian siblings Hermanos Gutiérrez wanted to craft an instrumental love letter to South America. The resulting ten-track breezy affair, Los Ojos Del Cóndor, is an elegant journey through these soundscapes.
Alejandro & Estevan Gutiérrez worked in Nashville with studio friends and producer Dan Auerbach, keeping a visual cue in mind while recording: a lone condor soaring across the Andes. That description, as well as the brothers’ travel and heritage, led to the album’s instrumental offerings, which mix nylon-string plucking and light rhythms with moaning organ and chango guitar strumming, an instrument straight from the Andes.
The opening “Canto Andino” sets the tone and…

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Innovative guitar duo Rodrigo Sanchez and Gabriela Quintero began working together in Mexico City in the 1990s, first in the heavy metal band Tierra Ácida, then as a beach bar-playing duo in Ixtapa, then as a busking duo in Dublin, Ireland, Western Europe, Australia, and Japan. They are citizens of the world. OurHome was recorded and produced by the duo in Japan at Tokyo’s NK Studio with mixing assistance from Dave Sardy. The country, its culture, and its people are beloved by the duo. The album marks RyG’s return to a primarily acoustic sound, though electric guitars appear. The 11-track set also includes their first-ever vocal song and guest instrumentalists including jazz pianist Hiromi, guitarists Yukihiro Atsumi and Marty Friedman (ex-Megadeth), and cellist Hiyori Okuda.

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Talent alone is not enough to get ahead in the music business. You need some breaks too.
That’s the story of Austin Texas’ The Animeros (the word refers to older men who pray for souls in purgatory) path to this, their debut album. Not long after the mostly instrumental Latino trio formed in 2024, was nominated as Best New Act and Best Latin Act in a poll by The Austin Chronicle, in addition to nabbing a slot on the prestigious Austin City Limits Festival, Black Keys frontman/producer/studio and label owner Dan Auerbach got involved. He happened to hear them when their cumbia music wafted down from a rooftop as he passed below during the SXSW festival. It was their second live performance.
After signing them to his Easy Eye imprint,…

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Tokyo-based large ensemble Minyo Crusaders take elements from Japanese working-class folk songs known as min’yō, and hypercharge them with rhythm, energy, and celebratory excitement. The group has grown progressively into this hybrid of the traditional and the new over the course of several albums, combining Japanese melodies handed down over generations with Latin flare, cumbia sounds, and other global cross-pollinations. From Japan with Love finds Minyo Crusaders in a mode that’s both fiery and playful, with powerful percussion, electrified horn arrangements, and group playing that emphasizes fun. The album starts off with a bang, kicking into high gear with the salsa-flavored “Hokkai Bonuta.” There’s a clash of uncanny…

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Latin America is a true musical universe – a fusion of countless influences, genres and references layered in endless ways. One undeniable representative of this universe is the Argentine trio Tremor (Leonardo Martinelli, Gerardo Farez and Camilo Carabajal), who first emerged nearly two decades ago on Buenos Aires’ alternative music scene. Now, with a refreshed line-up featuring new member Alex Musatov on violin and synthesizers, they return with Takuy. The word ‘Takuy’ comes from Quechua and carries two meanings: the first is “to mix or combine”, while the second is “to be, to exist, remain”. Both meanings perfectly reflect the spirit of the band. Drawing from electronic music, they blend Creole psychedelia with Argentine folk explorations, enriched by a wide…

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Amigos has been beloved for decades by both long-time and recent Santana admirers, with multiple generations of fans drawn in by the record’s contagious blend of R&B, Latin, rock, and funk elements. As well as its immense accessibility. Coming off a series of albums that heavily leaned into jazz fusion, the band returns to the more dynamic and concise approaches of its earlier works without losing the sense of adventurousness, craftsmanship, and virtuosity that turned it into a juggernaut embraced by both the mainstream and experimentally minded communities.
The enhanced aural perspectives extend not only to Carlos Santana’s intoxicating fills and solos, but to the rich tapestry of the rhythmic, melodic, and vocal elements that help Amigos…

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Roberto Carlos Lange and Fabi Reyna feel like kindred spirits. Long before they met two summers ago, they were making music — as Helado Negro and Reyna Tropical, respectively — building their names with heart-on-your-sleeve electronic and indie-folk songs that touch on diaspora, longing, and love.
On their collaborative record, Helado Tropical, these two worlds naturally collapse into each other, as the seasoned emotional excavators lean into their shared strengths. The result goes down as easy as mango-champagne sorbet.
These nine songs—or perhaps seven, since “Luna” and “Sol” (another iconic pair) flow seamlessly into and out of the floaty, syncopated standout track “Fluye”—were born from a three-day…

