Category: blues


It’s not often you hear a kazoo highlighted in the chorus of a blues rock song. But Dan Auerbach takes care of those duties on the swinging “Blowin’ Up,” one of his co-writes on Eddie 9V’s fifth album, and first for Auerbach’s Easy Eye label.
As most who are familiar with the Black Keys frontman’s work outside his main project know, Auerbach is hands-on as producer and sideman for many, if not all, of the artists signed to his imprint. And on Atlanta soul/bluesman Eddie 9V’s Easy Eye debut, he contributes songwriting and guitar on nearly every track.
Although Eddie started as a young electric bluesman influenced by the three Kings and Atlanta’s late Sean Costello (who he’s often compared to), he has gradually moved to…

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Over the course of three previous albums, a documentary film and brief but influential performance on hit cable show Ted Lasso, UK one-man band Cam Cole’s music has dug into a gnarly, ragged, combination of tough, unvarnished, gut bucket blues inspired by a combination of the Stooges (if they hadn’t slept for a week) and name-your-favorite-Delta-bluesman here.
But like the color cover on this fourth release (others were stark black and white images and ominous line drawings), Cole has shifted his focus. Perhaps he felt there was nothing more to be said he could in that format, or maybe he was ready to change. Regardless, Lost in Creation, finds the grizzled artist polishing his roaring, aggressive guitar/drums/vocals musicality…

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The cover photo for soulful, bluesy singer/songwriter Eric Jerardi’s tenth album is a bit misleading. The Game has nothing to do with Chess or any other recreational board activity played against others.
Rather, it references the concept that inspired this often riveting dozen song collection.
Jerardi was challenged to write 12 songs in three months, one per week. The “game” was further complicated by a rule requiring him to use a prompt or a phrase verbatim within the lyrics, sent by a longtime friend. Financial penalties were levied for late submissions.
Although this seems inherently non-organic (what happens if his muse isn’t in sync?), the results are impressive. The maxims sent were…

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As this album’s title implies, and her bio confirms, roots singer/songwriter Miko Marks has been through personal challenges in the four years since her previous release. A marriage of 29 years ended (amicably), she lost her mother and sister and, as the promotional notes say, “she began her journey with sobriety.”
So it’s little surprise that Hell or High Water is Marks’ first full blues album. As those who have followed Marks’ career know, blues has always been woven through her folk, country, gospel, Southern fried rock and roll, and singer/songwriter material. So this isn’t a major shift. Regardless, the singer’s powerful, churchy voice injects power, honesty and heat into these ten tracks.
She leaves her Resurrectors band, so essential…

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“Who Do You Want Me to Be” asked singer/songwriter Joanne Shaw Taylor on her 2009 debut, White Sugar. 11 studio albums and 17 years later she takes a more direct stance with “This Is Who I Am.” That tune is the lone cover from The Trouble with Love. The ten-song set further defines who she has become as a veteran roots artist who has gradually coalesced her approach and strengths. Taylor’s blues roots have always been on display, specifically through guitar solos like she and guest Joe Bonamassa ignite on the opening title track. For the following Bad Company-styled “Hell or High Water” she sings about her career with “I’m just a soul/trying to exist/All on my own/And I’ve given it my best.”
That’s just one of the truths expressed on…

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“Feels so good to play my blues for you again…I took some time off now I’m back on the scene” sings Bernard Allison on the roots/funky “Blues Thing,” the closer on this, his first album of originals in four years. While it might have been better positioned as an opening statement, the intent remains; Allison has returned after taking time off.
The ten tracks on Loving You capture the diversity Allison has concentrated on since 1994’s debut. Even though the son of Chicago blues great Luther Allison released an album collecting various performances of his father’s songs (2024’s appropriately titled Luther’s Blues), the younger guitar slinger tilts his focus into a lighter but still powerful amalgam of funk, soul,…

