Category: blues


Seasick Steve returns with The Last Season of America. In 2024, Steve and his wife Elisabeth took a road trip across America where he witnessed the poverty and divisiveness in the context of the upcoming election. They were in a New Orleans club where a house band leader welcomed two Belgian musicians on stage by saying “welcome to the last season of America.” This became the theme for the rest of their road trip and led to him writing the title track to the new album. A deeply personal, heartfelt reflection on the state of his home nation, The Last Season of America is a protest record in the truest sense.
The new single off The Last Season of America is its title track, a searing indictment of the current administration.

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Crescent City jump blues pianist Mitch Woods does it all by himself on his latest release, A Night in New Orleans, recorded live at the Snug Harbor club during the 2026 New Orleans Jazz & Heritage Festival. He sings, tells stories, and, most importantly, plays boogie-woogie piano to entertain the crowd.
You can hear their enthusiastic response as he hits the keys, but they never throw him off his stride. Indeed, the opposite is true. They inspire him to play faster and harder. As he notes during his rendition of Louis Jordan’s “Choo Choo Ch’boogie”, he doesn’t have a drummer. His audience must supply the rhythm for his energetic melodies.
Singing and playing solo allows Woods the flexibility to cover a wide swath of the Big…

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For over 20 years now, Pokey LaFarge has been delivering his version of retro-Americana. That journey continues with Rent Money, a collection of eleven tracks preoccupied with the almighty dollar. LaFarge follows up the more expansive Rhumba Country with this slightly scaled-back effort. Once again working with producer Elliot Bergman (Wild Belle, LA LOM, Natalie Bergman), LaFarge’s sound incorporates light blues, jazz, easy reggae, folk, country, and rock and roll, all in a minimalist manner. While LaFarge’s music may look back to the mid-20th century, his lyrics address modern monetary worries and timeless love.
The album opens with a shuffling tune titled “The Thing,” displaying sweet backing vocals from Addie Hamilton, who pops up a few times…

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…10th anniversary deluxe remaster features the original 9 tracks (remastered) along with 5 previously unreleased bonus tracks.
Devil Is Fine serves as Manuel Gagneux’s debut release through this one-man project, as he smashes extreme music against African American spirituals alongside a lullaby-inducing electro triptych.
Black metal is perverted through Come On Down’s tremolo-picked fury and shrieking, but then it’s into gorgeous blues croons, classic metal riffing, and back to Satan squeezing Manuel’s knackersack. Whether the genres run in tandem or successively, the blend’s never jarring. Children’s Summon is basically In Flames at their melodeath best channelling Rotting Christ.

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The Rolling Stones have a new album, Foreign Tongues, out, much to their fans’ delight. Audiences have long craved the raw blues-rock sound of Mick Jagger’s vocals, Keith Richards’ slashing riffs, and the band’s pugnacious attitude. Critical reception to the new record has been mixed, but there is ample desire for such unvarnished manly sounds. As evidenced by the reviews, fans of the new Stones record weren’t looking for a return to the courtly baroque pop of “Lady Jane” or “As Tears Go By”. They wanted the loud, aggressive energy of “Jumpin’ Jack Flash” or “Tumbling Dice”.
This style is historically categorized as “cock rock” because of its emphasis on masculinity and performative sexuality. Fans of that kind…

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…The album has been newly mastered for the reissue and the 2CD edition includes a selection of rarities appended to CD 1 including a newly discovered ‘Cricklewood Jam’ instrumental demo. CD 2 includes a newly mixed version of the band’s second set at the Fillmore East on 27 February 1970, which includes an 11-minute version of ‘Going Home’.
Cricklewood Green provides the best example of Ten Years After’s recorded sound. On this album, the band and engineer Andy Johns mix studio tricks and sound effects, blues-based song structures, a driving rhythm section, and Alvin Lee’s signature lightning-fast guitar licks into a unified album that flows nicely from start to finish. Cricklewood Green opens with a pair of bluesy…

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Powerhouse vocalist, Grammy-nominated, ten-time BMA winner, singer-songwriter, and bassist Danielle Nicole returns with Fireflies, following her highly acclaimed 2024 album The Love You Bleed. Once again, longstanding blues producer Tony Braunagel produces. Nicole’s effort leans as much into the soul and R&B spectrums as it does toward blues. Seven of the eleven tracks were penned by either Nicole or co-written with guitarist Brandon Miller. Her support is basically a tight quartet. Along with Miller and Nicole (bass and vocals), the backing unit includes the veteran Jim Pugh (keyboards); Braunagel (drums), and Melodye Perry and Maxayne Maraguchi on backing vocals. The album was recorded in Nicole’s hometown of Kansas City.

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The opening commentary about Ruthie Foster’s new record brings this author back 20-plus years to SXSW to see Ruthie perform in a small alley in Austin before only 50 or so curious onlookers. She had the blues and gospel chops then. It was clear to me that her future was promising, though her folk-blues approach was fairly elementary at the time. We all know what has transpired for her – the BMA Koko Taylor Award in 2015, two Grammy nominations, and a Grammy win in 2025 for her album Mileage.
The title for her new album Just Say Yes refers to a sticky note she wrote to herself as she re-engaged her dream of returning to music after a layoff to care for her mom.
…This album too marks another transition.