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Swampy surf rock, psychedelic Peruvian chicha and ambient blues – within Brian J. Gitkin’s global genre-hopping, guitar-twanging discography, these are the elements that keep coming back around. And they’re here again on his fifth album, together with touches of New Orleans music and gospel. Although he plays most of the instruments here himself, Gitkin’s real speciality is in his composition, where he pulls on the threads of these different styles and reweaves them together so confidently that the blend feels entirely natural. What really binds it all is the atmosphere. There is a nostalgic but slightly unreal quality across the album’s six instrumentals and four songs, the guitar ripples and organ reverbs evoking romantic and somewhat dreamlike images…

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America is Orquesta Akokán’s fourth album. In a relatively short time, the multi-generational, international big band has won over audiences from Miami to Tokyo and many stops between with their reinvigorated take on the golden era of Cuban mambo, rhumba, salsa, bugalu, Latin soul, tumbao, and cha-cha-cha all wedded to 21st century Latin jazz.
Issued just a week after the U.S.’s 250th anniversary, the set, recorded live to tape by Daptone’s Gabriel Roth at Penrose Recorders, still relies heavily on always swinging mambo, at once intimate and poignant. They debut new vocalists in singer/musicologist/recording artist Mariam Elhajli (who has worked with Mali Obomsawin, Adam O’Farrill, Jason Lindner…

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The term tropicanibalismo has been circulating within experimental music scenes in Colombia since at least the early ’00s, broadly encompassing new and innovative approaches to coastal popular and folkloric music forms. Cumbión Planetario is Bogotá-based duo Rizomagic’s newest contribution to this tropicanibalismo landscape. Rooted in cumbia (with a particular nod to languid, Monterrey-born cumbia rebajada), perhaps the most emblematic Colombian music and dance genre, the slow-motion music of Cumbión Planetario is distinctly contemporary.
Hints of dub, a deeper camaraderie with music that might be termed IDM, and particular investments in the idea of cosmic tuning serve as important contours. Group members…

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The Analog Africa label continues its obsession with the music of Peru with this retrospective of famed psychedelic cumbia pioneers Los Orientales De Paramonga. Named for their coastal town three hours north of Lima, the band emerged from the city’s vibrant music scene that was informed not only by cumbia, but also surf, rockabilly, and tropical grooves. The original group’s founders were guitarists Victor Ramírez and Maximiliano Chávez. They loved psychedelia and injected it into almost everything they played. Their sound shaped the musical identity of the region. Following early hit singles, internal tensions led to a split between the two principals resulting in two rival groups using the same name. Los Orientales De Paramonga 1972-1976 focuses exclusively…

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Anenoa is Chilean-German artist Matias Aguayo‘s first album since relocating to Mexico City, and one of his most collaborative efforts to date. Sung mainly in Spanish, the record embraces a wide variety of Latin American dance styles, and returns to the playful absurdity of his earlier albums, rather than the stark, skeletal rhythms of 2019’s Support Alien Invasion. One thing that remains from that album, however, is Aguayo’s embrace of different cultures, and here he works with producers, musicians, and vocalists from multiple continents while changing styles with seemingly every track. “Sentimientos Encontraos” is a perky, cumbia-inspired shuffle that Aguayo wrote with the intention of it becoming a future wedding staple. “Asuca, Rock, Roll” starts out as…

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Since releasing 1994’s Ofrenda, singer/songwriter Lila Downs has been making records. That said, Cambias mi Mundo, her first since 2023’s La Sanchez, is also her very first consisting of all-original compositions. Her last offering was made during difficult times as husband and musical partner Paul Cohen’s long illness ended in death. This album, however, reflects new possibilities including romance. She co-wrote and recorded with a number of close companions and enlisted Alex Cuba as co-producer. The stunning album cover was created by Zapotec artist Alex José, who used the tarot card “the world” as an inspiration.
The set’s title track is also its opener and first single with bilingual rapper and guest collaborator Snow Tha Product. “Cambias mi Mundo”…

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Fresh off the success of 2025’s Boleros Psicodélicos II, another star-studded collection of romantic ballads, Adrian Quesada formed Trio Asesino and took a slightly different path on their self-titled debut album. With his guitar providing the melodies, Jay Mumford’s drums the backbone, and Joshy Soul’s array of keyboards the texture, the set touches on hip hop, funk, jazz, laid back cumbia, and as it snakes and shimmies through eleven songs that won’t change anyone’s life but they will make it just a bit cooler for a while. The feeling is similar to his 2022 album Jaguar Sound, but where that felt like a producer’s album, this showcases Quesada the guitarist and prioritizes capturing a live band in a room. To that end, the sound is both punchy and relaxed, the group…

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