…The sixth Bond film was John Barry’s fifth score for the series, but the first (and only) performance by Australian model George Lazenby, making his acting debut as Ian Fleming’s literary secret agent. One of the more emotional stories in the series, OHMSS pitted Bond against the villainous Blofeld (played this time by Telly Savalas) and had 007 enter a star-crossed romance with a mysterious countess (Diana Rigg).
Barry’s score was anchored by a new, riveting instrumental title theme that would become part of the Bond canon, and also featured the stirring “We Have All the Time in the World,” a love theme written with lyricist Hal David that offered one of the last vocal performances by legendary jazz trumpeter Louis Armstrong.

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