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New Orleans’ guitar slinger Eric Johanson’s fifth studio set of originals is the first he produced. It’s also the debut for his own label, Levee Ward Records. As such, he proudly takes complete responsibility for every aspect of this recording. And since he has been at it for nearly a decade, he is experienced enough to know what he wants and how to get it.
That’s made clear in the pre-release notes where he states “With this record, I didn’t explain anything. I followed the ideas all the way through.”
The basic tracks were laid down in just three days, between live shows, with his tight touring bass and drums duo. That yields a rawer, less structured ambiance, helped enormously by mixing pro Bill Skibbe whose work with…

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The extended edition adds 4 previously unreleased tracks to the original 11-song 2025 tracklist.
The well-decorated Christone “Kingfish” Ingram, with only three albums to his name, makes a bold move to control his artistic direction while providing a home for the next generation of artists on his Red Zero Records. The native son of Clarksdale, MS, still in his mid-twenties, is a global star who has quickly moved past ‘the next big thing” to become arguably the foremost blues artist today, blending tradition with contemporary. He is an ‘old soul” who knows where the music came from, with the ability to reshape it and attract a younger audience.
Hard Road, executively co-produced by Kingfish and Ric Whitney, has three producers in…

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At 87 years old, Sherman Holmes still has plenty of music left to share. The legendary bassist and singer, best known as a founding member of The Holmes Brothers, has released One Step Ahead of the Blues, an eleven-song collection celebrating nearly seven decades of American roots music.
Released through Nola Blue Records, the album brings Holmes together with producer Andreas Werner and an extraordinary group of collaborators, including The Blind Boys of Alabama, Joan Osborne, Catherine Russell, Amy Helm and Ada Dyer.
It is a project rooted in blues, soul and gospel, but its significance extends beyond the music itself. For Holmes, the album represents another chapter in a remarkable journey through…

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That was fast. No sooner did the quickly recorded (in five days) debut album (2025) from the trio of guitarists that comprise the Texas Headhunters (Ian Moore, Johnny Moeller and Jesse Dayton) gain traction in the roots genre, than they return a year later. The second release is every bit as tough, biting and rugged as the first. At this rate, their third should be just around the corner.
But it’s no surprise that Rise and Shine arrived so quickly. After all, these veteran six-string slingers, each with three decades of experience, realize they have tapped into a good thing. They want to maintain that momentum created through not just that first set, but the extensive tour supporting it.
The concept initially seemed suspicious. Does any band short of Lynyrd Skynyd…

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Finnish guitarist/singer/songwriter Erja Lyytinen sure does love live albums. This is the fifth (and sixth) collection of concert recordings since 2002s studio debut. Its title, 50th Birthday Live, though indicates why she’s in a celebratory mood. The sprawling package not only contains a double CD/DVD of a 90-minute March 21, 2026 gig in her home turf of Helsinki, but another live disc from Tempo, Finland 2025, featuring some of the same tunes, plus five different ones.
She hasn’t toured America recently (although she went to school here and recorded 2006’s Dreamland Blues in Oxford, Mississippi) but Europeans know Lyytinen as a well-respected, uncompromising, veteran blues rocker. She sings in English, with between-song-patter in her…

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The well-traveled, two-time BMA Pinetop Perkins Piano Award winner Anthony Geraci has landed at one of the blues’ premier labels, Chicago’s Delmark Records, for his label debut, Where Were You. Without delving into his extensive biography, Geraci has long been a pillar of the New England blues scene, having had stints with Ronnie Earl and the Broadcasters, Sugar Blue and The Bluetones, leading the Boston All-Stars, and playing in the blues supergroup The Proven Ones, among his many pursuits.
Where Were You touches several bases, including Geraci leading a trio with Sheryl Youngblood (vocals/drums) and bassists Rodrigo Mantovani and Tom Terry. Geraci plays piano and Hammond B3, and sings on two tracks.

