Category: rock


Originally released in September 1996, ‘Coming Up’ represented the creative and commercial peak for a rejuvenated Suede… some debut indeed for new band members guitarist Richard Oakes and keyboardist Neil Codling. A UK No. 1 album which spent just shy of an entire year in the album chart, the vivid, electrifying ‘Coming Up’ spawned five UK Top 10 singles – ‘Trash’, ‘Beautiful Ones’, ‘Saturday Night’, ‘Lazy’ and ‘Filmstar’. Elsewhere, grimy glam stompers met elegiac ballads and stadium anthems… and 30 years on, ‘Coming Up’ still packs all its original punch.
For the anniversary, Coming Up has been expanded into an all-encompassing 5CD edition, in Deluxe 7”X 7” packaging. On CD1 ‘Coming Up’ has been newly mastered from the original…

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Following his acclaimed 2020 album The Red Planet, Rick Wakeman makes a triumphant and inevitable return to Mars with Return to The Red Planet, a sweeping new progressive work that fuses science, imagination and musical virtuosity into one of the most ambitious recordings of his career.
At a time when space exploration has moved back to the forefront of human endeavour – with missions to the Moon, Mars and beyond once again capturing the world’s imagination – Return To The Red Planet feels both timely and visionary, rekindling the cosmic spirit that helped define progressive rock’s golden age.
Where its predecessor opened the story, this album explores the planet’s ancient lakes, vast canyon systems, shifting dust storms…

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Continuing the series of archival live albums documenting German experimental rock legends Can at their mid-’70s creative peak, Live in Arles 1975 captures a set recorded in August of that year at an amphitheatre in Southern France. As with other volumes in the series, the tracks are numerically titled, as the group mainly improvised in concert, though they often touched on riffs, ideas, and rhythms heard in the songs contained on their studio albums. Also like some of the other live releases, it sounds like it was sourced from private fan tapes rather than professional recordings, but the energy of the musicians’ performances mostly makes up for the murky sound quality. The group sound strong and energetic as soon as the record button was pressed…

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1974-1977 brings together five CDs absolutely bursting with music covering the most overlooked, but arguably most pioneering, period of Marc Bolan’s glittering career. It rounds up the final three T. Rex studio albums – Bolan’s Zip Gun, Futuristic Dragon and Dandy in the Underworld – and a string of 10 peerless late-period singles (and B-sides) that included ‘New York City’, ‘Dreamy Lady’, ‘The Soul of My Suit’, and of course ‘I Love to Boogie’. Throughout the journey Marc’s restless muse and creative spark encompasses soul and R&B (‘Ride My Wheels’, ‘Dreamy Lady’), excursions into proto-glam metal (‘Zip Gun Boogie’, ‘The London Boys’) and nervy, spiky-sharp tracks (‘Think Zinc’, ‘Celebrate Summer’) that nod towards the punk explosion happening…

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Gugaruz (curated by Zappi W. Diermaier): Werner ‘Zappi’ Diermaier has spent decades channeling spontaneity into a unique rhythmic language; a direct, instinctive and vital beat born from the creative freedom which has long defined the spirit of Faust. This same intuitive approach is at the heart of his new LP ‘Gugaruz’, created in collaboration with Dirk Dresselhaus (Schneider TM) and Elke Drapatz, a record which grew organically from shared experiences, chance encounters and the energy of collective interaction. The project’s unlikely starting point came in a Vietnamese restaurant, when Diermaier pointed to a piece of pickled baby corn and exclaimed “Gugaruz”, an Austrian dialect word for maize. That small moment triggered a chain reaction…

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Peter Hammill has never been an artist interested in taking the easy route. Whether through Van der Graaf Generator or his extensive solo catalogue, his music consistently occupies a space where beauty, tension, introspection and unease exist side by side. Tears in Time, his first solo album in five years, continues that tradition while looking back across decades of creative exploration.
Released through Cherry Red’s Esoteric Antenna label, the album brings together eleven compositions drawn from recordings made at Hammill’s Terra Incognita studio between 1991 and the present day. Rather than feeling like an archival collection assembled from unrelated fragments, Tears in Time develops into a surprisingly coherent journey through memory…

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Tom Morello returns with his first solo rock album, Everyone Gets Everything They Want, released via Mom + Pop Music.
Produced by Tyler Smyth, Carl Restivo, Zakk Cervini, Dan Carey, and Sam Nelson Harris, it features guest appearances from Serj Tankian, Kneecap, and Beartooth. Morello’s son Roman Morello co-wrote five tracks, contributing guitar riffs and solos.
Tom Morello is a Grammy-winning, Harvard-educated, Rock & Roll and Metal Hall of Fame-inducted artist, songwriter, and activist living proof of the transformative power of rock ‘n’ roll. Known for his innovative guitar work and socially conscious songwriting, Morello rose to prominence as a founding member of Rage Against the Machine and Audioslave…

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The Frank Zappa estate have released a 60th anniversary super deluxe edition of his debut album with The Mothers Of Invention, Freak Out!.
In keeping with the Zappa estate’s recent run of 50th anniversary releases – Waka/Wazoo, Over-Nite Sensation, Apostrophe, One Size Fits All and Bongo Fury – the reasonably-priced set is packaged in a neat clamshell box and features the original album, studio outtakes, demos, rehearsals, live tracks over multiple CDs, plus a Blu-ray featuring various mixes. As with many Zappa releases, unpicking what’s already out there is tricky, with the period around Freak Out! already covered by a bunch of releases. Released in 1985 as part of The Old Masters: Box One, Mystery Disc was a compilation of early Mothers material…

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Roger Clark Miller was guitarist/vocalist/co-leader in the highly influential post-punk band Mission of Burma. Their album Vs. was listed at number 19 in Pop Matters’ “50 Best Post-Punk Albums ever”, and number 24 in Rolling Stone’s “100 Greatest Punk Albums of All Time.” They even have a chapter dedicated to them in “Our Band Could be Your Life.”
He continued expanding his guitar skills after Burma on his Dream Interpretations for Solo Electric Guitar Ensemble album and through his current rock band Trinary System.
His new album, The Green Man, due late summer 2026 on Don Giovanni Records, sees him returning to slightly more traditional song-writing. As a solo singer/songwriter, the lyrics are prominent, supported by his unique guitar stylings.

