Adrian Younge always has several projects on deck. In 2026 alone he produced and played on three releases from his and Ali Shaheed Muhammad’s Jazz Is Dead label, with one more coming. Further, his Linear Labs studio and label have issued three 2026 outings: the completely solo outing Younge, the EP Afro-Disco Makossa, and the forthcoming Proud of Me in collaboration with British singer/songwriter ALA.NI.
That’s a lot of work for one man, but Younge’s organic process makes it all possible. What’s more, he makes it look easy.
Afro-Disco Makossa was born from a single question: “What would a Ghanaian producer in ’76 have made if he set out to create an American disco record for his hometown?”…
Category: funk
…The album has been newly remastered and cut directly from the analog master tapes.
It starts with a crackle of feedback shooting from speaker to speaker and a voice intoning, “Mother Earth is pregnant for the third time, for y’all have knocked her up” and talking about rising “above it all or drown in my own sh*t.” This could only have been utterly bizarre back in 1971 and it’s no less so decades later; though the Mothership was well on its way already, Maggot Brain really helped it take off. The instrumental title track is the key reason to listen, specifically for Eddie Hazel’s lengthy, mind-melting solo. George Clinton famously told Hazel to play “like your momma had just died,” and the resulting evocation of melancholy and sorrow doesn’t merely rival…
…Timeless, a new collection from NPG Records and Legacy Recordings, offers 10 previously unreleased recordings spanning the breadth of the Minneapolis legend’s career, from a 1978 home recording to a live take of a favorite B-side from one of his final concerts.
Prince’s version of “With This Tear,” an early ’90s ballad given to Celine Dion and released to mark the 10th anniversary of his passing this past April, feature on the album, along with new focus track “Stone,” a pop/funk number tracked in 1995 and based on a track from R&B singer Sandra St. Victor. “Stone” was considered for an early configuration of Prince’s 1996 triple album Emancipation, though many of the songs included here aren’t known to be strictly tied to known…
The inclusion of a couple Force-era demos on 2019’s ACR:Box indicated that there could be more such recordings languishing in A Certain Ratio‘s vault. Force Majeure, released in tandem with The Joy of Sextet in 2026, confirms it and then some. Bearing a title that can taken as a declaration of its superiority to the band’s 1986 album, it certainly has an urgency and altogether richer/rawer sound, and while the aforementioned tracks were classified on the box as demos, “original versions,” the term applied here, seems more apt given that the material is fully developed. Moreover, the performances come across as serious rehearsals and further accentuate the crucial additions of keyboardist Andy Connell and saxophonist Tony Quigley. With those two…
After they released It All Comes Down to This, their third new LP of the 2020s, A Certain Ratio looked to the past by touting — and touring in support of — anniversaries related to two of their ’80s albums. Issued simultaneously with Force Majeure, which presented early versions of songs from the 40-year-old Force, The Joy of Sextet marked 45 years since the recording of Sextet. (Sextet was also intended for release in 1981, but did not materialize until early 1982.)
A different proposition from Force Majeure, The Joy of Sextet is the result of ACR handing the multitrack Sextet tapes to Andrew Meecham, aka the Emperor Machine, a veteran producer who had previously remixed ACR tunes and even played on 2023’s rather confusingly titled 1982.
The Huntertones, the powerhouse funk-soul group and the second coming of sorts of Tower of Power, waste no time establishing an irresistible groove on Transmission, their sixth album. If you are new to the band, chances are that you’ve heard them before. Their high-profile collaborations include Jon Batiste (when he was bandleader on Colbert), Stevie Wonder, Ed Sheeran, Snarky Puppy, Charlie Hunter/Kurt Elling’s SuperBlue, and most recently, backing Lake Street Dive at this year’s Newport Jazz Festival. They reciprocate some of those honors by inviting Elling and Rachael Price of Lake Street Dive to sing on a track each.
The group began as the Dan White Band at Ohio State University in 2014 but is now located in NYC. They are: Dan White (tenor and baritone…
André Cymone is here to let you know that the rumors of funk’s extinction have been greatly exaggerated. He would know. Cymone was not only central to Prince’s sound as the Purple One’s bassist in the early years, he was also a major part of the Minneapolis funk scene even before Prince was crowned. And he’s had an impressive run on his own ever since, including not only some killer solo albums, but production and songwriting for Jody Watley, Adam Ant, and loads of others.
In recent years, though, Cymone’s solo outings have been few and far between, so The Resurrection of Funk works as a welcome reintroduction to the guts and grandeur of his groove kingdom. That there’s more than a passing sonic similarity to Prince in Cymone’s…
Neapolitan duo Nu Genea have evolved from producing cosmic house music to making a much more organic, vintage-sounding blend of disco, funk, and boogie which incorporates global influences including Mediterranean pop, MPB, and Afrobeat. They released an album with pioneering Afrobeat drummer Tony Allen in 2016, and both of their subsequent LPs, 2018’s Nuova Napoli and 2022’s Bar Mediterraneo, have been in demand, selling out multiple pressings.
People of the Moon, Nu Genea’s 2026 effort, expands their scope, with a greater amount of guest musicians and songs sung in five languages, yet it also feels like the group is continually refining their sound and writing catchier material. The two songs featuring Spanish…
Following a hiatus of nearly three years, Tramp Records return to their acclaimed Can You Feel It series with a fifth edition, resuming their treasure hunt through the oft-overlooked depths of the late 1970s disco and modern soul landscape.
