Category: soul


Songs for Sinners is drummer and producer Moses Boyd’s first album in six years, one he’s been thinking about since he was 16. Boyd’s project explores the tensions of spiritual faith and doubt as human forces capable of comforting, dividing, unsettling, and restoring balance via a highly individual meld of contemporary jazz, modern gospel, Caribbean rhythms, and soundsystem culture with individual voices, a choir, and deft musicianship over a dozen tracks.
“Precious” is introduced by Boyd’s shimmering electronics and drums, an electric bass, hand percussion, and organ before Donovan Haffner’s bluesy saxophone and the Kitchen Choir (family members and others recorded in Boyd’s kitchen) paint a blissfully sacred groove.

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After four consecutive English language albums Ed Motta returns to singing in Brazilian Portuguese on Toc-Toc. A significant shift to be sure, but it’s not the only one. Motta always surrounds himself with the best studio musicians in Brazil. In sharp contrast, Toc-Toc was recorded in his apartment. He programmed and/or played all instruments and provided all voices. Co-produced with longtime collaborator Michel Limma, Motta received lyric assistance from comic book artist and spouse Edna Lopes. His goal was to bring two different genres of contemporary music together: Electronica and traditionally structured songwriting. He regards this as a pop-R&B album threaded with jazz influences. One can hear trace elements of artists who fascinated him while growing up,…

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If the name The Midnight Hour isn’t immediately familiar, the music almost certainly is. Ali Shaheed Muhammad is a founding member of A Tribe Called Quest, one of the most beloved groups in hip hop history. Adrian Younge is the Los Angeles-based composer, multi-instrumentalist, and producer who has shaped the sound of some of the most critically admired records of the past two decades. Together, they have been architects of the sound that serious listeners point to when they try to describe what great music feels like.
The music they had been making together had a life of its own. By 2018 it had become The Midnight Hour: their self-titled debut, recorded to tape with a live rhythm section and a full orchestra, and released to widespread acclaim.

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The Australian quintet Surprise Chef have made a batch of records that combine slinky nocturnal jazz, rubbery funk, head-nodding hip hop, echoing dub, and library music charm; on 2026’s Frogs in a Pond, they do all those things while also paying tribute to the suspenseful music of 1970’s giallo cinema from Italy. The group stitch the songs into a kind of suite that flows smoothly from beginning to end, fitting together like hands in gloves while also being separate enough to stand on their own when extracted. They exhibit all the features needed for instrumental music to survive and thrive. They melodies need to be catchy and memorable, the arrangements must be interesting enough to stand up to repeated listens, and the playing should be top notch.

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Legend’s album is produced and co-written by his longtime friend and fellow musician Pharrell Williams, marking the pair’s first collaboration together.
“The album is the first project the two have undertaken together in more than two decades of friendship — a cinematic, lush body of work that weaves together the strands of Black music, from gospel and the standards to doo-wop, classic soul, Afrobeat and hip-hop,” a description for the album reads. Legend (whose real name is John Stephens) and Williams worked on the album together in Paris at the Louis Vuitton headquarters, where Williams, 53, serves as men’s creative director. Legend noted the collaboration “felt past due.”
The pair had a certain goal…

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…features four never-before-heard demos alongside rare B-sides, alternate studio takes, and a previously unreleased live set recorded on the Back to Black tour in Amsterdam in 2007.
…While U.K. native Winehouse’s 2003 debut Frank made overtures to establish her as a unique new talent – her combination of vintage jazz/soul styles with raw, honest lyricism won the album an Ivor Novello Award – it was Back to Black that made her a superstar. Working with one of Frank‘s primary producers, Salaam Remi (best known at the time for producing the Fugees’ “Fu-Gee-La”), as well as Mark Ronson (a wunderkind New York DJ and stepson of Foreigner guitarist Mick Jones), Winehouse’s songs became even more confessional and grimily indebted to…

