Adrian Younge always has several projects on deck. In 2026 alone he produced and played on three releases from his and Ali Shaheed Muhammad’s Jazz Is Dead label, with one more coming. Further, his Linear Labs studio and label have issued three 2026 outings: the completely solo outing Younge, the EP Afro-Disco Makossa, and the forthcoming Proud of Me in collaboration with British singer/songwriter ALA.NI.
That’s a lot of work for one man, but Younge’s organic process makes it all possible. What’s more, he makes it look easy.
Afro-Disco Makossa was born from a single question: “What would a Ghanaian producer in ’76 have made if he set out to create an American disco record for his hometown?”…
Category: soul
Chopping Mountain is the sixth long player from Ibibio Sound Machine. It was recorded in South London at their Vanguard studio and produced by synthesist/saxophonist Max Grunhard. It’s the first time ISM has eschewed an outside producer since 2019’s Doko Mien. Their subjects across these ten tracks are love, social and political resistance, unity, and healing, both societal and individual. While these aren’t unfamiliar topics, they are presented with a seamless maturity and an unwillingness to compromise. The songs were rehearsed, performed, and recorded collectively; they’re chock-full of classic West African highlife, mutant post-punk, Afrobeat, electronic sounds, and breathtaking 21st century soul.
Opener “Burning in Lagos” is introduced by…
…The album has been newly remastered and cut directly from the analog master tapes.
It starts with a crackle of feedback shooting from speaker to speaker and a voice intoning, “Mother Earth is pregnant for the third time, for y’all have knocked her up” and talking about rising “above it all or drown in my own sh*t.” This could only have been utterly bizarre back in 1971 and it’s no less so decades later; though the Mothership was well on its way already, Maggot Brain really helped it take off. The instrumental title track is the key reason to listen, specifically for Eddie Hazel’s lengthy, mind-melting solo. George Clinton famously told Hazel to play “like your momma had just died,” and the resulting evocation of melancholy and sorrow doesn’t merely rival…
Fans of blue-eyed soulman Eli ‘Paperboy’ Reed have enjoyed plenty of passionate, often searing music from the singer over the past 20 years.
But even though he released some terrific albums recently, they have been rearrangements of others’ songs.
A side road of an entire set of Merle Haggard tunes done in an R&B style, and another of classic soul covers — 2023s wonderful Hits and Misses — tided listeners over. But it has been seven years since Reed’s last batch of originals.
That musical drought ends with Getting There. Not only does the singer remain in typically stunning form vocally, but he pens eleven new gems, adding two obscure covers few will recognize.
Better yet, he joins with 84-year-old icon…
Completely unpretentious, approachable and free of affectation – yet possessing the glamour of a diva in the very best sense: in the 20 years since her ACT debut, Meet Me Around Midnight, Swedish singer, pianist and songwriter Ida Sand has become one of European soul-jazz’s most loved artists, without ever making a fuss about herself and always keeping the focus firmly on the music. Whether entirely on her own with just voice and piano, or on the biggest stages alongside Nils Landgren or the SWR Big Band, it is Ida Sand’s warmth and authenticity that touch her audiences. And, of course, her smoky, sonorous voice, recognisable from the very first note.
These same qualities – her authenticity and soulfulness – are also what make the music…
The last few years have been a whirlwind for Glasgow’s corto.alto, aka Liam Shortall. From jamming with friends in his flat to a Mercury Prize nomination and worldwide tours, his rise as an artist in the UK jazz scene has been mesmeric.
Alongside long-term bandmates Graham Costello and Fergus McCreadie, corto.alto peaked with a few of these aforementioned accolades after releasing 2023’s Bad with Names. Now signed to the revered indie label Ninja Tune, their follow-up, SOME SMALL FORTUNE, faces more pressure than ever to meet expectations. Thankfully, Shortall lets the music do the talking.
Leading visually with its artwork collated from images from Shortall’s childhood, this collage-like approach is what binds together…
In the decades leading up to its release there had been loads and more loads of excellent collections of girl group and related music that originated in the U.K., but Strawberry Records’ 2026 collection Really Into Somethin’: Brit Girl Sounds & Styles 1962-1970 is one of the best. It gathers up a few names familiar to semi-casual music fans like Dusty Springfield and Lulu and a handful of artists that medium speed collectors of the style might know and love like P.P. Arnold, Sharon Tandy, Barbara Ruskin, and Julie Driscoll, but most of the three discs are made up of singers and groups that were more or less lost to the sands of time unless you were super devoted to digging up the rarest of the rare. Luckily for those who don’t want to spend hours searching and many…
Powerhouse vocalist, Grammy-nominated, ten-time BMA winner, singer-songwriter, and bassist Danielle Nicole returns with Fireflies, following her highly acclaimed 2024 album The Love You Bleed. Once again, longstanding blues producer Tony Braunagel produces. Nicole’s effort leans as much into the soul and R&B spectrums as it does toward blues. Seven of the eleven tracks were penned by either Nicole or co-written with guitarist Brandon Miller. Her support is basically a tight quartet. Along with Miller and Nicole (bass and vocals), the backing unit includes the veteran Jim Pugh (keyboards); Braunagel (drums), and Melodye Perry and Maxayne Maraguchi on backing vocals. The album was recorded in Nicole’s hometown of Kansas City.
