In April 2022, the wild and inquisitively wilful British free-jazz keyboardist Pat Thomas was improvising with his eyes shut in the company of his quartet [Ahmed] at Glasgow’s Glue Factory. The music was dedicated to the 1950s-70s legacy of the late Art Blakey and Thelonious Monk bassist, oud player and early global-music pioneer Ahmed Abdul-Malik, the inspiration for the group’s work. When Thomas emerged from his trance, he was astonished to hear that an ecstatic crowd had been dancing the night away around him.
He shouldn’t have been surprised. Since [Ahmed]’s inception, their collective heat has fused abstract improv and groove music from all over the world: Duke Ellington, Thelonious Monk, dub, jungle, electronics, and the 1990s…

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