The friends and family of the late Neal Casal have done yeoman’s work in recent years, not just honoring his redoubtable legacy, but expanding it. For instance, No One Above You (The Early Years 1991-1998), a 13-track audio anthology, complements No One Above You: A Love Story in Photographs, a 308-page photo book.
And then there is Highway Butterfly: The Songs of Neal Casal, a massive 41-song, 130-musician tribute album benefiting the Neal Casal Music Foundation (which supports musician mental wellness). Book of Stories (Home Recordings 1998-2003) follows stylishly in the wake of those titles, but is resonant in even greater distinctness: it is a certifiably great album on its own terms.
Compiled by Casal’s long-time manager and…
Category: americana
This week, states that most people never imagined could ever turn blue did just that, as part of a massive Democratic sweep in the midterm elections. Most people, that is, except for the residents actually living in them. Texas, Kansas, Iowa, possibly even Mississippi. No place is a monolith, and our country is a rich, vibrant, and diverse place in every corner, where real people rarely line up with the stereotypes we thrust upon them. They may not all be Instagram-glamorous, but they believe in meaningful work, family (chosen, born or both), and a good joke. They love hard, they struggle, and they get shit done.
That’s who Willi Carlisle, the Kansas-born and Arkansas-residing country songwriter, is singing about on his new Tyler Childers-produced…
On their fourth studio album, Abalone, New York-based Upstate confront the realities of growing older without allowing life’s harsh experiences to harden them. It’s potentially weighty subject matter, but the band approaches it with warmth, optimism and an often irresistibly upbeat blend of pop, jazz, Americana and folk.
Even the album title, Abalone, is a nod to this idea. The title track uses the abalone shell as a metaphor for how a lifetime of experiences form a rough, hard outer shell, but inside is beautifully smooth, iridescent material that reflects light in shifting shades of color. The concept of time comes up repeatedly throughout the record, starting with the opening track, “Corner,” a beautiful exercise in three-part harmonies and…
Given that Grey DeLisle keeps herself quite busy doing voice animation, it’s always a pleasure when she finds time to record a new album, especially one as rewarding as Don’t Turn Around. It’s a smart, fun, and vibrant record where she effortlessly cruises through several styles, unified by her wonderfully flexible voice and trademark incisiveness about love, loss, and heartbreak. While DeLisle has already proven herself to be a songwriter and vocalist of note, the bar is raised by some fabulous production and arrangements that make every track shine.
Original production was handled by the late Andy Paley, and his touch is everywhere, from the soaring, sun-dappled harmonies on Drive Around to the big melodic hooks on Disneyland.
It’s Lyal Strickland’s unpolished voice that makes the first impression. Immediately, it’s clear he is not your dressed-up singer-songwriter making a slick record. His songs come from the soil that he tills as a part-time farmer, from the babble of small-town drinking holes, from the sweat and pain of hard work, life’s defeats, and hard-earned small victories. His gutsy songs earn him the title Shooter of Truth, and this is Strickland’s return to recording after a ten-year absence.
Strickland pulls no punches, admitting he has inseparable relationships with depression and alcohol. Yet, he’s affectionate to loved ones, putting their importance above all else. His priorities are ultimately in the right place; he just takes plenty of detours to cope with farming and…
…includes three brand-new songs.
Those who have heard the two albums from Sons of Fathers, Paul Cauthen’s previous under-the-radar outfit, may not be surprised by the power and grit of the singer-songwriter’s voice. But the rest will be immediately transfixed by his vocals when we push play on his solo debut.
