Adrian Younge always has several projects on deck. In 2026 alone he produced and played on three releases from his and Ali Shaheed Muhammad’s Jazz Is Dead label, with one more coming. Further, his Linear Labs studio and label have issued three 2026 outings: the completely solo outing Younge, the EP Afro-Disco Makossa, and the forthcoming Proud of Me in collaboration with British singer/songwriter ALA.NI.
That’s a lot of work for one man, but Younge’s organic process makes it all possible. What’s more, he makes it look easy.
Afro-Disco Makossa was born from a single question: “What would a Ghanaian producer in ’76 have made if he set out to create an American disco record for his hometown?”…
Category: jazz
Rush is the third outing from Lucian Ban & Elevation, and their first in a decade. The Romanian pianist assembled the group in 2006 with tenor saxophonist Abraham Burton, bassist John Hébert, and drummer Eric McPherson. Mystery, the group’s raw live debut, was recorded on-stage in 2010 and released in 2013 and included all original compositions by the band’s members. 2018’s Songs from Afar included several traditional works arranged by Ban and Hébert alongside originals; the lineup included two guests: violist Mat Maneri and Romanian vocalist/folklorist Gavril Tarmure. Ban composed eight of the nine pieces on Rush; the only exception, “Golden Oriole,” is a traditional Romanian song with vocals by Tarmure.
Opener “Dark Blue” is dedicated to Abdullah…
Since discovering John Coltrane as a teenager, saxophonist Andy Sheppard has forged a remarkable career, earning multiple British Jazz Awards, international acclaim and even a place in the UK pop charts. His musical range is equally impressive: alongside jazz giants George Russell, Gil Evans and Carla Bley, he has worked with artists as diverse as Baaba Maal, Runrig and John Martyn.
Equally at home in a big band, solo setting or small group, Sheppard now turns his attention to a new trio with Italian pianist Rita Marcotulli and French bassist Michel Benita. The drummer-less format echoes his acclaimed work with Carla Bley and Steve Swallow, while giving this new partnership its own distinctive space.
The trio may be new, but Marcotulli and Benita…
Ezra Collective have a talent that’s rarely found in jazz music, the ability to sound and feel like far more than session musicians put in a room to play music. The London born quintet have had this cohesive, tight-knit energy since their debut EP Chapter 7 in 2016, and it’s easy to hear that their connection has a history that reaches long before that. The words accessible and jazz don’t really go together, but as a young, relatable, current troupe of musicians, Ezra Collective have taken Afro-jazz to the mainstream, and with Here Because of Hope, they’re finally telling it’s story.
Here Because of Hope is split into three sections, marked by poems read by Letitia Wright, taking us not only on a journey through genres, but a literal, geographical journey of jazz.
Completely unpretentious, approachable and free of affectation – yet possessing the glamour of a diva in the very best sense: in the 20 years since her ACT debut, Meet Me Around Midnight, Swedish singer, pianist and songwriter Ida Sand has become one of European soul-jazz’s most loved artists, without ever making a fuss about herself and always keeping the focus firmly on the music. Whether entirely on her own with just voice and piano, or on the biggest stages alongside Nils Landgren or the SWR Big Band, it is Ida Sand’s warmth and authenticity that touch her audiences. And, of course, her smoky, sonorous voice, recognisable from the very first note.
These same qualities – her authenticity and soulfulness – are also what make the music…
Chicago-based tenor saxophonist Arman Sangalang concludes the physical edition of his sophomore album Waypoints with that most tried-and-true of classics, “Body & Soul,” and summons the ghosts of countless jazz icons in the process, his purr so silky one pictures Coleman Hawkins and Ben Webster nodding somewhere with approval. Yet while Sangalang knows the tradition, he’s no staunch traditionalist when he partners with guitarist Dave Miller, bassist Ethan Philion, and drummer Devin Drobka on the date. These in-demand collaborators do much to infuse the performances with the type of vitality that can make even the most exhaustively covered classic feel new.
Though he wrote the material for Waypoints, which follows his debut Quartet by three years,…
It is more than fair to say — right from the start of their kinship in early 2023, in the Sylvie Courvoisier 4 with bassist Thomas Morgan and drummer Dan Weiss — that there was something innate, and perhaps more importantly, intimate, between road-clearing pianist Sylvie Courvoisier and rascally vibraphonist Patricia Brennan. Talamanti proves that big time.
Organically the sharply focused work of two fearless, free spirits, Talamanti, (the main language of indigenous, Aztec-era Mesoamericans) culminates or, dare one say, consummates, on such deliriously lasting moments (using words like tracks or songs seems to belittle the work at hand) as “In Your Pursuit,” “Trece Cielos,” “Hojas de Malabar,” and “The Time We Spent.”
Henrik Olsson‘s Antumbra Ensemble is an eponymous, genre-blending effort composed, arranged, and led by the Swedish guitarist. The Copenhagen-based outfit contains members new and old. The rhythm section, double bassist Jeppe Skovbakke and drummer Rune Lohse, and tubist Kristian Tangvik, all return from Olsson’s Hand of Benediction I and II albums. They perform in tandem and contrast with a horn section that consists of alto saxophonist Michaela Turcerová, trumpeter Erik Kimestad Pedersen, and trombonist Petter Hängsel. They assist Olsson in creating a musical universe that reflects the influences and methodologies of Henry Cow, Henry Threadgill’s Very Very Circus, Sun Ra, Soft Machine, Marc Ribot, and Frank Zappa, employing…
The last few years have been a whirlwind for Glasgow’s corto.alto, aka Liam Shortall. From jamming with friends in his flat to a Mercury Prize nomination and worldwide tours, his rise as an artist in the UK jazz scene has been mesmeric.