As ever, the focus falls on long-lost private-press obscurities, unreleased recordings and neglected dancefloor cuts, with Bill Deal & The Rhondels sharing space with Ryjel’s ‘Heart’s On Fire’, Avatar’s ‘Been Thinkin’ About You’ and King Perkoff’s ‘When You Live In Marin’. Including bonus 7″ of a very rare disco single!
From extremely rare tracks to easily accessible ones and even unreleased material-this release has everything to make a collector’s heart race. Once again, these songs will get you…
New Orleans funk and R&B legend Cyril Neville has released Don’t Wait Til I’m Gone, his first solo album in several years. Produced by trumpeter/ vocalist Shamarr Allen, the album features a wide-ranging cast of New Orleans musicians, including members of the Hot 8 Brass Band, guitarist Leo Nocentelli, saxophonist Donald Harrison, keyboardist Ivan Neville and Kermit Ruffins. The title track is a collaboration between Cyril and his brother Aaron Neville, who co-wrote the song with Michael Goods and contributes vocals.
Allen played a major role in shaping the record, co-writing many of the songs and arranging much of the horn work. One standout track, “Lemonade,” incorporates the second line energy of the Hot 8 Brass Band and was written…
The current popularity of primarily instrumental bands combining funk, blues, R&B and soul can’t be entirely traced to the UK’s New Mastersounds. But there is no question that the recently disbanded quartet’s output, which began in 2000, brought new life and a fresh attitude to a genre that experienced a brief commercial surge in the mid-’60s.
So, it’s no surprise that Pittsburgh’s Norside, who opened dates for the Mastersounds, would look to that quartet to craft their similarly-styled sound. Their second album, Coal &Soul, embodies that, albeit in a trio format. It’s no coincidence they landed on the label that New Mastersounds’ guitarist Eddie Roberts founded.
Credit for this keyboards, guitar and drums…
FATHERS conjure a tropical, ’70s-inspired jazz, funk, and fusion atmosphere on their eponymous 2026 Blue Note debut. A supergroup, FATHERS features creative director/producer Kenneth Blume (aka Kenny Beats), keyboardist Keifer Shackelford, bassist/multi-instrumentalist Ben Carr (aka CARRTOONS), and drummer Nate Smith. While they formally came together in 2026, the group initially began as a one-off collaboration when Smith brought Kiefer and Carr on board his 2023 residency at the Montreal Jazz Festival. No stranger to cross-genre experimentation, Smith won a Grammy for 2025’s Live-Action, an album that showcased his broad-minded taste, dipping into funk, hip-hop, and sophisticated modal jazz. Here, FATHERS take a similarly…
Toronto was always a sort of musical melting pot, so it is no wonder that the core trio of Toronto-based, Brazilian native multi-instrumentalist Felipe Sena with co-writers Artu Bastos and Dan McLay that goes by the name of Orbital Ensemble, has found its nesting place there.
With a help of a multitude of truly experienced musicians, this true ensemble has come up with its second album, Continua, recorded primarily live with the core six-piece that is often the manner in which Orbital Ensemble plays on stage, Sena, Bastos, and company have come up with something that is labelled quite precisely as neotropical psychedelic sound.
And yes, that is exactly what this mostly instrumental music sounds like – a combination…
The Karl Hector adventure continues with their fourth studio album. Since the release of Sahara Swing, the group have built a devoted following through their fusion of funk, psychedelic sounds and influences from across Africa, the Middle East and beyond.
Yolek digs deeper into the Krautrock history embedded deep in the soil of their native Munch – three of the most influential bands of the 1970s experimental German rock scene sprung from there: Amon Düül, Popol Vuh and Embryo. Drawing from those bands’ homebound and worldly influences, JJ Whitefield and Zdenko Curulija conceived and produced this kosmiche-werk. Influenced by these musical heroes, and following the path of Non Ex Orbis, Whitefield…
Maria is the debut long-player by London-based Brazilian bassist and composer Moyses Dos Santos. Originally from Sao Paolo, he emigrated to the U.K. in the late 2000s, where he’s made a name as a first-call session and concert musician who has worked with many artists, including Omar, Nile Rodgers, and Janelle Monáe. The album’s flavor is rooted in the styles and rhythms of northeastern Brazil filtered through 21st century British jazz, funk, and soul. Among the set’s many contributors are Azymuth’s keyboard ace Kiko Continentino, arranger Arthur Verocai, trumpeter Theo Croker, vocalist Lynda Dawn, Incognito drummer Francesco Mendolia, pianist Chris Eldred, and many others. The album is titled after Dos Santos’ mother, and given that root connection,…
…includes three bonus tracks: covers of Eddie Murphy’s “Party All the Time,” William Bell’s “You Don’t Miss Your Water,” and Procol Harum’s “A Whiter Shade of Pale.”
“Johnny can do what he wants,” Sturgill Simpson told Uncut when his new alias debuted on 2024’s Passage Du Desir, which found him rolling through Paris streets “like a cork in a bottle” while listening to ‘70s soft rock and Serge Gainsbourg.
His first five albums proper had burned Nashville bridges during an odyssey through outlaw country, psychedelia, synths and Kentucky bluegrass, while tracing the five metaphysical phases of the Western soul.
Johnny Blue Skies blew this preordained cycle away. He feels more real this time round, not…
