White Fence has been many things since the project first oozed out of songwriter Tim Presley’s mind in the early 2010s. It existed as crumpled lo-fi renderings of Presley’s psychedelic pop songs on the earliest albums, sometimes dissolving into sound collages or bizarre excursions into experimental home-recording techniques. It was cleaned up for later albums, tucking the sonic strangeness into more formalized production but remaining stylistically and subjectively out-there on outings like the synth-drenched 2019 album I Have to Feed Larry’s Hawk.
Orange is the first White Fence album since 2019, and it represents some of the most straightforward tunes in the band’s winding catalog, with analog production and backing…

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