Tag Archive: ACT


Completely unpretentious, approachable and free of affectation – yet possessing the glamour of a diva in the very best sense: in the 20 years since her ACT debut, Meet Me Around Midnight, Swedish singer, pianist and songwriter Ida Sand has become one of European soul-jazz’s most loved artists, without ever making a fuss about herself and always keeping the focus firmly on the music. Whether entirely on her own with just voice and piano, or on the biggest stages alongside Nils Landgren or the SWR Big Band, it is Ida Sand’s warmth and authenticity that touch her audiences. And, of course, her smoky, sonorous voice, recognisable from the very first note.
These same qualities – her authenticity and soulfulness – are also what make the music…

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Adam Bałdych is a name that’s become synonymous with the German label ACT and is the epitome of one of the label’s central musical crossroads between folk-roots and Euro classical-leaning chamber jazz sophistication. The 40-year-old Warsaw-based violinist-composer has recently collaborated with pianist and fellow countryman Leszek Możdżer and trumpeter Paulo Fresu as well as Helge Lien Trio and Marius Neset among others. Endless features Bałdych’s new pan-European quartet performing his compositions’ haunted song-like minimalism with a lush classical-music sonic and traditional Polish and tango roots music, the latter aided by a contribution from the esteemed Italian bandoneon instrumentalist Daniele di Bonaventura.

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This live recording captures the “Jazz at Berlin Philharmonic” concert celebrating Nils Landgren‘s 70th birthday at the Berlin Philharmonie, conceived as a tribute to his idol and later collaborator, the late Joe Sample, built around songs with a deep personal connection to Nils. Leading jazz musicians join forces with the outstanding brass players of the Berlin Philharmonic, with arrangements by Grammy-winning multi-instrumentalist Magnus Lindgren and a guest appearance by acclaimed vocalist China Moses.
…With more than sixty albums released under his own name, along with countless collaborations spanning a remarkable range of musical worlds, he has built a career founded not on stylistic boundaries, but on curiosity and…

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Johanna Summer’s collaboration with producer Andreas Brandis has been steadily building traction. Their first venture was a highly acclaimed solo album, “Resonanzen”; that was followed by “Cameo”, a duo album with saxophonist Jakob Manz, and the concert in Lucerne became the catalyst for the new album “Dialoge” (dialogues). The context here is four duos. Each of them features Summer on one of two grand pianos, with another pianist – Claire Huangci, Kit Armstrong, Danae Dörken and Igor Levit – on the other. The objective is to create an open-ended conversation between tradition and the present, between composition and improvisation. As for the repertoire, Summer’s studio guests were encouraged to take as much liberty…

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Normally found fronting his trio, leading Spanish pianist Daniel Garcia moves to a solo format for The Hero’s Journey. Composed during a period of family illness and bereavement, it is perhaps surprising that the album is not dark in any way.
Instead Garcia maintains focus on the concept of the hero, as he explains: “For a long time I have been attracted by the hero figure — I’m not thinking at all about some invincible movie superhero, but rather the idea of a person constantly facing new challenges who needs to overcome them.”
The Hero’s Journey consists of 13 original compositions conceived as a single continuous experience, guiding the listener through a shifting landscape of moods and atmospheres.

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Little North have built a distinct voice with their blend of Nordic lyricism, cinematic depth, and vibrant energy. Crossing Currents marks a pivotal chapter in their journey. In November 2023, the trio traveled to New York, bringing new compositions and their Nordic sound, and they recorded the album with two outstanding voices of today’s jazz scene: vibraphonist Joel Ross and saxophonist Hannes Bennich.
The result is a compelling meeting of musical worlds, where Copenhagen, Malmö and New York merge into one fluid, expressive language. Expanding on the trio’s signature interplay and collective storytelling, the album unfolds with openness, energy and a strong sense of transatlantic dialogue.

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Unspoken, the ACT debut album from Mahan Mirarab, opens up a whole world of personal, deeply felt stories.
The Iranian-born, Vienna-based guitarist draws on his experience of East and West, darkness and beauty, sorrow and joy. His music reveals perspectives which are profoundly human, intimate and sensitive, in album which is emerging at a time full of tensions and contradictions. He performs solo on the double-neck guitar and on some tracks is also joined by Kian Soltani (cello), Lars Danielsson (double bass) and Golnar Shahyar (vocals). His is a unique and personal musical journey: jazz blends with influences from classical and folk music from Iran, with European chamber music, imbued profoundly with the spirit of song.