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Kindhearted singer-songwriter Chris Pierce has one of those indelible, soulful voices that seeps right into your head and won’t let go. You may be hooked from his opening notes and be easily compelled to listen to his meaningful, healing songs. He is a voice for the voiceless and the underserved, intent on spreading hope. Songs for the Heavy Hearted is his eighth solo album. In short, he is a freedom fighter who continues to live to fight the good fight. He says, “…Whatever happens, we have to find a way to count our blessings and seek liberty for ourselves and fight for the liberty of others.”
Pierce grew up in an interracial household and has endured violence against his family from his early childhood years. He has conquered…

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As impressive as blues rocking guitarist Joanna Connor’s studio albums are, it’s onstage where she burns the brightest. Perhaps that’s why she has released a handful of live recordings after 1989’s debut, the first being Living on the Road (1993). But it has been sixteen years since 2019’s Live 24, and even though Connor’s most recent releases shepherded by longtime fans Joe Bonamassa (2021’s fiery 4801 South Indiana Avenue) and Mike Zito (the terrific Best of Me from 2023 [not a greatest hits collection]) have been impressive, they only hint at the power and exuberance she delivers for a typically blazing gig in a club full of blues lovers.
That’s the setup for Live on 11/11, recorded at a single show on the titular date in 2025 at…

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Artists who lack Keb’ Mo’s stature might not have the grit to deliver a solo acoustic record. Yet, he’s a national treasure, sure to draw attention to each release. He’s a five-time Grammy winner and recipient of the AMA Lifetime Achievement Award. You likely know his storied career and have some of his records, though this is a first, born out of life changing events. Keb’ Mo’ survived a life-threatening heart injury that required open-heart surgery. As he recovered and grappled with the dissolution of his 20-year marriage, he recorded The Breakdown in his home studio. It’s his first-ever stripped-down record featuring just his voice, guitar, and carefully selected vocal contributions from The Soweto Gospel Choir and the gospel sextet Take Six, thereby adding…

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The contemporary blues community is densely populated with posers long on affectation and short on authenticity. Not so Peter Parcek for whom the blues carries truths that resonate in such a deep and abiding way that his own musical articulations, plus those of kindred spirits within and without the genre, become expressions straight from the heart and the soul.
In fact, as demonstrated on Most of the Time, this native of Connecticut — who moved to England in the Sixties just in time for the blues boom to echo throughout the British Isles — may very well suffer for an embarrassment of riches; the surfeit of considerable talent at his disposal renders moot the blemishes pockmarking this 78-minute-plus album.

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There is no questioning actor Morgan Freeman’s lifelong dedication and connection to deep, organic blues. Even before co-founding the now iconic Ground Zero Blues Club in Clarksdale, Mississippi in 2001, Freeman has been an outspoken proponent of the music. The club is also home to the Ground Zero Arts Foundation, which helps local blues artists with healthcare and other economic support. Freeman spearheaded this effort combining the rugged, raw blues he promotes, with full orchestrated accompaniment. Even though there doesn’t appear to be much common ground between the classical orchestra’s strict adherence to printed music and the blues’ more earthy freeform tendencies, the concept is unique and challenging. Some may remember…

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Multiple BMA winner, vocalist, songwriter, and song interpreter Janiva Magness has delivered her first comprehensive live album, 18 albums into her storied career, with Truth in the Room: The Clearmountain Sessions. The fact that she uses “Sessions” in the title suggests this is not your typical live date. You could call Magness a perfectionist. She wanted to be sure that she had the consummate engineer by calling on the legendary Bob Clearmountain. She recorded at Berkeley Street Studios (formerly Apogee Studios) to an intimate gathering of 150 invited friends and music industry guests. So, every possible element was in her favor. The terms had to be right. That being said, the album still has plenty of energy and emotional weight. Magness would…

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In the mid ’60s, Chess Records released a series of The Real Folk Blues albums that compiled singles from the careers of some of its greatest artists. John Lee Hooker’s The Real Folk Blues differed from many of the other compilations as it featured newly-recorded sessions for the label. These legendary 1966 recordings capture the essence of his signature sound and approach to the blues. Standout tracks include “One Bourbon, One Scotch, One Beer,” “Stella Mae” and “I’m in the Mood.”
Bring home the sound of America’s greatest blues label in high fidelity with the Chess Records Acoustic Sounds Series. These audiophile reissues of classic albums and compilations from the Chess discography are remastered from the original analog tapes and pressed…

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Fondly referred to as “The Rockin’ Chair Album” due to the depiction of a rocking chair on its cover, Howlin’ Wolf by Howlin’ Wolf is rockin’ in more ways than one. This record captures the true sound of the electric blues with a compilation of singles previously released between 1957 and 1961. Featuring the talents of Chess mainstays including Willie Dixon, Hubert Sumlin, Sam Lay, and Jimmy Rogers, the album delivers a powerful sound. Standout tracks include “Little Red Rooster,” “Spoonful,” and “Back Door Man,” among others.
Bring home the sound of America’s greatest blues label in high fidelity with the Chess Records Acoustic Sounds Series. These audiophile reissues of classic albums and compilations from the Chess discography are remastered…

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