…Just 24, Natalie Del Carmen has already released two albums, a couple of singles, and an EP. She hails from Los Angeles, where she returned to after gaining a Bachelor’s degree in Music (with a songwriting focus) from the famed Berklee College of Music in Boston.
This explains her talent for wordplay in exploring themes of adulthood, self-discovery, and personal growth, wrapped in a series of glorious tunes. Her debut, Bloodline, was possibly a more simplistic album lyrically (most of which was written when del Carmen was in her teens and much more influenced by ‘pop’ music). That album came out in March 2023 and received a positive reception from critics and fans alike, who noted her voice and her way with a tune. An EP entitled…
Category: americana
Lolly Lee began her career playing rhythm guitar and providing the vocals for The Mortals and Split the Dark, regionally successful rock bands from the South, throughout the 1980’s. She married and dropped out of the music business whilst raising a family, and followed other pursuits, though continuing to write songs. This is now her second solo album, released following the death of her husband in 2023. The songs and their themes demonstrate this life experience and are told with a vocal that can provide grit in a Lucinda Williams style and a beauty and purity that belies her age, sometimes in the same song.
The opening title song sets out what will be the core of the instrumental players throughout the album, with Lee on acoustic, her producer,…
Emerging out of the Pacific Northwest in 2021 and later relocating to Joshua Tree, California, This Lonesome Paradise is as much a living, breathing product of its hallucinatory high-desert environment as its reverb-rattled noir-Americana is a direct reflection of it. With the new Death Motels, the quartet has taken the next step into the boundless cinematic landscape that’s been teased in its previous work.
…Musically, Death Motels is relentless. Ferocious guitars slash through the silence like blades, low-end bass churns like a storm beneath the earth, and Ray Béchard’s voice hovers somewhere between incantation and confession. Jordin Bordeaux’s spectral voice and Mellotron textures conjure an atmosphere that feels both…
The themes that weave through Mud Blood Bone, the fourth record from Canada’s Cat Clyde, tackle large, universal ideas. Yet, it’s her gift for writing deeply personal lyrics that gives the album both depth and a striking sense of intimacy. From the remarkable opener “Where Is My Love,” which explores longing and absence, to the strikingly beautiful “Night Eyes,” a song about breaking free from a toxic relationship, the record moves through familiar emotional territory while feeling as confessional as reading someone’s diary.
Mud Blood Bone finds Clyde at her most confident lyrically, while the music moves effortlessly between folk, Americana, and blues. Those blues elements are immediately apparent on the album opener, “Where Is My Love.” The song…
The Outfit present a career defining new album, Preservers of the Pearl, asserting themselves as messengers of the new wave of underground rock and roll, pushing the movement forward alongside fellow trailblazers Mystery Lights, Sheer Mag, Shadow Show, Uni Boys…
Everything has been leading here. Daniel Romano shifts from his position as sole writer, opening the floor to Outfit stalwarts Ian Romano and Carson McHone, and welcoming into the fold longtime friend and legendary Canadian rock-n-roller, Tommy Major. The band is functioning as a true collective – multiple voices and perspectives – all serving one creative pulse. The result is both a new beginning and a homecoming, a complete and fearless statement.
The Long Ryders were once the shit, to use the appropriate slang expression from back in the day. Their albums from the mid-1980s (Native Son, State of Our Union, Two-Fisted Tales) were part of the onslaught of New Wave Cowpunk bands such as Jason and the Scorchers, Green on Red, Rank and File, and the Beat Farmers, that generated excitement among college-age audiences who were turned off by mainstream country acts.
The band took a long hiatus, although they sporadically got together for brief reunions. They released a new studio album in 2019, 32 years after their previous effort. Bassist Tom Stevens died in 2021. The group released their fifth album in 2023 and have been semi-active performing live.
The Long Ryders’ latest record,…
Cody Diekhoff (aka Chicago Farmer) grew up in an Illinois farming community in the tiny community of Delevan, and his grandparents were a pivotal part of his upbringing, with his grandfather being a master storyteller as well as a first-class farmer. Young Cody listened to these stories with fascination, and the effect they had on him has stayed with him all his life. Diekhoff has now recorded his debut album with the help of his recent touring band, The Fieldnotes. They are Charlie Harris on bass, Cody Jensen on keyboards and mandolin, Frank Kurtz on drums and Jaik Willis on guitar.
Listening to these songs, there’s a raw immediacy to them with Diekhoff’s vocals being delivered as though it’s his last day on earth.
The expanded release includes two additional songs: A cover of the Jason Isbell track “Good While It Lasted” and “Stopover”.
Listening to current Nashville resident Imogen Clark’s latest, Choking On Fuel, you’d swear she was a native who got her start playing dive bars around town before finally getting booked at The Bluebird Café or The Basement East.
Surprisingly, Clark got her start as a teen playing bars in Sydney, Australia, not exactly the most obvious jumping off spot for a rising country/Americana star. Regardless, Choking On Fuel is an impressive collection.
Clark has spent the past few years on the road, headlining as well as opening for a slew of disparate musicians ranging from…
Charles “Poppy Bob” Walker’s guitar compositions have a liquid, expansive cosmic Americana scope. The notes linger in pellucid backwashes and slide eerily between the known tones. Not much is known about the Yuma-based outsider artist, now apparently deceased, but his work on DOUBLE-WIDE —and on the earlier Dirt Bike Vacation — is a far cry from the usual pickin’ and grinnin’ proficiencies of blues-folk old-timers.