The opening commentary about Ruthie Foster’s new record brings this author back 20-plus years to SXSW to see Ruthie perform in a small alley in Austin before only 50 or so curious onlookers. She had the blues and gospel chops then. It was clear to me that her future was promising, though her folk-blues approach was fairly elementary at the time. We all know what has transpired for her – the BMA Koko Taylor Award in 2015, two Grammy nominations, and a Grammy win in 2025 for her album Mileage.
The title for her new album Just Say Yes refers to a sticky note she wrote to herself as she re-engaged her dream of returning to music after a layoff to care for her mom.
…This album too marks another transition.
…Timeless, a new collection from NPG Records and Legacy Recordings, offers 10 previously unreleased recordings spanning the breadth of the Minneapolis legend’s career, from a 1978 home recording to a live take of a favorite B-side from one of his final concerts.
Prince’s version of “With This Tear,” an early ’90s ballad given to Celine Dion and released to mark the 10th anniversary of his passing this past April, feature on the album, along with new focus track “Stone,” a pop/funk number tracked in 1995 and based on a track from R&B singer Sandra St. Victor. “Stone” was considered for an early configuration of Prince’s 1996 triple album Emancipation, though many of the songs included here aren’t known to be strictly tied to known…
The inclusion of a couple Force-era demos on 2019’s ACR:Box indicated that there could be more such recordings languishing in A Certain Ratio‘s vault. Force Majeure, released in tandem with The Joy of Sextet in 2026, confirms it and then some. Bearing a title that can taken as a declaration of its superiority to the band’s 1986 album, it certainly has an urgency and altogether richer/rawer sound, and while the aforementioned tracks were classified on the box as demos, “original versions,” the term applied here, seems more apt given that the material is fully developed. Moreover, the performances come across as serious rehearsals and further accentuate the crucial additions of keyboardist Andy Connell and saxophonist Tony Quigley. With those two…
After they released It All Comes Down to This, their third new LP of the 2020s, A Certain Ratio looked to the past by touting — and touring in support of — anniversaries related to two of their ’80s albums. Issued simultaneously with Force Majeure, which presented early versions of songs from the 40-year-old Force, The Joy of Sextet marked 45 years since the recording of Sextet. (Sextet was also intended for release in 1981, but did not materialize until early 1982.)
A different proposition from Force Majeure, The Joy of Sextet is the result of ACR handing the multitrack Sextet tapes to Andrew Meecham, aka the Emperor Machine, a veteran producer who had previously remixed ACR tunes and even played on 2023’s rather confusingly titled 1982.
When Alabama Shakes sauntered in with the Southern groove of ‘Hold On’ in early 2012, the members were barely older than the boys and girls for which they named their debut. Sure, guitarist Heath Fogg was nearing 30, but Brittany Howard sang about the surprise of surviving to 22 from the wizened perspective of just 23. They advanced quickly, shifting in only three years from their elemental and agile soul-rock beginnings to the psychedelic and skywriting Sound & Color. An album borne of audacious vision and confident execution, it recalled the joyful hybrids that have long come from their geographical zone, particularly just north in Muscle Shoals and Memphis. Howard continued that quest with two highly collaborative solo albums,…
Kindhearted singer-songwriter Chris Pierce has one of those indelible, soulful voices that seeps right into your head and won’t let go. You may be hooked from his opening notes and be easily compelled to listen to his meaningful, healing songs. He is a voice for the voiceless and the underserved, intent on spreading hope. Songs for the Heavy Hearted is his eighth solo album. In short, he is a freedom fighter who continues to live to fight the good fight. He says, “…Whatever happens, we have to find a way to count our blessings and seek liberty for ourselves and fight for the liberty of others.”
Pierce grew up in an interracial household and has endured violence against his family from his early childhood years. He has conquered…
The Huntertones, the powerhouse funk-soul group and the second coming of sorts of Tower of Power, waste no time establishing an irresistible groove on Transmission, their sixth album. If you are new to the band, chances are that you’ve heard them before. Their high-profile collaborations include Jon Batiste (when he was bandleader on Colbert), Stevie Wonder, Ed Sheeran, Snarky Puppy, Charlie Hunter/Kurt Elling’s SuperBlue, and most recently, backing Lake Street Dive at this year’s Newport Jazz Festival. They reciprocate some of those honors by inviting Elling and Rachael Price of Lake Street Dive to sing on a track each.
The group began as the Dan White Band at Ohio State University in 2014 but is now located in NYC. They are: Dan White (tenor and baritone…
Could there be a more appropriate album title this year? Sunshine, Jungle’s fifth, is one of the words that comes most readily to mind when asked to describe their music.
Here we find them once again exploring their soulful side, founders Josh Lloyd-Watson and Tom McFarland reaffirming their strong bond with vocalist Lydia Kitto, now herself a fully-fledged member of the band. The trio’s second full album together proves an ideal blend of the urban sound Jungle cultivated before her arrival, and the wide-eyed promise that her voice brings to the mix. Press play for sunshine!
Kitto’s carefree approach is deceptive, mind, as there is a good deal of emotion imparted to her singing in tracks like ‘Come Back to Me’,…
