The friends and family of the late Neal Casal have done yeoman’s work in recent years, not just honoring his redoubtable legacy, but expanding it. For instance, No One Above You (The Early Years 1991-1998), a 13-track audio anthology, complements No One Above You: A Love Story in Photographs, a 308-page photo book.
And then there is Highway Butterfly: The Songs of Neal Casal, a massive 41-song, 130-musician tribute album benefiting the Neal Casal Music Foundation (which supports musician mental wellness). Book of Stories (Home Recordings 1998-2003) follows stylishly in the wake of those titles, but is resonant in even greater distinctness: it is a certifiably great album on its own terms.
Compiled by Casal’s long-time manager and…
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Rayland Baxter has spent much of his career chasing clarity – but his newest record 
A New Jersey native and former member of bands in New Jersey, Maryland, and N.Y.C. (where he attended grad school), 
…includes three new acoustic versions of previously released songs as well as two entirely new tracks including previously released single ‘Pity,’ and fun, rocking indie folk anthem, ‘Fell in Love (Couldn’t Get Out)’ featuring Cat Clyde.
Not only outside the music industry but within its margins (much less frequently at its very core), there are those for whom music is one of several activities to pursue. It’s a question not only related to the increasing difficulty of living off music without a head start, but also to personal circumstances and lifestyle choices.
We are living after the end of the end of history—both in the sense that Francis Fukuyama’s 1989 theory of a democratic finish line has come and gone, and that it feels disconcertingly like we’re living through the end times themselves, alive after everything and left to make a life in the wreckage that optimism left behind. We are living post- everything: post-liberalism, post-language, post-hope. On “Culture,” Greg Freeman adds two more to the list: post-culture and post-rock-and-roll. The current moment, he says, is simply beyond analogy. When all our words are “plagiarized before they’re written,” as he puts it on “Loser’s Prize,” even art itself begins to feel mind-numbingly futile. Everything that’s worth saying has already been said, but if we say nothing at all…
Ohio’s punk scene is well-known for many things: hyperactive egg punk, indignant hardcore, and every style of jangle pop you can think of, just to name a few. Trippy, motorik-heavy meditations, not so much. But as the saying goes, there are always exceptions that prove the rule.
After making their Dualtone label debut with 2024’s Easy Company, 
Forty years on, The Jayhawks remain true to their trusted sound. Their lush and patented three-part harmonies and thoughtful, imagery-filled lyrics never go out of style. Their 12th studio album, Sanctuary Park, is a balm for these times. They capture the innocence of teenage years, reflecting from the perspective of adulthood. The opening track, “Keeping Our Heads Above Water,” begins with the line, “under the football lights,” immediately putting the listener in a nostalgic frame of mind. Yet, the upbeat music obscures the theme of resignation heard at the end, “taking all that you have to believe again.” The album’s most riveting track, “Hands on the Wheel,” begins this way in a cappella harmonies, ‘We’ll steal your daddy’s car/Roll down the window…
…Almost a decade ago, when the Minnesota-born 
…’12 Golden Country Greats’, which includes Ween classics “Piss Up a Rope,” “I’m Holding You,” and “Pretty Girl,” has been remastered from the original tapes and comes with more than 20 unreleased demos and outtakes from the Nashville sessions. Among them are two songs cut from the original album, “I’ve Got No Darkside” and Jerry Garcia tribute “So Long, Jerry.”
You have to hand it to Chris “CR” Gennone when it comes to naming his bands; consistency is at the fore. He loves the moniker CR so much so that he’s recorded five albums as CR and the Degenerates, then with a few lineup changes, it was CR and the Nones in 2019, and now we have the third album from 
When 
…featuring newly unearthed bonus tracks and unheard demos.
Lynn Blakey was not a name that gained a great deal of traction commercially but she was an influential figure in the indie rock and alt-country scene in her home state of North Carolina where she DJ’d on college radio in the early ’80s; this was before forming Oh Ok in Athens Georgia with Michel Stipe’s sister Lynda (driven by the inspiration of seeing REM at a small local gig). She collaborated with others such as guitarist Mitch Easter in The Royal Opposition and guitarist Michael Chumbris in Glory Fountain, but her most well-known group experience was with Tres Chicas, a band formed in the late ’90s in Raleigh, NC, with Blakey, Caitlin Cary (from Whiskeytown) and Tonya Lamm (from Hazeldine). The group sang together for a few years before releasing Sweetwater in…
Celebrating 25 years, 
For more than a decade, 
…Like Hoboken’s finest,