Category: americana


Blood Sucking Maniacs, the Allen family band, helmed by patriarch and matriarch Terry Allen and Jo Harvey Allen, spans five generations and 121 years, including (among others) their sons Bukka and Bale Allen; grandsons Kru, Sled, and Calder Allen; Panhandle Mystery Band mainstays Charlie Sexton, Lloyd Maines, and Richard Bowden, and frequent collaborator Will Sexton.
…Giving themselves the collective name Blood Sucking Maniacs, the songs are free, wild, tender, and gloriously unruly. Put all the contributions together, and we find a mash-up of heart-punch ballads, familial rib-prods, and everything in between, shifting from the sublime to the unabashedly sentimental with maximum integrity.
The name was inspired by their son Bale,…

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Joe Martin describes himself as a “21st century Troubadour,” and has been likened to Lyle Lovett, a comparison which is hard to find on the opening song, ‘Hand Me Down Heart’. A driving piece of country rock which is closer to Tom Petty, with an added epic sweep and the bass guitar of Cornelius Webb (Jimmy Webb’s son) pushing the song along. Having been written and recorded in Nashville, you might be expecting a contemporary country-based record. Second tune ‘Checkmate’ confounds that with a pop/rock song which could as easily have emerged from his native Lancashire as the Midwest. Ben Jarrad adds some silky slide guitar.
The country folk of ‘Strangers to Lovers’ has a subtle percussion line from Cal Campbell (son of Glen), whose drum work throughout…

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On Middle of Nowhere, Kacey Musgraves doesn’t so much return to her roots as redraw the map entirely — one where solitude isn’t a pit stop between relationships but the destination itself. Written in the aftermath of a breakup and shaped by long stretches of intentional aloneness, her seventh LP and debut for Lost Highway finds her toggling between self-sufficiency, mischief and the occasional bout of well-earned chaos.
The opening title track sets the tone within seconds: sunlit acoustic strums, a low-end thump and Musgraves calmly declaring, “It’s just me and me and that’s all I need.” It’s both a mission statement and, as the record unfolds, a thesis she keeps testing. Because even in the wide-open emotional space she’s carved out, desire…

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It can take years to develop the kind of band chemistry you can hear straight away, the kind that’s all over mildred’s debut album Fenceline.
It’s not just that the Oakland four-piece write and sing democratically, it’s that their shared authorship feels like a genuine meeting of ideas passed around the room rather than delivered from any one fixed point. What could have felt piecemeal instead feels companionable and lived-in. There’s real warmth in that, and trust too. These are people you want to be friends with: unselfconscious, generous and together because they like the sound of each other’s instincts.
Opener “UPS Brown” gets that across beautifully. A low violin drone runs under guitars that feel both worn and careful, with crunchy…

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Guy Clark’s debut, Old No. 1, did not sell many records upon its original release in 1975. However, over time the album has earned a reputation as a masterpiece that has inspired a zillion songwriters since. The list of notables influenced by Clark and this LP includes a host of prominent singer-songwriters, including Rodney Crowell, Steve Earle, Lyle Lovett, Nanci Griffith, and Vince Gill. They have all proudly paid tribute to Clark in song and story. Fifty years later, Truly Handmade Records, an independent record label and imprint established by Guy Clark LLC, has released Old No. 1: Revisited. It’s a track-by-track tribute to the original, featuring some of the best young(er) musicians working in the Americana and alternative country fields today, such as Margo Price,…

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The term legend is an overused description, but in Dale Watson’s case, it’s a perfect fit. Originally cutting his teeth on Houston’s honky tonk circuit and releasing his debut album Cheatin’ Heart Attack in 1995, he’s become an icon of outlaw country music and one of its hardest-working stars. 300 shows a year are not uncommon, along with an average of an album every 12 months. At age 63, Unwanted is his latest release and long-time fans will not be disappointed.
Things kick off with the rollicking ‘Willie Waylon and Whiskey’ a tribute to two of his biggest influences which even manages to slip in a riff from Nelson’s ‘On the Road Again’. Backed by the Lonestars with contributions from his wife Celine Lee, who shares vocals on…

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Ringo Starr’s debut outing with T Bone Burnett, 2025’s Look Up, was a creative triumph, so the pair haven’t messed much with the formula on this swift follow-up. Returning are Molly Tuttle – duetting with Starr on three of the 10 tracks, including Robert Plant/Alison Krauss-styled opener ‘Returning Without Tears’ – and Billy Strings for the Everly Brothers-fashioned harmonies of ‘My Baby Don’t Want Nothing’.
Sheryl Crow pops up on the title track (which comes with Ringo’s meditation-informed spoken-word section: “Don’t be attacked by your thoughts… let them come in, let them go”) while St. Vincent cameos on ‘Choose Love’, a reworking of a previously-released 2005 Ringo song now given mid-’60s R&B swing and…

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…DIX describe themselves as a roots band with a folky heart and a generous dose of melancholic americana. The band was formed by childhood friends from the Dutch region of Land van Maas en Waal: Erik van Oijen (vocals, guitar, mandolin), Johnny Ariëns (bass), Bart Versteegh (drums, accordion), and guitar virtuoso Ray van Haalen (guitar, banjo). Having been formed around 25 years ago, it took a while before their debut album, Sayonara (2010), appeared. This was followed by For Love (2013).
The foundations for this, their third album, were recorded back in 2019. However, circumstances, including the COVID pandemic and the passing of producer and close band friend Louis Bos, delayed its completion. The band states…