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Haken underwent a sea change in January 2026 when guitarist Charlie Griffiths and bassist Conner Green left the band and formed metal band Tiktaalika. It forced them to regroup and reconsider where they’d been as both a band and as individuals. In a fever dream is a five-track EP created by the remaining quartet, with guest bassists Bryan Beller and Adam “Nolly” Getgood. As expected, the loss of a third of the lineup necessitated aesthetic as well as practical changes.
Haken’s trademark prog rock sound remains; this EP’s sonic profile is a close cousin to the albums Vector and Virus, with a more strident electronic backbone. That said, the music on offer here also sidles up closely to 21st century prog metal. It’s easy to hear that Haken…

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Summer Magic 1985 is a 20CD collection featuring seven previously unreleased concerts from the legendary band’s 20 Years So Far tour.The Dead’s magic in the summer of ’85 was plentiful, and the large box will include all three of the band’s 20th anniversary concerts at Berkeley, California’s Greek Theater (6/14-6/16/85) which kicked off the tour, as well as dates from Saratoga Performing Arts Center (6/27/85); Hersheypark Stadium (6/28/85); and Merriweather Post Pavilion (6/30/85).
All of the gigs were recorded by the Dead’s longtime sound engineer Dan Healy and mastered for this release by David Glasser at Airshow Mastering. Typical for the Dead sets of this magnitude, it’s a lavish affair with original artwork by Marcos Alvarado…

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Carrying on the legacy after the tragic passing of lifelong friend and co-founder Daniel Hutchens, influential roots-rock outfit Bloodkin released the downtrodden and poetic Flowers & Ash. The 10-song project is a cathartic, meditative listen on the idea that you never need a bigger picture to worry about if the little things are out of order, opting for slower melodies that punctuate the complexity of the songwriting.
…Rather than trying to replace an irreplaceable creative partner (the pair first met when Carter was 7 years old), Carter chose to embrace the album as both a tribute and a continuation, crafting a focused, 40-minute collection of songs meant to be experienced from beginning to end, with Hutchens’ spirit woven throughout every track.

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Ringo Starr, Phil Collins, and Don Henley are just a few examples of drummers who have had successful solo careers. You could add Roger Taylor of Queen to that list. He may not have sold as many albums, but he has had a very healthy solo career. He has just released his seventh solo album, Violence Insane in a Beautiful World, his first since 2021’s Outsider. Taylor has created a very cohesive and strong album with a great deal of meaning throughout. It is a very positive album, with bits of anger, but it is a beautiful album.
The album opens with “A Beautiful World.” Anytime you combine a little science fiction with science fact, it works perfectly. The addition of The Ndlovu Youth Choir with their stunning backing vocals just makes it a great opening.

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It appears that much of Three Dog Night’s catalogue has quietly moved to Primary Wave Music; now comes a new physical release on CD and vinyl of the band’s fifth album, 1971’s Harmony. It features two top ten hits: Paul Williams’ “An Old Fashioned Love Song” and Hoyt Axton’s “Never Been to Spain.” Harmony has been remastered for this release.
The release of Harmony in the fall of 1971 gave Three Dog Night their seventh gold record in less than three years, yielding two Top Ten singles with Paul William’s “Old Fashioned Love Song” (number four) and Hoyt Axton’s “Never Been to Spain” (number five). In addition, William’s “Family of Man” would just fail to crack the top of the charts, rising as high as number 12 by March of 1972.

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In 1995, amidst the alternative rock-osphere of sincere boys with angst to spare, entered Ben Folds Five. The misnomered trio of Ben Folds on piano and vocals, Robert Sledge on bass, and Darren Jessee on drums, Ben Folds Five interjected a bit of much-needed whimsy into a scene that was rapidly becoming stale. The band’s debut album was an explosion of pop-filled tunefulness, endearing silliness, and musical jubilance that set the band apart from its peers and catapulted them into the limelight.
Now, upon the 30th anniversary of Ben Folds Five’s eponymous release (or the 31st anniversary to be exact), the band’s vaunted debut is being reissued, on double vinyl and CD, with a special bonus. Before the band recorded…

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Punch Card delivers android funk of the highest order. The Stoke-on-Trent trio raises the ghosts of Hearpen Singles Pere Ubu and robot-funky Devo. The main flavor though is the earliest version of the Talking Heads (think “Psycho Killer”). Formal Sppeedwear moves with the herky-jerky, stutter-stepping assurance of the very earliest Talking Heads, before the incorporation of Afro-beat, all thumps and yelps and manic rants. They raise rickety architectures of post-punk syncopation, the bass plunking forward and doubling back, as fizz bombs of trebly guitar go off, synth stabs rattle and wobbly rants unfold. The music shakes like jello and bangs like junkyard metal.
…This is the band’s first album, following a hotly tipped EP from 2024. It’s a disciplined…

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