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San Francisco-based blues singer, songwriter, and chromatic harmonica player Big Harp George/George Bisharat returns with his sixth album, No Shortcuts. Like his last two albums, 2023’s Cut My Spirit Loose and 2024’s Cooking with Gas, he features players from the Greaseland gang, including guitarist Kid Andersen, Joe Kyle on bass, drummer Derrick D’Mar Martin, Chris Burns on keys, along with a bevy of horn players and vocalists, and The Morgan Brothers (James and Dwayne). Tenor saxophonist Doug Rowan, baritone saxophonist Aaron Linton, and trombonist Mike Rinta also play on all tracks. The credits list 20 musicians and vocalists.
Yes, he’s drawing on the folks that often record at Andersen’s Greaseland Studios and for…

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Multiple BMA nominee and daughter of the legendary Rufus Thomas, sister of Carla Thomas, Vaneese Thomas remains one of the more elegant, yet soulful representatives of soul-blues. Vaneese has branched out from her Memphis roots to deliver contemporary blues, gospel, R&B, and a thriving career as a background vocalist for the biggest rock and pop stars. She’s been at her craft for over four decades, working also as a writer, producer, and arranger. Thomas has never lost her Memphis roots although most of her recent recordings have originated in the New York area. That sense of earned wisdom, an inherent feel for the blues, and the ability to naturally, even effortlessly ride the grooves, comes through on Window to My Soul, one of her…

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Contemporary blues-rock powerhouse Jovin Webb returns with his second album, Son of a Sinner, on Blind Pig Records. Produced by multi-Grammy winner Tom Hambridge and recorded in Nashville, the 11-song collection finds the talented vocalist, songwriter, and drummer digging into stories about life in all its flawed, messy, vulnerable glory. There’s plenty of honesty here, but Webb also knows when to lighten things up with a little fun and humor.
Raised in Baton Rouge, Louisiana, and shaped by Southern culture and the church, Webb sings from experience. He’s multi-faceted–soulful, smooth and sorrowful, hard-edged and gritty. His songs on Son of a Sinner, several co-written with Hambridge, are equal parts swagger and grace.

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The legendary guitarist Robin Trower release his new album, Shine, via Provogue / Artone Label Group. Ask Robin Trower to explain his late-period creative burst and the legendary British guitarist can only shrug: “I think you’ve either got to keep pushing – or give up.”
Now 81, with a mythology that spans from the clubs of Swinging London, to Procol Harum, through 1974’s gold-selling Bridge Of Sighs and onward into a vital post-millennial solo catalogue, the veteran bluesman’s place amongst the all-time greats is beyond doubt.
Yet while his ’60s peers have long softened into greatest-hits autopilot, this restless artist still starts each morning the same way: stood in his workroom with a battle-scarred…

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Seasick Steve returns with The Last Season of America. In 2024, Steve and his wife Elisabeth took a road trip across America where he witnessed the poverty and divisiveness in the context of the upcoming election. They were in a New Orleans club where a house band leader welcomed two Belgian musicians on stage by saying “welcome to the last season of America.” This became the theme for the rest of their road trip and led to him writing the title track to the new album. A deeply personal, heartfelt reflection on the state of his home nation, The Last Season of America is a protest record in the truest sense.
The new single off The Last Season of America is its title track, a searing indictment of the current administration.

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Crescent City jump blues pianist Mitch Woods does it all by himself on his latest release, A Night in New Orleans, recorded live at the Snug Harbor club during the 2026 New Orleans Jazz & Heritage Festival. He sings, tells stories, and, most importantly, plays boogie-woogie piano to entertain the crowd.
You can hear their enthusiastic response as he hits the keys, but they never throw him off his stride. Indeed, the opposite is true. They inspire him to play faster and harder. As he notes during his rendition of Louis Jordan’s “Choo Choo Ch’boogie”, he doesn’t have a drummer. His audience must supply the rhythm for his energetic melodies.
Singing and playing solo allows Woods the flexibility to cover a wide swath of the Big…

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