Summer Magic 1985 is a 20CD collection featuring seven previously unreleased concerts from the legendary band’s 20 Years So Far tour.The Dead’s magic in the summer of ’85 was plentiful, and the large box will include all three of the band’s 20th anniversary concerts at Berkeley, California’s Greek Theater (6/14-6/16/85) which kicked off the tour, as well as dates from Saratoga Performing Arts Center (6/27/85); Hersheypark Stadium (6/28/85); and Merriweather Post Pavilion (6/30/85).
All of the gigs were recorded by the Dead’s longtime sound engineer Dan Healy and mastered for this release by David Glasser at Airshow Mastering. Typical for the Dead sets of this magnitude, it’s a lavish affair with original artwork by Marcos Alvarado…
Category: live
Before his death in 2012, American singer/songwriter Terry Callier experienced a career resurgence in the U.K. where he was championed by artists ranging from Paul Weller and Beth Orton to Massive Attack and Michael Kiwanuka. BBE’s Live Peace is drawn from two intimate live performances from the period at The Yardbird Suite/The Underground, both in Leeds, in 1998 and 2001, backed by his Family Band: guitarist Jim Mullen, keyboardist Chris Kibble, drummer Nic France, bassist Dave Barnard, Brazilian percussionist Bosco D’Oliveira and saxophonist/flutist Gary Plumley. The shows were taped by Martin Dixon who created desk reference cassettes. They were restored using AI-assisted audio tools and assembled by Greg Boraman of Impressive Collective.
This short but very sweet eight-track vinyl release represents one of the milestones in the career of the least typical of British punk bands. Though they’re generally classed as post-punk, the Fall were technically more “parallel punk,” having formed in 1976, and not under the influence of the Sex Pistols or Ramones, but the Stooges and Can. For many bands of the era, the spartan recording conditions and strict timetable of the BBC studios where sessions were recorded for John Peel’s radio show were a challenge, but for the Fall this was actually a step up or, more typically, a step sideways. 1978 turned out to be the band’s year or at least a fairly strong start – they had made their only studio recordings to date, the Bingo-Masters Break-Out!
The CD features the full concert remixed and remastered from the original multi-track master tapes and restored to its original running order and released for the very first time.
Includes live versions of the hit singles ‘New Song’, ‘What Is Love?’, ‘Hide And Seek’, ‘Pearl In The Shell’ and ‘Like To Get To Know You Well’ plus Howard’s previously unreleased version of the Xmas favourite ‘Ding Dong Merrily On High’, sung to the backbeat of his hit single ‘New Song’.
This ‘restored’ live in concert performance by Howard Jones is being released on DVD for the first time.
Also includes a version of the track ‘Human’s Lib’ featuring Howard’s full spoken introduction entitled ‘The Story Of Ruth, David and Dennis’.
Recorded last year in Los Angeles, Ghosts of American Psychonauts finds Will Oldham reworking five of his best-loved tracks (including ‘I See A Darkness’) and a handful from 2025’s ‘The Purple Bird’.
Oldham had an impressive ensemble with him for this one. Of course, his regular tourmates Thomas Deakin and Jacob Duncan were present, but it’s the guests that make this one special: London May on drums, Patrick Shiroishi on sax, Emmett Kelly on bass, Ryder McNair on piano and Dv DeVincentis on sax. Even ‘The Purple Bird’ producer Dave Ferguson shows up to sing John Anderson’s part on ‘Downstream’. And although the new tracks are good to hear in a more casual format, a hop, a skip and a jump from Nashville…
Experience the full force of Grateful Dead at Merriweather Post Pavilion on June 30, 1985 with Merriweather 6/30/85, a previously unreleased complete live performance. Originally part of the Summer Magic 1985 limited 20-CD boxed set, it’s now availabltreet.
Sourced from the original Sony F1 tapes, the album was mastered by Grammy Award-e as a 3-CD set and limited edition 4-LP set.
It’s a vital snapshot of the band in peak summer form, featuring favourites including Sugar Magnolia, Cryptical Envelopment, and what many Dead Heads call the finest ever take on Shakedown Swinning engineer David Glasser and produced for release by Grateful Dead legacy manager David Lemieux.
Crescent City jump blues pianist Mitch Woods does it all by himself on his latest release, A Night in New Orleans, recorded live at the Snug Harbor club during the 2026 New Orleans Jazz & Heritage Festival. He sings, tells stories, and, most importantly, plays boogie-woogie piano to entertain the crowd.
You can hear their enthusiastic response as he hits the keys, but they never throw him off his stride. Indeed, the opposite is true. They inspire him to play faster and harder. As he notes during his rendition of Louis Jordan’s “Choo Choo Ch’boogie”, he doesn’t have a drummer. His audience must supply the rhythm for his energetic melodies.
Singing and playing solo allows Woods the flexibility to cover a wide swath of the Big…
The Tunnel of Love Express tour is marked by changes: the addition of a horn section for the first time on E Street since 1976 (save for a few dates in 1984 including August 19 and 20); the billing of Bruce Springsteen featuring the E Street Band; and where those seven musicians were positioned on stage. In retrospect, none seem material in terms of lasting impact.
