We are living after the end of the end of history—both in the sense that Francis Fukuyama’s 1989 theory of a democratic finish line has come and gone, and that it feels disconcertingly like we’re living through the end times themselves, alive after everything and left to make a life in the wreckage that optimism left behind. We are living post- everything: post-liberalism, post-language, post-hope. On “Culture,” Greg Freeman adds two more to the list: post-culture and post-rock-and-roll. The current moment, he says, is simply beyond analogy. When all our words are “plagiarized before they’re written,” as he puts it on “Loser’s Prize,” even art itself begins to feel mind-numbingly futile. Everything that’s worth saying has already been said, but if we say nothing at all…

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