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Cosmic American Music is the debut of Tabasco Birds, an eight-piece from North Texas. Six of the eight members attended Dallas Art High School, and all are now students at the University of North Texas. They say that they “channel the Cosmic American sound of Gram Parsons”, and you can see what they mean, but actually their music is livelier, more varied and rougher around the edges than Parsons’. This is a good thing, as the contributions from the eight members on different instruments mean that there is originality and freshness to their work.
They are closer to the rural, almost hillbilly country of Noahjohn. As you listen, you can imagine the songs being played to an appreciative audience, having great fun dancing in a barn…

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Recorded at the Rockbonden Studio in the snow-covered forests of Sweden, Norway’s Ole Kirkeng stands trial under the Cowboy Lie Detector Machine. Kirkeng was a touring member of Courtney Marie Andres’ band, and has performed alongside Molly Tuttle, Bonny Light Horseman and S.G Goodman. The album is produced by Kirkeng with input from Dominic Billett and Bendik Brænne. It is lyrically clever, heartfelt and at times laugh-out-loud funny.
The first single released from the set, ‘Bare Minimum’, sets the tone. Initially, it feels like you have walked into the middle of something you shouldn’t have, and you are wrong for finding it amusing. Kirkeng is giving relationship advice in reverse. The lilting pedal steel…

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Souled American return after thirty years with a work of immediate relevance. Arriving just in time, with decency roundly mocked, as dissent spells career disaster and algorithms isolate us into units of convenience, Sanctions dares explore roots and traditions in both sound and consequence, revealing a band that has lost members but gained gravity. Acclaimed by Jeff Tweedy, The Jayhawks, John Darnielle, and Counting Crows, Souled American here elevate their unique style of ambient Americana into a life-altering experience full of feeling and drama, like some ink-stamped elegy fresh off the printing presses of Walt Whitman. Written, performed, and produced by founding members Joe Adducci and Chris Grigoroff, the album marks…

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For years, Cactus Lee has quietly built a singular body of work, playing honky-tonks around Austin while releasing records at a steady, self-driven pace.
Lee’s Dream,  his second album for Western Vinyl, feels like the natural distillation of that journey-written on the road, refined at home, and shaped by the push and pull between devotion to music and devotion to family. Conceived during a monthlong solo tour through the Midwest and South, the songs began as sketches written in vans and motel rooms, sparked in part by a visit to Guy Clark’s reconstructed basement at the Country Music Hall of Fame.

Returning home to personal upheaval, Kevin Dehan turned inward, writing songs…

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The Pacific north-west of the USA has been called home by many giants of the blues, rock, and grunge scenes, but alongside these, there’s long been a fertile seam of indie folk and alt-country music. Fleet Foxes and Brandi Carlile hail from Seattle, and from Portland, there’s The Delines, The Decemberists and The Dandy Warhols, while in recent years you might spot Jerry Joseph or Patterson Hood in the local deli. Vegans and cyclists are welcome in this city, proud of its reputation for being weird. Some twenty years ago, this attracted several musicians from Anchorage, Alaska, who each separately found their way to Oregon before coming together as The Builders and The Butchers in 2005.
With the ramshackle acoustic folk-rock sound…

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Staying positive is an incredibly difficult skill to maintain. With all the negativity and palpable tension thickening the air, stirring up a fog so dense we sometimes forget to look at our fellow humans and share a smile, being the one to break the mold and share a technology-free moment with someone, or anything, is a scary undertaking. It is much easier to fall victim to the downtrodden nature that seems to plague the world around us, and thankfully, Scott Kinnebrew has never been fond of the easy route. The road-tested veteran and member of the beloved country rock outfit Truth and Salvage Co has always brought a complexity to his art that is both welcoming and compelling. On the other hand, his solo work under the moniker Sounding Arrow is getting…

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To an outsider, Ashley Monroe is a Nashville success story. As she wrote in her Instagram post heralding the release of her latest record, Dear Nashville, during the past 23 years, she has released six solo albums, released four more with Pistol Annies, co-wrote two songs that went to number one on country radio, and has been nominated for Grammy Awards three times. She’s accomplished much more than the typical singer-songwriter looking for glory in Music City.
However, Monroe is not happy with the way she’s been treated by the town. Dear Nashville is a concept record about her professional experiences. The eight songs tell her story as a love letter. She begins with the diatribe “I Hate Nashville” and ends with “Quittin’”, but neither title…

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Although Brown Horse are soaked up to their collective armpits in various signifiers of a very recognisably American musical lexicon (pedal steels and the lure of the road leading out of town feature prominently here), the Norwich quartet (accompanied by drummer Ben Rodwell and backing singer Neve Cariad) achieve an identifiably British take on various alt. country/Americana staples on the startlingly assured, often viscerally raw Total Dive.
With all four members sharing the songwriting duties equally, the ten songs on Total Dive venture from grizzled, petrol-fumed bar room boogie (the title track, with the track’s energised gallop deliciously at odds with the downbeat dead-end vibes of the lyrics) to desolate…

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