Given that Grey DeLisle keeps herself quite busy doing voice animation, it’s always a pleasure when she finds time to record a new album, especially one as rewarding as Don’t Turn Around. It’s a smart, fun, and vibrant record where she effortlessly cruises through several styles, unified by her wonderfully flexible voice and trademark incisiveness about love, loss, and heartbreak. While DeLisle has already proven herself to be a songwriter and vocalist of note, the bar is raised by some fabulous production and arrangements that make every track shine.
Original production was handled by the late Andy Paley, and his touch is everywhere, from the soaring, sun-dappled harmonies on Drive Around to the big melodic hooks on Disneyland.
You need to be logged in to view the rest of the content. Please Log In.
It’s Lyal Strickland’s unpolished voice that makes the first impression. Immediately, it’s clear he is not your dressed-up singer-songwriter making a slick record. His songs come from the soil that he tills as a part-time farmer, from the babble of small-town drinking holes, from the sweat and pain of hard work, life’s defeats, and hard-earned small victories. His gutsy songs earn him the title Shooter of Truth, and this is Strickland’s return to recording after a ten-year absence.
…includes three brand-new songs.
JP Harris has always understood that old songs are not relics or something to be appreciated from afar. They are passed down from one generation to another by people who alter them simply by singing them. On 
There are few duos in modern Country music as consistently adventurous as Brothers Osborne. Bound by blood, a lifetime of playing music together and a shared working-class upbringing in Deale, Maryland, John and TJ Osborne have spent more than a decade establishing themselves as one of Nashville’s most distinctive acts.
…The deluxe version of Appalachia includes 6 live tracks recorded at a sold-out show in April 2026 at The Grey Eagle in Asheville, North Carolina.
On her previous album, 2024’s 
Pop music is a game where reinvention is a vital part of the process in the 21st century, and Orville Peck knows that as well as anyone. Transforming himself from a talented but unknown Canadian indie rocker to a bigger-than-life gay cowboy icon with a voice and a swagger as big as all outdoors was no small accomplishment, and as strong as his work has been (especially 2019’s 
For over 20 years now, 
The Rolling Stones have a new album, Foreign Tongues, out, much to their fans’ delight. Audiences have long craved the raw blues-rock sound of Mick Jagger’s vocals, Keith Richards’ slashing riffs, and the band’s pugnacious attitude. Critical reception to the new record has been mixed, but there is ample desire for such unvarnished manly sounds. As evidenced by the reviews, fans of the new Stones record weren’t looking for a return to the courtly baroque pop of “Lady Jane” or “As Tears Go By”. They wanted the loud, aggressive energy of “Jumpin’ Jack Flash” or “Tumbling Dice”.
With the release of his first-ever live album, Daniel Donato is experiencing a genuine full-circle moment. What began as a fledgling music career busking around his hometown of Nashville, TN, Donato quickly found his footing as a regular performer among the litany of legendary Music City venues. Most notably, Donato became a fixture at Robert’s Western World, an intimate space that abuts Nashville’s iconic Ryman Auditorium, where the prodigious guitarist honed his generational musical talent over the course of nearly 500 performances and spent countless hours after those shows dreamily staring up at the Mother Church of Country Music.
For singer-songwriter Alicia Blue, Waylon Jennings isn’t so much an influence as someone she calls “a creative angel summoning her from another realm”, so to have his son, Shooter Jennings, describe her as “As rare as they come” must feel like quite the accolade.
Cover bands abound within contemporary music circles, both on stage and in the studio. But a chosen artist’s interpretation of the songs and music of another rarely matches (and never exceeds) the authenticity of spirit displayed by Christian Parker and those kindred spirits with whom he has been collaborating in recent years on the esteemed canon of that iconic American band, The Byrds.
…the deluxe edition includes two previously unreleased demos from Coe’s earliest Nashville recording sessions with Shelby Singleton.
One of the most intriguing features of being an 80 year-old singer/songwriter still composing songs is the acquisition of a lifetime of experience for material. That, among other aspects, makes Texas troubadour Ray Wylie Hubbard’s new album, Reel 2 Reel 4 Real so entrancing.
Here are three immutable facts about Brandon Richard Flowers: he was born just outside Las Vegas, Nevada. He is 45 years old. And he never does anything by halves.
Six years between albums, Nashville’s Elizabeth Cook returns with her latest LP, continuing her streak of writing pretension-free outsider country/Americana music populated by society’s outcasts and the overlooked.