For almost a decade now, South London artist Klein has been a compelling figure at the very vanguard of British avant-garde music.
Ever since Tommy, her scrambled, glitching breakthrough EP released on Hyperdub in 2017, her fractious sound collages – tapestries of steely, shuddering textures and disembodied vocals – have earmarked her as an artist who really gets the paranoia and neuroses of the age in which she is working. Meanwhile, her prankster tendencies have ensured that you simply never know what she’s going to get up to next.
But in spite of the many accolades her music has won her, the legions of famous fans and collaborators she’s accrued – Arca, MIKE, and The Avalanches, to name a few – Klein’s…

You need to be logged in to view the rest of the content. Please .

« »