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On their new duo album, Michael Wollny and Emile Parisien invite listeners into a conversation shaped by trust, intuition and complete artistic freedom. Recorded in concert as part of the Bodenseefestival 2025, the album captures two singular musical voices meeting in a space where nothing is controlled, nothing is predetermined, and every gesture becomes a response to the moment.
“Here, you are invited to witness one of our many conversations with Michael Wollny, in complete freedom and spontaneity. I feel the rare privilege of sharing this space with such an exceptional musician – someone with a profound sense of listening, where everything becomes possible. It is an honor to have met him and to be able to express myself in this way by his side…

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One might debate whether the phrase “lies, damn lies and statistics” belongs to nineteenth-century British Prime Minister Benjamin Disraeli or to Mark Twain, but it is hard to dispute the popularity reflected in over 100 million streams. Whatever the numbers say, Swedish pianist Joel Lyssarides’ music is clearly resonating with audiences around the world. Alongside his streaming success, Lyssarides has accumulated numerous jazz awards, which makes it all the more intriguing that the two words most naturally applied to his music might be “quiet” and “intense.” Classically trained, he deals in subtlety, light grooves and fine details. His melodic compositions and cascading patterns are supported by his longtime collaborators, bassist Niklas Fernqvist and drummer…

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Joachim Kühn has no interest in looking back. At over 80, he is more driven, productive, and fearless than ever—composing and improvising daily in a restless pursuit of freedom, growth, and renewal. On Joachim Kühn & Young Lions, this lifelong refusal to stagnate takes vibrant new form as Kühn surrounds himself with a new generation of outstanding musicians, writing fresh material specifically to challenge and inspire them. The result is music of striking intensity and openness, where experience meets youthful fire, structure dissolves into risk, and individuality fuels collective power. Young Lions is not a celebration of legacy, but a statement of the present: jazz as a living, forward-moving force, and Joachim Kühn as one of its most uncompromising voices.

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The Lars Danielsson Liberetto ensemble has assembled a distinctive body of work over its four previous albums. That development and continuity derive from his core partners for over 15 years, drummer Magnus Ostrom (Esbjorn Svensson Trio) and UK guitarist John Parricelli. They were joined in 2017 by Martinican pianist Grégory Privat, who replaced original member Tigran Hamasyan).
With Echomyr, bassist Danielsson continues to carve out a singular musical path, drawing on his classical roots and folk-influenced melodic ideas as a platform for jazz explorations. His consummate use of space allows him to make a complex melody feel effortless and inevitable. Across 10 tracks, his compositions show his focus on melody and his attention to detail. He explains,…

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For their sixth album, What We Are Made Of, Shalosh turn their focus inward while extending the scope of their sound. The music reflects the trio’s shared history, shaped by years of collaboration and extensive touring, and draws on the influences and impulses that have gradually formed their collective musical language.
“From the very start of Shalosh, we have always said that we would never commit to any one genre but keep our music as open as possible,” drummer Matan Assayag says. “It’s the best way to bring ourselves fully to each song and the only way to stay truly authentic.” In more than a decade since its founding, the trio has made its signature this freewheeling, energetic and deeply-felt blend of jazz improvisation with…

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Since the release of his ACT debut Letter to the Universe (2023) and its follow-up Highlife (2024), Ghanaian-born trumpeter Peter Somuah, now based in Rotterdam, has established himself as a bridge-builder between cultures and continents. “An excellent musician and jazz at its most international,” notes the BBC. For the globetrotting Peter Somuah, musical influences from geographically distant cultures are always just a step away. This is precisely what his new album Walking Distance is about.
Walking Distance is an exploration of musical unity — a journey through diverse genres that, despite their differences, remain deeply interconnected. The album blends elements of post-bop jazz, Arab music, Latin grooves, blues,…

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The long-awaited return of Norwegian saxophonist and composer Marius Neset arrives in an expansive big band setting, a format that underscores both his ambition and his growing confidence as a large-scale orchestrator. Known for music of formidable complexity, Neset here introduces a more openly festive dimension, without sacrificing the structural rigor that has long defined his work.
Few could have predicted such an outcome when Neset was five years old. At that age, the future saxophonist was handed a drum kit, an early encounter with rhythm that would quietly shape his musical thinking. That grounding remains audible today. Whether writing for a jazz quintet, a symphony orchestra, or, as here, a big band that often sounds closer to a full…

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The album title Circadia reflects themes of renewal and change rooted in the cyclical patterns of life. For the English trio Mammal Hands, change is the keyword: this sixth release marks a significant step in their evolution. Their move to the ACT Music label represents a notable shift, one that may broaden their visibility while giving fresh impetus to their musical independence.
Equally significant is the arrival of new drummer, Rob Turner, formerly of GoGo Penguin, who joined the band following the departure of Jesse Barrett in 2024. Turner brings heavier beats to the band’s signature blend of hypnotic jazz, post-rock and folk, pioneered by the two constants in the lineup, brothers Nick Smart on piano and Jordan Smart on saxophone.

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Nils Landgren marks his 70th birthday with Love of My Life — an album that reflects not only the scale of his achievement, but also the astonishingly wide range of roles his life in music has embraced. As one of the most successful European jazz musicians of the past few decades, Landgren has long been more than a trombonist or singer: he is a connector, a mentor, a bridge-builder. Recorded with close friends and the Swedish Radio Symphony Orchestra under the opulent arrangements of Vince Mendoza, the album spans from Landgren’s own tender compositions to reimagined works by Cat Stevens, Leonard Bernstein, Herbie Hancock, and others — yet it remains unmistakably Landgren: open, warm, and full of humanity. “The most important thing in music for me is:…

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