As soon as Cauthen starts singing “I’m still drivin’, when’s this break gonna come,” in a baritone that recalls a combination of Waylon Jennings, later day Guy Clark and the Maverick’s Raul Malo, you know you’re in for a dose of the unadulterated “outlaw country” that artists such as those took to the people, if not always the bank. Despite an erratic recording schedule that encompassed multiple musicians and audio engineers…
JP Harris has always understood that old songs are not relics or something to be appreciated from afar. They are passed down from one generation to another by people who alter them simply by singing them. On Shaving A Dead Man, Harris approaches traditional American material with that understanding intact, stripping away the distance that can accumulate around songs that have survived for decades or centuries. ‘Shaving A Dead Man’ is intimate without sounding delicate and is steeped in tradition without reconstructing the past. With Harris on lead vocals and banjo and Chance McCoy contributing fiddle and vocal harmony, the record places two musicians in close conversation with a musical heritage that has endured because of its ability…
Rayland Baxter has spent much of his career chasing clarity – but his newest record True Violet feels like the first time he’s truly found it. His 2022 album If I Were A Butterfly evoked transformation, but in Baxter’s own view, True Violet is the record where the true metamorphosis has unfolded.
Catalyzed less by a sudden realization than by hard-earned understanding, True Violet is a record about the slow, steady process of becoming someone new. It’s about looking in the mirror, taking responsibility for your own life, and sitting with difficult emotions instead of trying to outrun them.
Baxter spent the years around the release of If I Were A Butterfly, a record shaped by solitude and the loss of his father…
A New Jersey native and former member of bands in New Jersey, Maryland, and N.Y.C. (where he attended grad school), Jeffrey Silverstein put down roots as an educator and writer in Portland, Oregon, before launching his solo career there. He expanded arrangements from the guitar and drum machine of his earliest songs to a dreamier palette that added bass, live drums, and pedal steel by his second album, Western Sky Music.
Picking up where that album left off — but seeming softer and gentler if anything, as if trying not to disturb the surrounding environment — Doggone was recorded with returning bassist and drummer Alex Chapman and Dana Buoy, pedal steel/electric guitarist Rick Pedrosa, and keyboardist Paul Damian Hogan. Its small handful of…
There are few duos in modern Country music as consistently adventurous as Brothers Osborne. Bound by blood, a lifetime of playing music together and a shared working-class upbringing in Deale, Maryland, John and TJ Osborne have spent more than a decade establishing themselves as one of Nashville’s most distinctive acts.
Their music has always occupied an exciting space between Country, southern rock, blues and soul, with John’s formidable guitar playing providing the perfect counterpoint to TJ’s unmistakable, expressive vocals. On Watertown, they bring those ingredients back to the place where their story began, delivering a record that feels both like a homecoming and another step forward.
Named in reference to their…
Sharing secrets with strangers is more common than many realize. Sometimes it’s just a way to test a reaction, so you’re better prepared to share the secret when it counts. This is one of singer-songwriter Mary Bragg’s subjects on her album of the same name, Secrets to Strangers. She also wrestles with uncertainty throughout the album, bringing problems into the open, often without resolving them. In that sense, we are all the receptive stranger to her conversations. Said another way, it’s her way of being relatable. We all have baggage that we need to shed.
Bragg spins stories and ruminations across her twelve songs, written with co-writers Mindy Smith, Maia Sharp, Brady Stablein, and Zach Berrman. After years of producing and engineering…
The Felice Brothers is celebrated in the album Felice County Fair, a tribute album exploring and reimagining the band’s back catalogue, released via Free Flight Records/Sun Mountain Records. “A couple of years ago, a friend and advocate of the band named Brandy Schultz called us with a vision to create a tribute record to our band and wanted to ask for our blessing,” comments Ian Felice in a note to fans. “Brandy is a uniquely powerful force of nature who usually has the ingredients to make margaritas in a cooler in her car. It’s two years later now, and somehow, by her sheer will and the devotion of many wonderful musicians and producers, her vision has become a reality. The fact that so many artists have contributed to this project simply out of a love for our music…
…includes three new acoustic versions of previously released songs as well as two entirely new tracks including previously released single ‘Pity,’ and fun, rocking indie folk anthem, ‘Fell in Love (Couldn’t Get Out)’ featuring Cat Clyde.