Alongside long-term bandmates Graham Costello and Fergus McCreadie, corto.alto peaked with a few of these aforementioned accolades after releasing 2023’s Bad with Names. Now signed to the revered indie label Ninja Tune, their follow-up, SOME SMALL FORTUNE, faces more pressure than ever to meet expectations. Thankfully, Shortall lets the music do the talking.
Leading visually with its artwork collated from images from Shortall’s childhood, this collage-like approach is what binds together…
The Mystery is an album by Australian guitarist Tommy Emmanuel that was released in 2006. The album includes the track Gameshow Rag/Cannonball Rag which was nominated for Best Country Instrumental Performance at the 49th Annual Grammy Awards. The song won Instrumental of the Year at the 2007 Country Music Awards of Australia. This album has a peace and a gentleness that emanates throughout the compositions. The song titles offer some insight: Cowboy’s Dream, The Mystery, That’s the Spirit, Footprints, Keep it Simple. The record also features one of Emmanuel’s most popular original songs Lewis & Clark, and a very beautiful instrumental arrangement of the Billy Joel classic And So It Goes. In honor of the 20th Anniversary…
Thirty-four years is a long time for a tape to sit in a drawer, but jazz history is littered with such delays, and Anthony Braxton’s discography in particular has always unspooled out of chronological order. Articulations, a duo session with guitarist James Emery recorded in Florence on June 19, 1992, finally surfaced this year on Emery’s own Bandcamp imprint, self-released and produced by Emery with Ed Petersen. The reasons behind the gap are not spelled out in the credits, and speculation serves no one — what matters is that the recording exists, and that it captures two formidable improvisers near a creative peak, as annotator Ted Panken notes in the release copy.
Emery’s connection to Braxton runs deep. Best known as a founding member of the String…
…Recorded live at Chicago’s legendary Green Mill, Open or Close gathers compositions from all four members — saxophonist Geof Bradfield, clarinetist Ben Goldberg, pianist Myra Melford, and drummer Dana Hall — who, having crossed musical paths before in several contexts, make a remarkable debut as a group here.
Ornette Coleman’s “Open or Close” is the stunning opener, showcasing a memorable eight-note riff that gradually evolves into staccato activity resembling rhythmic shocks of vibrant color. Initially, Melford constructs melodies around that riff, with Hall’s percussive driving force as her sole support. Goldberg’s sinewy clarinet phrasing also prompts quick responses from the drummer and effective comping from…
No doubt the students that join the jazz program at The University of North Texas are incredibly advanced players eager to start making music with their classmates. But their development is also dramatically facilitated through their association with the program’s music director Rob Parton and the enthusiastic support and encouragement he and his colleagues give to them. Anyone hearing the school’s Two O’Clock Lab Band will be awed by the professional calibre of the performances and the preternatural maturity demonstrated by the band personnel. And it’s not only players we’re talking about, as its new Return Two Paradise release also features material composed and arranged by UNT students. That the album’s twelve tracks were culled from two…
The modern creative European trio Punkt Vrt. Plastik — comprising Slovenian pianist Kaja Draksler, Swedish bassist Petter Eldh, and German drummer Christian Lillinger — releases its fourth album. All three artists contribute compositions, adhering to unyielding rhythmic intricacy and classical melodicism to shape music that bristles with provocative interplay, freedom, and heightened expressiveness.
Draksler’s “Yogen” thrives on a half-step-shifting, mystery-inducing pulse. The pianist opts for motivic figures while the drummer moves from erratic fibrillation to deliberate syncopated fragmentation. This taut flow is regularly interrupted by pacifying jazztronica sections that contrast with the more…
Need an escape from the gloom and doom of global politics? How about a hit of Brazilian world-jazz of the “sal, sol, sul” variety? Ella & The Bossa Beat‘s Amare might be the ticket. For an idea of the ethos, consider a few of the titles: “Mais que um Verão” (More than a Summer), “Areia” (Sand), “Amanhecer” (Dawning), “Summer Rain,” “Amare.” Salt, sun, south, and of course, love…
On their fourth project together, the father-daughter songwriting team of Orlando-based Brazilian singer-pianist Ella Blu and drummer-percussionist Magrus Borges offers a dreamy album of original music recorded in Italy in collaboration with São Paulo-born Milan-based songwriter and singer-guitarist Toco (Tomaz Di Cunto). Blu, who counts Orlando’s…
Organ trios aren’t as common as they once were. With the keyboardist handling the bass duties from the Hammond’s bass pedals and a guitarist or tenor saxophonist providing melodic help on top of a grooving drummer, these bands once turned bars into real music halls. Today, bars are alive with the sound of ESPN, alas, perhaps.
This organ trio of guitarist Peter Bernstein, organist Larry Goldings, and drummer Bill Stewart, however, don’t generally play funky blues workouts. Rhombus is a beautifully balanced survey of modern jazz compositions by masters, along with two originals. In fact, these tunes seem somewhat surprising in this instrumentation. Keith Jarrett rarely recorded with a guitarist; Abdullah Ibrahim, Thelonious Monk, and…