The guitarist and song-hunter Cameron Knowler stumbled on Walker’s work at, of all places, a Texas local library branch. Intrigued enough to track down a sample, Knowler immediately became obsessed with the music, which evokes ambient kosmische players like Chuck Johnson, Luke Schneider, and in some moods, William Tyler.
There are several artists, it seems, who go by the name of Sam Lewis. So, just to be clear, this release, Everything’s Fine, is from the Nashville musician of that name, and it’s his 7th release, following on from 2024’s Superposition. In terms of intention, Lewis, in discussion with studio engineer Joe McMahan, wanted to deliver a sparse recording, in places that might be seen as the case, but there’s still a full sound across this album.
The spirit of John Prine floats above the opener and single ‘Chase the Moon’, rhyming couplets and a narrative melodic bounce push along picked and strummed guitar. The song was created around the time of Prine’s passing, so it’s fitting that his influence lives on through this.
…Title track ‘Everything’s Fine’ appears at…
Grammy Award-winning singer, songwriter, and guitarist Trey Hensley has officially released his solo studio album Can’t Outrun The Blues via Pinecastle Records. The 10-track collection marks a major milestone in Hensley’s solo career and features an impressive lineup of collaborators including Molly Tuttle, Vince Gill, Steve Wariner, and the legendary Nitty Gritty Dirt Band.
Produced by renowned hitmaker Brent Maher, known for his work with artists such as The Judds, Kenny Rogers, and Merle Haggard, Can’t Outrun The Blues showcases Hensley’s signature blend of fiery guitar playing and powerful vocals. The album seamlessly fuses Bluegrass, Americana, and traditional Country influences into a cohesive and energetic project that highlights both his…
Most all within the sphere of my reach has a reverence for classic soul music. Not upper-cased to designate any genre distinction, but closer to the ground… the small “s” signifying what truly changes and crosses the course of our blood. We’ve sought solace and direction as if a spinning disc were a communion rail before which we surrender; as if at the bent knee of our parents. It’s a ritual that has remained fortifying and alive – because the music itself has: refusing challenges to its legacy and relevance by evolving as we do.
Otis Redding, being but one sharp example, continues to sound like a living human being leaping from a pair of speakers because, in a very real way, he is one: his voice still reaching out with what poet William Carlos Williams…
The Set Up is flagged as a companion piece to last year’s Mr. Luck & Ms. Doom, starting off from a tune Willy Vlautin brought in at the end of the sessions, ‘Walking with His Sleeves Down’. Vlautin says, “Amy learned it on piano, and we recorded it live. Her take was stunning, but the song didn’t quite fit with the record. It was lonelier, more rattled, and it missed that rudderless romance that inhabits the world of Mr. Luck & Ms. Doom, so we set it aside”
Stunning doesn’t begin to cover it. If you had a namecheck for Birmingham’s Judas Priest on your Delines lyric bingo card, you can tick it off on this song. Just Amy Boone and piano, bleak but beautiful. The next song that Vlautin brought to the band was ‘The Meter Keeps Ticking’,…
Few artists are as closely tied to the foundation of country music as Willie Nelson. Before the outlaw movement, before the braids and bandanas, Nelson was a Nashville songwriter absorbing the work of Hank Williams, Ernest Tubb, and Merle Travis.
Originally released in 2010 and produced by T Bone Burnett, Country Music is his direct salute to that lineage. It was his first album made entirely of country standards, a tribute to the songs that shaped him before he became a household name.
The current reissue from Craft Recordings and HighTone Records gives the album renewed focus. HighTone’s relaunch has centered on core Americana titles, and this record fits squarely within that tradition. Country Music opens with Nelson’s own 1959 single…
Album release dates are usually arbitrary, utilitarian business decisions, devoid of any tangible meaning. But once in a great while, an artist releases an album on or near a date that dovetails perfectly with the album’s theme. Such is the case with Keegan McInroe’s eighth solo album Neon John, which was released on Friday, February 13th. Juxtapose that superstitiously unlucky date with the next day, which just happens to be Valentine’s Day, and you have the dominant theme of the album-love sought, love found (or not), love lost, wrapped in a musical salve that feels light-heartedly melancholy yet somehow comforting.
The album opens with the line “Looking for love in all the wrong windows” sung in the familiar melody of Johnny Lee’s ‘Looking for Love’…
UNHINGED is Sophie Gault’s third album after Delusions of Grandeur (2022) and 2024’s Baltic Street Hotel. The title comes from her own view of herself: “I’m unhinged and a little bit crazy”, and this gives some idea of the energy of the record. It is rather traditional female-fronted country-rock, but done with such verve and brightness that it really wins you over and puts a smile on your face. And it doesn’t do any harm that Gault has a great country voice.
She has written five of the ten tracks here, but the first track is a rollicking Buck Owens cover, ‘Love’s Gonna Live Here’, with slide guitar and country licks, that improves on the original. This staple of her live set is a great start to the record. Following is ‘Pocket Change’, with a bit of a twang in…
