Dance music is an inherently physical art form. Its hard-hitting beats urge you to move your body and contort it into shapes you otherwise never would, interlocking with the rhythms and basslines flowing from the speakers.
When the textures of the music mirror those of the bodies in motion, the vaporous heat of a packed floor, the beams of light piercing the dark room, it feels that much more visceral.
For their second album as Overmono, brothers Tom and Ed Russell cloak their tracks in this physicality, the vital lifeforce of truly great dance music. Across the eleven cuts on Pure Devotion, the Welsh producers tap into the tactile and tangible, resulting in a tighter, more focused follow-up to the sinuous sprawl of…

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