Tag Archive: The Monkees


Back in 2016, The Monkees celebrated their 50th anniversary with their first album of new material since 1996’s Justus. The appropriately-titled Good Times!, produced by Fountains of Wayne’s Adam Schlesinger, was a true return to form. The acclaimed album reached No. 14 on the Billboard 200, becoming the group’s highest-charting release in 48 years.
Now Rhino is revisiting Good Times! in a 10th Anniversary Deluxe Edition which celebrates not only the album, but the 60th anniversary of The Monkees and the memory of Schlesinger, Michael Nesmith, and Peter Tork (all of whom died following its release) and Davy Jones (who had passed away in 2012 but was nonetheless featured on Good Times! via archival material).

You need to be logged in to view the rest of the content. Please . Not a Member? Join Us

The A’s, The B’s and The Monkees, at long last, brings together on 2 CDs all of the band’s commercial singles originally released between 1966 and 1970, from “Last Train to Clarksville” b/w “Take a Giant Step” through “Oh My My” b/w “I Love You Better.”
The A’s from Messrs. Jones, Dolenz, Nesmith, and Tork include songs from Tommy Boyce and Bobby Hart, Neil Diamond, John Stewart, Carole King and Gerry Goffin, and Jerry Leiber and Mike Stoller: the chart-topping “Last Train to Clarksville,” “I’m a Believer,” and “Daydream Believer,” along with the hits “A Little Bit Me, A Little Bit You” (No. 2), “Pleasant Valley Sunday” (No. 3), “Valleri” (No. 3), and “D.W. Washburn” (No. 19).
The B’s are no less filled with fan favorites…

You need to be logged in to view the rest of the content. Please . Not a Member? Join Us

…Super Deluxe Edition collects more than 100 tracks across four CDs, including the original mono and stereo mixes of the album, plus newly created stereo mixes and alternate mono mixes. Two additional discs trace the album’s creative arc with demos, outtakes, and backing tracks sourced from the original session reels
1967’s Pisces, Aquarius, Capricorn & Jones, Ltd. found Davy Jones, Micky Dolenz, Michael Nesmith, and Peter Tork taking advantage of the hard-won freedom they’d earned with Headquarters. Sessions began in April 1967, less than two weeks after Headquarters had been completed and the second season of the group’s sitcom had begun filming. The result was one of their most musically varied albums – possibly their most varied…

You need to be logged in to view the rest of the content. Please . Not a Member? Join Us