Ween is digging deep into its archives with Boognish Provides, a sprawling collection of seven previously unreleased concerts recorded during the band’s Chocolate and Cheese tour. The collection captures a pivotal period when Gene (Aaron Freeman) and Dean (Mickey Melchiondo) were moving beyond their lo-fi four-track beginnings and establishing the strange, sprawling live sound that would become a defining part of Ween.
Boognish Provides arrives as a 14-CD box set featuring seven complete concerts, while a 2LP edition distills the collection down to 19 performances. The set documents shows from both sides of the Atlantic, including McCabe’s Guitar Shop in Santa Monica, The Metro in Chicago, First Avenue in Minneapolis,…
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…’12 Golden Country Greats’, which includes Ween classics “Piss Up a Rope,” “I’m Holding You,” and “Pretty Girl,” has been remastered from the original tapes and comes with more than 20 unreleased demos and outtakes from the Nashville sessions. Among them are two songs cut from the original album, “I’ve Got No Darkside” and Jerry Garcia tribute “So Long, Jerry.”
The main problem with 12 Golden Country Greats is that it’s Ween’s first album to concentrate on a single music genre and such concentration lends the impression that they consider themselves above the genre. But that isn’t entirely the case. Ween recorded 12 Golden Country Greats in Nashville with numerous legendary musicians, including the Jordanaires, Buddy Spicher,…
Brown Box includes all of the duo’s studio output released between 1990 and 2007, including Twin/Tone debut album God Ween Satan: The Oneness, a run of releases on Elektra spanning 1992’s Pure Guava to 2000’s White Pepper; the outtakes collection Shinola, Vol. 1; and the band’s most recent release, 2007’s La Cucaracha. (Chocolate and Cheese uses the same 2024 remaster from the box, but it has not been confirmed if the others have received similar treatment.) All the discs are packaged in CD-size wallets; there does not appear to be a booklet or additional notes in the packshot. The albums White Pepper and 2003’s dark Quebec, long out-of-print on vinyl, will also be made available on colored vinyl: a “green pepper” LP for the former…
Bring Out the Foos: Live 1996, released by Rhino Records, opens a raw and revealing window into a pivotal moment in Ween’s evolution. Drawn from previously unreleased archival recordings, the album documents Gene and Dean Ween’s 1996 summer run opening for Foo Fighters during Dave Grohl’s first major tour with his then-new band. It captures Ween at their most stripped-down and unpredictable, operating on instinct, chemistry, and sheer nerve.
Historically, this release matters because it preserves the final documented chapter of Ween performing live as a two-piece. Backed primarily by a DAT machine (with occasional live bass), the duo leans hard into the lo-fi chaos and humor that define their early years.
Ween were the ultimate cosmic goof of the alternative rock era, a prodigiously talented and deliriously odd duo whose work traveled far beyond the constraints of parody and novelty into the heart of surrealist ecstasy. Despite a mastery of seemingly every mutation of the musical spectrum, the group refused to play it straight; in essence, Ween were bratty deconstructionists, kicking dirt on the pop world around them with demented glee. Along with the occasional frat-boy lapses into misogyny, racism, and homophobia, the band’s razor-sharp satire cut to the inherently silly heart of rock & roll with hilariously acute savagery; fueled by psilocybin mushrooms and an all-consuming craving for hot meals, Ween created their own self-contained universe, a parallel dimension…