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In November 2024, Michael Kiwanuka released his fourth album, Small Changes, an extremely poised and self-assured piece of work. After three gold albums, a Grammy nomination, a Mercury prize win and the ongoing success of Cold Little Heart, a 2017 single hoisted to virality and million-selling status in the US after its use in TV drama Big Little Lies, Kiwanuka – and his long-term production collaborators Danger Mouse and Inflo – evidently felt confident enough to release a beautiful but wilfully understated album. Recorded in LA, some impressive names lurked in the credits: legendary session musicians including bassist Pino Palladino and the drummer James Gadson, who played on Marvin Gaye’s ‘I Want You’ and Donald Fagen’s ‘The Nightfly’; the similarly…

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The Art of Space Disco (1977-1978) presents Space’s most iconic tracks and sums up two fruitful intense years of musical innovation.
The French synth-pop band Space had international hits with their 1977 dance numbers “Carry on Turn Me On” and “Magic Fly,” leading to a deal with Casablanca Records and gold records for the band’s songwriter and leader Didier Marouani. The dance group was formed by keyboardist Marouani in 1977. The group’s biggest international success came later that year with the previously mentioned singles, both appearing on charts in a number of countries. Space toured and recorded for the next few years and continued to make well-received records, although no singles duplicated the success of “Magic Fly.”

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Over previous solo albums, collaborations with the Bamboos, her indie pop outfit Dorsal Fins, and cosmic funk duo GL, Melbourne-based soul singer Ella Thompson has established herself as a primary artist at home. Deeply inspired by the example of her mentor, Australian soul queen Renee Geyer (whose influence also extends to Hiatus Kaiyote), Thompson offers a work of compelling immediacy. Triumph & Sadness draws inspiration from Geyer surely, but also Curtis Mayfield and early Nina Simone, wedding sweet and Northern soul without relying on nostalgia for support or inspiration. In this music, she offers polished melodic lyricism and sophisticated spontaneity that deliver emotionally mature takes on connection, love, longing, and vulnerability. Thompson co-wrote…

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There are collaborations that feel inevitable, as if they had been waiting to happen in some shadowed corner of culture. The union between Italian cinematic funk visionaries Calibro 35 and internationally acclaimed master of noir fiction and New York Times bestselling author James Ellroy (The Black Dahlia, L.A. Confidential, American Tabloid) is undoubtedly one of them.
The opportunity arose through filmmaker Francesco Zippel and his documentary Ellroy vs L.A. produced by Quoiat Films, which received the Nastro d’Argento, Italy’s Critics’ Choice Award. The film is an immersive portrait of both the writer and the city of Los Angeles: Ellroy reflects on his relationship with L.A. as his words intertwine with archival footage of the city and scenes…

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…features two brand new songs, alongside “New Desire,” as well as a rework with John Glacier and remixes from various artists including Jacques Greene, Nosaj Thing, Lil Silva and Oscar Farrell.
Arlo Parks has long made a home in vulnerability and poetic lyricism, and on Ambiguous Desire, she doubles down on that instinct with confidence. The album is full of psychedelic textures, punchy basslines, and dreamy vocals that blur together into something hypnotic but anthemic.
While the coherence of the record sometimes lends itself to monotony, the darker sonic undercurrent, coupled with a newly found more intricate and explorative sonority, has a sensation of quiet and dreamlike absorption.
Across the whole record, Parks’ vocals are…

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Following Pigments and Quiet in a World Full of Noise, two ethereal and affecting collaborations with Spencer Zahn, Dawn Richard picks up the thread from the preceding New Breed and Second Line with the largely danceable Creole Culture. “A Creole Culture Intro,” filled with animated and exultant wordplay, a banging Machinedrum beat, and support from bounce queen Big Freedia, signifies Richard’s return to all-conquering dancefloor mode. The way the track enters with the rhythm section of modern fusion band Katalyst — leader Greg Paul’s thumping drums and rattling percussion, plus Brandon Cordoba’s combination of grooving electric piano and Jan Hammer-like synthesizer wriggles — makes it known that the album won’t be a mere rehash.

