Josh Martin’s Western Mind operates within the mythology of the American West while carefully sidestepping the clichés that usually flatten that landscape into postcard romanticism. The album understands that the West is not merely a geographic region but a psychological condition, shaped equally by physical enormity and emotional projection. Across these eleven instrumentals, Martin transforms highways, abandoned towns, mountain passes, and flickering roadside relics into reflections on solitude, memory, and the uneasy relationship between freedom and isolation. What could have become a simple ambient guitar record instead emerges as a deeply atmospheric meditation on place and perception, rich with emotional nuance and sonic detail.
Category: americana
Some albums just cry out: “put me on in the car, and turn the volume up!” Jeffrey Halford and the Healers’ latest album, Used Parts, his ninth, is one such release, perfectly suited to a road trip, ideally across Mississippi and Texas, but anywhere with an open road ahead. Opening track ‘Bright Light’ features a cool riff, with Halford’s vocals striking the right note from the off, singing of being a “guitar man”, the troubadour who “Played in Natchez/ I played in Amsterdam/ Roaming around/ From town to town”, while reflecting on the realities of the music business “Looking out at the bright lights/ The buildings tall/ I can’t help thinking/ It’s a long way to fall.”
The gritty, earthy guitar solo has a Neil Young vibe, the whole album featuring fine guitar…
Clayton Denwood hails from Toronto, Canada, and now resides in Bristol, South West England, via Woodstock, New York. Early influences, while he was formulating his musical style, were Bob Dylan (he was even touted at times as the new Dylan), Van Morrison, The Band and Grateful Dead and his appreciation of roots music appears to have emanated from these early days. Living in Woodstock for some years reinforced this, especially as he worked with Levon Helm, Garth Hudson and Rick Danko from The Band. He spent years honing his craft in live performances across New York City, Montreal, Toronto and London before settling in the UK several years ago. He now plies his trade across the land with appearances, with his red-hot band, at south of…
Paul McClure, on his fourth album, decided to go to pastures new and left the rural north and travelled south to East Sussex and the fine Bex-Pop Studios in Bexhill-on-Sea. For this album, Trevor Moss took over the production duties and provided bass, mandolin, banjo, and harmonica, as well as fellow musicians Thure Johansen on electric guitar and resonator guitar, violinist Henry Bristow, and Moss’s wife, Hannah-Lou, on vocals. McClure himself says, “we wanted to capture a moment, prioritising feel over perfection, and the record came together pretty quickly over a few sessions”.
We open with a really strong song, ‘I’m Not Lost’, a banjo-focused song looking at how we try and pick up the pieces again after problems and trying to stay positive with some lovely…
Singer-songwriter Bird, otherwise known as Janie Price, has released a new full-length album. Held Here Together is made up of her two recent EPs, 2025’s Heads Or Tales and Strange As Folk from earlier this year.
This can be a risky strategy as reusing material again quickly can put off existing fans. On this occasion it may well be a marketing masterstroke as she has a tour supporting Ward Thomas to expose her to a whole new audience, and 3 new songs to keep her current crowd happy.
Bird’s trademark sound is rich, swelling strings building what would otherwise be relatively bare folk songs into something that Van Dyke Parks would be proud of. The song order on Bandcamp is different to that sent to us, pulling…
Sittin’ with Blaze showcases an assemblage of 13 contemporary songwriters covering classic early Blaze recordings from his ‘tree house’ days in Georgia. Those recordings were originally released by Lost Art Records as Sittin’ by the Road in 2010 culled from demos recorded by Blaze in the mid- ’70s. The compilation includes new recordings by Phosphorescent, Willie Watson, Lucy Dacus, Dylan Earl, Cactus Lee, Uncle Lucius, Riley Downing, Joshua Ray Walker, Twain, Angela Autumn, John R. Miller, John Moreland, and Lucinda Williams.
…Foley (born in Arkansas in 1949 and originally named, more prosaically, Michael David Fuller) is one of the great lost titans of the Austin music scene of the 1970s and 1980s. His life story was not a happy one, from contracting…
A dozen records into his career, Canadian country musician Corb Lund has decided to look back. His latest, Dark Horses, finds Lund stripping down some of his favorite songs from across his expansive catalog and presenting them with little more than his voice and an acoustic guitar. The result is a beautiful reintroduction to these songs, a mix of classics and often-overlooked gems laid out in their rawest form yet.
The album is sequenced chronologically, with Lund going back to 1995 for the opening song, “Untitled Waltz.” While he’s generally not one to overproduce his songs, drenching them in effects and a slew of additional instruments, there is still a stark difference between the originals and how they’re presented here. “No Roads Here,”…
Recorded in Nashville with producer Steven Wood and featuring a veritable who’s who of premier Nashville studio musicians, The Country Side of Paul Carrack Vol 2 features cover versions of 10 classic Country hits.
Paul says: “I’ve always wanted to make a country album, and I’m now very pleased to be coming with the second edition. A lot of people detect the influences of soul in my music, but I’ve always loved country as well. Growing up, I was hungry for any kind of music, but I would listen to people like Chet Atkins, The Everly Brothers, Hank Williams and I particularly loved Ray Charles, who is predominantly known for his soul and jazz stuff, but could also sing great country.