Perhaps the most significant change in 1988 was Springsteen’s public embrace of adulthood and its inherent and often private complexities, explored so movingly on the tour’s namesake album, Tunnel of Love. Much of the yearning and pining romanticism found on Born to Run, Darkness on the Edge of Town, and The River gave way to starker realizations (“When you’re alone…
Just two years into their subtle takeover of radio, MTV, and concert stages across the globe, The Cranberries played a surprisingly intimate show in 1994 at London’s Astoria II. A recording of the set was recently discovered and is being released for the first time. The show finds a band that had just released their (soon-to-be massive) debut with a follow-up on the way (1993’s Everybody Else Is Doing It, So Why Can’t We? and 1994’s No Need to Argue). Despite still being a relatively young band, they played that show with the confidence many groups take decades to develop.
Coming off a series of massive gigs in the U.S. o, opening for Duran Duran, playing to a crowd of around 1,000 at this London gig must have been just as jarring as their leap from small…
With the release of his first-ever live album, Daniel Donato is experiencing a genuine full-circle moment. What began as a fledgling music career busking around his hometown of Nashville, TN, Donato quickly found his footing as a regular performer among the litany of legendary Music City venues. Most notably, Donato became a fixture at Robert’s Western World, an intimate space that abuts Nashville’s iconic Ryman Auditorium, where the prodigious guitarist honed his generational musical talent over the course of nearly 500 performances and spent countless hours after those shows dreamily staring up at the Mother Church of Country Music.
Fast forward to August 22, 2025, exactly ten years to the date of his final show at Robert’s,…
Exactly 30 years after Soul Asylum’s legendary 1993 MTV Unplugged session – recorded at the height of the band’s fame – the Minneapolis alt-rockers returned to their hometown to once again strip things down and go acoustic.
The performance captured that night wasn’t a song-for-song recreation of their early-’90s set, but it was very much conceived in the same spirit: an intimate, unvarnished look at a band and a songbook now carrying three more decades of history.
Three years later, the band is giving the album, MPLS Unplugged, captured from that Minneapolis show, a proper release. Frontman and rhythm guitarist Dave Pirner is the sole remaining member from the Grave Dancers Union era of…
When Pulp and Jarvis Cocker (the band’s soul and brain) appeared back in the ’90s, quite a few critics, even with all the praise, didn’t expect either to last long on the music scene, tying Pulp and Cocker to the Britpop “fad.”
Well, that “fad” is still around, and so are Pulp and Cocker. Yet they didn’t succeed because they remained strictly connected to Britpop, as both had wider aspirations, which they were able to reach with some, simply put, brilliant music and lyrics, being one of the rare artists that were able to bring their cross of British/European song trends (and Cocker himself is a sort of an encyclopedia in that respect) worldwide.
So it is no wonder that Pulp is getting their own live documentary – Pulp: What Do You Do…
In the summer of 1976, Bob Marley & The Wailers hit the UK shortly before the heatwave, in mid-June. They’d been touring Rastaman Vibration since April – breakthrough shows in the US and Europe – and in Britain, just a few months after the success of Live! and No Woman, No Cry, filled four nights and two matinees at
the Hammersmith Odeon, announcing that reggae was no niche novelty but a potent force. In the audience was future DJ Don Letts who in the linernotes here makes an impassioned case for that residency’s significance. “It made British kids who’d never stepped in a Caribbean household feel the hum of something deeper than rock or pop. Marley showed the world the spirituality, rebellion and beauty inside our culture.” Letts also asserts that reviewers of…
This live recording captures the “Jazz at Berlin Philharmonic” concert celebrating Nils Landgren‘s 70th birthday at the Berlin Philharmonie, conceived as a tribute to his idol and later collaborator, the late Joe Sample, built around songs with a deep personal connection to Nils. Leading jazz musicians join forces with the outstanding brass players of the Berlin Philharmonic, with arrangements by Grammy-winning multi-instrumentalist Magnus Lindgren and a guest appearance by acclaimed vocalist China Moses.
…With more than sixty albums released under his own name, along with countless collaborations spanning a remarkable range of musical worlds, he has built a career founded not on stylistic boundaries, but on curiosity and…
As impressive as blues rocking guitarist Joanna Connor’s studio albums are, it’s onstage where she burns the brightest. Perhaps that’s why she has released a handful of live recordings after 1989’s debut, the first being Living on the Road (1993). But it has been sixteen years since 2019’s Live 24, and even though Connor’s most recent releases shepherded by longtime fans Joe Bonamassa (2021’s fiery 4801 South Indiana Avenue) and Mike Zito (the terrific Best of Me from 2023 [not a greatest hits collection]) have been impressive, they only hint at the power and exuberance she delivers for a typically blazing gig in a club full of blues lovers.
That’s the setup for Live on 11/11, recorded at a single show on the titular date in 2025 at…
On August 20, 1976, KISS performed in front of over 42,000 fans at Anaheim Stadium in California. It was the then-rising band’s largest audience to date; only three years earlier, the band had been performing to audiences of ten people. The band are now commemorating the 50th anniversary of a seminal concert with a new collection titled Destroys Anaheim ’76.
Eddie Kramer, who originally recorded the concert, has newly mixed the material from the original multi-track tapes. The album features liner notes by Ken Sharp, who has authored multiple books on the hard rock group, including the New York Times bestseller Nothin’ to Lose: The Making of KISS. The special collection includes unreleased photos and memorabilia imagery.