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The East LA retro-soul mavens, Thee Sinseers, return with the confidently charming Love Stories, a collection of eleven tales of sweetness and heartbreak on Colemine Records. The group, Luis Carpio, Adriana Flores, Francisco Flores, José Luis Jimenez, Eric Johnson, Chris Manjarrez, Bryan Ponce, and Steve Surman, along with bandleader/producer Joseph Quiñones and some friends, deliver a sound straight out of the mid-60s. The efforts recall artists like James Carr, Dan Covay, and Otis Redding as the retro, Stax-inspired soul spills out with comforting results.
The easy swaying opener “Oh Love” sets the restrained tone of the album as the horns accentuate the gentle vocals from Quiñones. Things get a bit funkier with bass and electro…

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Multiple BMA nominee and daughter of the legendary Rufus Thomas, sister of Carla Thomas, Vaneese Thomas remains one of the more elegant, yet soulful representatives of soul-blues. Vaneese has branched out from her Memphis roots to deliver contemporary blues, gospel, R&B, and a thriving career as a background vocalist for the biggest rock and pop stars. She’s been at her craft for over four decades, working also as a writer, producer, and arranger. Thomas has never lost her Memphis roots although most of her recent recordings have originated in the New York area. That sense of earned wisdom, an inherent feel for the blues, and the ability to naturally, even effortlessly ride the grooves, comes through on Window to My Soul, one of her…

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It’s fair to say that Meshell Ndegeocello has made a career out of declining to stay in one place too long. Since helping spark the neo soul genre with her 1993 debut album, Plantation Lullabies, she has variously worked in the fields of jazz, R&B, alternative rock, reggae, fusion and gospel. Her last album, No More Water: The Gospel of James Baldwin, seemed intent on defying any kind of classification, leaping from Afrobeat funk to electronic abstraction to a closing track that sounded not unlike the xx: it won a Grammy for best alternative jazz album, which slightly smacked of the awards’ organisers throwing up their hands in defeat after a lengthy and fruitless attempt to decide in which category it might belong.
Even if you knew absolutely nothing about…

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For his accurately titled fifth album, Leon Bridges linked with producers and multi-instrumentalists Lydia Kitto and Josh Lloyd-Watson, two-thirds of Jungle. Mutual admirers, Bridges and Jungle had been running into one another at festivals and other gigs. Coming off two of his most ballad-heavy efforts with Gold-Diggers Sound and Leon, Bridges had an eye toward making a more uptempo set of material to get him dancing on-stage again. Who better to enlist than members of a high-profile band known for creating a party-like atmosphere with lively material that is essentially modern disco? Kitto and Lloyd-Watson brought their knowledge of vintage dance music, the high energy, the horns — the organic works, essentially — and Happiness Anytime…

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Los Angeles-based pianist, multi-instrumentalist, and producer Kiefer Shackleford has appeared on the Blue Note label twice in 2026. In July, he was part of the eponymous debut by FATHERS, a jazz quartet that also includes drummer Nate Smith, bassist CARRTOONS, and producer Kenneth Blume (aka Kenny Beats). Memory Bomb is his 13-track leader debut for the label. It presents a sound he calls “Over the Breaks,” after a J Dilla concept balancing modern jazz warmth with the rhythmic pull of hip-hop, improvisation, and neo-soul. Memory Bomb showcases many collaborators, but there isn’t a moment where Kiefer doesn’t shine through and hold everything together. He shares production duties with best friends and creative partners CARRTOONS…

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Megiapa’s nutritive first album for Chicago’s International Anthem label would have made equal sense on progressive Los Angeles imprints such as Stones Throw and Brainfeeder. In a way, the Midwest native, who writes, arranges, and produces her material, is a child of the L.A. beat scene that gave rise to the likes of Georgia Anne Muldrow and Flying Lotus. Although she established herself in the Windy City while building up a considerable catalog of self-released material over the course of a decade, Megiapa has been in L.A. since 2023, allying with a host of players, many of whom joined her in the making of Intentions. A mix of live instrumentation and Megiapa’s progressive beatmaking, this set is laid out like a considered mixtape slash refined jam session…

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