I have an older brother, John and one Christmas…
What does it look like when the family business is music? In the case of The Family — a kind of “supergroup” made up of singer-songwriter Dylan LeBlanc and his father James LeBlanc, stepmother Angela Hacker, and stepbrother Bay Simpson — it’s a little messy. On the band’s first album, Delusions of Grandeur, they’re unpacking some of the baggage that splintered them apart and eventually brought them back together to FAME Studios in the LeBlancs’ native Muscle Shoals, Alabama in 2020 to record it. Released by Dylan LeBlanc’s brother-in-law’s Big Black Cow Records, Delusions of Grandeur is a true family affair, one that feels effortless in the ways it shines a light on each member’s individual artistry. LeBlanc’s woozy mysticism, his father’s easy grooves, Hacker’s…
Scarborough-based Phil Hooley is the founder of the alt-country band The Woolgatherers. Everything We’ll Never Need is his third solo album after Provenance (2023) and Songs from the Back Room (2021). He is on vocals and guitar, but has teamed up with a number of top Nashville session players. It is a slight surprise to learn that he is a Yorkshire lad, because this album very much has an American feel. It is laid-back americana with a very nice brew of country, soul, and blues that reminds you of Dave Alvin and Rodney Crowell.
Having said that, the first track, ‘Cowboy Dreaming’, has more than a whiff of the English band Dire Straits, with slide guitar picking to give it a country feel. It is a weird tale of a city-dweller going out to the Wild West to become…
Robert Sawrey’s story inevitably shapes the way The End of the Road is heard. Recording under the name Hadnot Creek, he only began releasing music after retiring from a career outside the music industry. That sense of freedom runs throughout these ten songs. There is no sense of chasing fashions or commercial expectations, just a songwriter drawing on country, blues and americana traditions to tell stories about flawed people, broken relationships and the long shadows cast by addiction and mortality. Despite the darkness that often inhabits the lyrics, there is also something quietly life-affirming about the album simply existing: proof that creativity need not have an expiry date.
Opener ‘A River of Love’ immediately introduces…
…’12 Golden Country Greats’, which includes Ween classics “Piss Up a Rope,” “I’m Holding You,” and “Pretty Girl,” has been remastered from the original tapes and comes with more than 20 unreleased demos and outtakes from the Nashville sessions. Among them are two songs cut from the original album, “I’ve Got No Darkside” and Jerry Garcia tribute “So Long, Jerry.”
The main problem with 12 Golden Country Greats is that it’s Ween’s first album to concentrate on a single music genre and such concentration lends the impression that they consider themselves above the genre. But that isn’t entirely the case. Ween recorded 12 Golden Country Greats in Nashville with numerous legendary musicians, including the Jordanaires, Buddy Spicher,…
Ambient Americana Volume 2 brings together major icons of the ambient and experimental folk scenes, including legendary producer Daniel Lanois, ambient guitar pioneer William Tyler, and standard-bearers of the current cosmic Americana revival like Hayden Pedigo and North Americans.
“Our May 2021 issue came with a special free CD – the then-latest instalment in our Sounds of the New West series. Titled Ambient Americana: A Road Trip Across Psychic State Lines, it brought together a group of artists who were mixing the traditions of country and folk with the mind-expanding sounds of ambient and kosmische music.
…a mere five years on, we’re delighted to bring you Volume 2, which comes free with Uncut’s August 2026 issue.”
If you’re a fan of Gram Parsons or Emmylou Harris, husband-and-wife duo Eleese and Matthew Meschery’s band name Brand New Heartache is bound to fire a spark of recognition.
You might also be pleased to hear that the inspiration of Parsons and Harris can be felt throughout A New Alchemy, the couple’s debut album, as the Californian natives – who are recent transplants to Tennessee – showcase beautiful vocals, tight harmonies and, of course, a tale or two of heartache.
The airy, acoustic Montreal sees the couple dreaming of the city, of walking its streets as revellers spill from bars and the smell from bakeries fills the air, their harmonies so tight there is no room at all for movement.
On Christian Name, an album inspired by the devastating loss of a child, Charles Wesley Godwin narrates his journey through despondency, grief, and redemption to a new understanding of his faith.
Godwin explains, “These songs really meant a lot to me. There’s parts of me and parts of the things that I’ve gone through in the last couple years that are in each and every song on this album.”
The title of the album – Christian Name – and the cover art were inspired by his late grandfather, Charles Godwin, who was a preacher in the Methodist Church. Alongside two standout collaborations, the catchy “Better That Way” with Luke Combs and the moving “Hey There Son” with Wyatt Flores, Christian Name finds …
Perhaps at the end of time we will feel the full weight of history hitting us from behind like a train. Perhaps as the world limps towards its final moments we’ll experience a flickering, cut-up dream movie made up of random constituent parts of human history.
These are the sort of thoughts that must have preoccupied Creekbed Carter Hogan during the making of Peasants Revolt, a record that acknowledges the possibility of an imminent apocalypse but is steeped in a wide range of musical and social histories: medieval uprisings, the Haitian Revolution, twenty-first-century trans activism, Americana, political folk music.
To say Peasants Revolt provides a rich and varied listening experience is…
