Colleen’s music has long been praised for the way its reveals depth and beauty with almost imperceptible shifts. Her gift for building tiny melodies until they arrive somewhere profound remains intact on Libres antes del final, but the greatest shift is in Colleen’s attitude. On Le jour et la nuit du réel, she transformed the way light moves through a room over the course of a day into subtly gripping listening. Here, she pairs her brilliance at evoking and observing with dynamic action. After years of living near the Barcelona coast, Colleen confronted a long-standing phobia and resolved to swim in open water once again. With her trusty Moog Grandmother synth, she translates her battle between fear and freedom into pieces that are darker, and more propulsive,…

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