Making a choice among artists who create ambient music veering into modern classical is becoming harder by the day. It is becoming hard sifting through hours of music and finding the ones that don’t end up into a musical wallpaper territory, the ones that keep up in both quality and emotional intensity.
That list is quite rarified these days, but you can easily add Southend-on-Sea visual artist and musician Adrian Lane and his latest album Their Ghosts and Ours to it.
Lane, who has been releasing music since 2013 on various independent labels, is among those who combine acoustic sources with electronic/computer-generated embellishments, something that has been done a lot these days.
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Throughout 2024, the Swedish duo 
Although 
London’s 
Since leaving Dutch band The Ex, GW Sok – real name Jos Kleij – has spent the last two decades channelling his muse through various projects. His dry wit and often caustic worldview can be heard in collaborations with Oiseaux-Tempête, Lukas Simonis, and King Champion Sounds, to name a handful. The GW in his stage name stands for geitenwollen, and here geitenwollen sok, or sokken (‘goats wool socks’) are the Dutch equivalent of the hair shirt, or the socks with sandals brigade. An implied morality Sok has been happy to subvert this past forty-odd years.
Given the fact that Matteo Pagamici and Michael Künstle have already composed for TV and film, it’s no surprise that their debut album is cinematic. The bonus is a 92-piece orchestra, which makes every piece sound like a film trailer or theme.
Imagine you were a collector of folk songs in 1970s Kyiv, a student at the Conservatory, and a member of the Leninist Youth League (obligatory if you wanted easier access to higher ed). Coming back from weekend expeditions to rural villages, you would deposit your field recordings in the archive, but not before you edited them — excising references to gods, Christian or otherwise, or songs too tragic for the Communist Party, which expected optimism from the folk. Composers in the Conservatory might draw from your collections and adapt them for the saccharine folklore ensembles sponsored by the Soviet state.
Tight and Loose is an artifact of a time before San Francisco became a bedroom community for the tech empires. Back in the late 1980s, it was still possible for people living there to work in record stores and other non-advancement enterprises to invest their time in creative endeavors that mocked the notion of redeeming values. 
Buyers of the physical version of this album, which made classical best-seller charts in the summer of 2025, will get an explication of the contents, much of it from composer 
Though Leo Records has previously documented Quartet (London) 1985 (1988); Quartet (Birmingham) 1985 (1991); and Quartet (Coventry) 1985 (1993), Burning Ambulance Music is proud to celebrate the 40th anniversary of the tour with this set of previously unreleased recordings from Liverpool, Sheffield, Leicester, Bristol, Southampton, Leeds, and Huddersfield.
There are possibly two key reasons why musicians take on other professional tasks – they need a number of personal channels to express their talents and ideas or, they simply need more money. Or both. Whatever is the case with Max Alper, who as a musician goes under 
There are few musical outfits whose music creates such a warm glow as instrumental super-trio 
It’s not foregrounded, but as 
Every field recording is a virtual reality. 
Broadly speaking, shredders are the pro wrestlers of music, trafficking in overwrought drama but devoid of soul, the realm of finger-tappers, fretboard lubricators, and those prone to viewing music as a competitive brawl.