Techno, noise, drone — as modern underground electronic music’s power trio, these three bodies thrive in spaces and on labels with the creative ambition to tease out their commonalities, while picking and pulling at the frayed edges of their discrepancies. There is perhaps one absolute that ties them together: darkness, the evocation of space and light that can take many forms — a smoke-filled car; the soupy, impenetrable air of the club; a bedroom; an underpass. On Camilla Pisani’s Konstellationen, darkness takes a more primal form: the night sky.
Described as “an exploration of language as a universal force projected onto the universe,” Konstellationen showcases Pisani’s gift for developing density as a tool for both rhythm…

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