Sublimatio Mortis is a Canadian duo that, at least on this latest release, focuses on deep, slow drones with bassy throat singing and chant.
Over the course of three long tracks spanning 55 minutes, Ghur is an exercise in wall-shaking frequencies coupled with, electronics, static, and guttural vocalizations that provide a haunting yet modern atmosphere.
The sound palette on these tracks is often sparse – overlapping drones that buzz with dark energy, growls from the abyss, and perhaps a chromatic sweep from a synth. This is not ambient music in the usual sense, but an act of transforming raw emotion into tectonic vibrations that physically and psychically pummel the listener. As the album progresses, the palette expands…
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