Cowboy hats and colorful shirts can be a deceiving thing for musicians. For a general set of listeners that rely on musical snippets it would immediately indicate that who they have in front of them is your regular cow poking country singer whose life dream is to end up in some Nashville studio leading her/him to Billboard country charts.
Yet in these modern times, classic country (and western) is just one stream, and country pop, roots, Americana, and Canadiana are not only the terms in vogue, but very real genres or…
…The deluxe version of Appalachia includes 6 live tracks recorded at a sold-out show in April 2026 at The Grey Eagle in Asheville, North Carolina.
When it was time to record her new album — the follow-up to 2021’s excellent American Siren — country-folk singer-songwriter Emily Scott Robinson chose to do so at Dreamland Recording Studios, housed in a 130-year-old church sanctuary hidden in the trees outside of Kingston, New York. But the setting and the spiritual center of her work can be found hundreds of miles to the southwest of that location: “Oh, my heart for Appalachia/ Oh, my heart for these blue hills,” Robinson sings in “Appalachia,” the album’s bluegrass-y title track. “Oh, my heart forever captured, beating still.”
Live Heart: My Bluegrass Heart at the Ryman is a 3LP set that captures one legendary night in bluegrass. On January 8, 2022, in the aftermath of a Nashville blizzard, Béla Fleck was joined by three generations of renowned players who together brought the fire: Sam Bush, Michael Cleveland, Jerry Douglas, Stuart Duncan, Sierra Hull, Edgar Meyer, Justin Moses, Mark Schatz, Billy Strings, Bryan Sutton, Tony Trischka, and Molly Tuttle.
The celebrated banjo virtuoso and musical adventurer has both dug deep into his instrument’s complex global history and unlocked the breadth of its possibilities. He has earned 19 Grammy awards, and his acclaimed studio album My Bluegrass Heart, was a homecoming in sound. The music Fleck composed for his GRAMMY…
Dave Alvin, singer, songwriter, guitarist, producer, author, has touched so many forms of American music that it can be daunting to peg one’s favorite part of his career. Even today, with his psychedelic jam band The Third Mind, he is exploring jazz and early ’60s folk music. Yet the pure Americana audience likely gravitates to his mid-’90s period, when he released two straightforward acoustic folk albums and a third that was close to the same. The first, King of California (1994), a mix of covers and originals, shocked many who had long since labeled Alvin a ferocious rocker.
Four years later came Blackjack David, arguably when Alvin really found his vocal and songwriting chops. In 2000, he won a Grammy for traditional folk songs, Public Domain…
Margo Cilker describes her third album, Little White Cross, as a concept record whose premise is “essentially that she got really sad and went to Texas”. That’s a bit of an overstatement. Several of the songs are bleak. Cilker addresses the personal costs of violence, the loneliness of grief, and what happens when love does not just work out, and other somber topics. Yet her performance has a hopeful edge. She sings as a witness, not a victim. Six of the ten tracks are covers and four are originals, but they fit together thematically. Her friend and songwriter Christy Hays wrote the title cut. The “Little White Cross” referred to is one of those homemade memorials on the side of the road devoted to someone who died in a car crash. The lyrics celebrate that the plastic…
Anytime is a good time for a new John Prine album. Found Dogs was released initially in April in a limited edition run of 2,000 LPs for Record Store Day. ‘Found Dogs’ celebrates the 30th anniversary of Prine’s ‘Lost Dogs & Mixed Blessings’ and includes alternate takes, demos, and five unheard original songs gathered from recording sessions from that time.
This album opens with an alternate version of “Ain’t Hurtin’ Nobody,” a swaying, New Orleans shuffle riding atop striding boogie-woogie piano with Prine’s growling baritone testifying to a live-and-let-live philosophy inherent in the rock and roll life. Circling fingerpicking lie beneath Prine’s tender vocals on the spacious and atmospheric “All the Way with You (Acoustic Version).”
