Category: *editions*


…features the original album plus ‘Live at Third Man Records’, a 10-song live album.
On his debut for Columbia Records, Pete Yorn wears his heart on his sleeve like Ryan Adams, sings in a husky croon similar to Jakob Dylan, and earnestly plays into passion and emotion like Jeff Buckley. The year 2001 belonged to Yorn, and his critical praise was not unwarranted, with Musicforthemorningafter marking the stunning beginning of a long, varied career. It’s a raw selection of heartland and American trad rock, yet Yorn’s love for Brit-pop is also quite evident, with several breezy acoustic-based songs (“Sense,” “Simonize”) resembling threads of the Smiths. Yorn’s voice may crack at points, but it contributes to the dusty feeling of the entire…

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Forty years on and the seismic shift that was 5150 – Van Halen’s first album with Sammy Hagar replacing David Lee Roth and also my first introduction to the band still detonates with a force that few records in the hard rock canon can match.
The 2026 expanded edition, remastered directly from the original master tapes and overseen by the band’s longtime engineer Donn Landee, doesn’t seek to reinvent one of the most commercially dominant albums of 1986, but seeks to honour it, warts and all, and in doing so reveals just how staggeringly alive this record remains.
What the expanded edition offers beyond an outstanding remaster is a genuinely comprehensive document of the album and its era. CD2 gathers the singles campaign in full – edited versions…

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…features the original album as well as sessions, B-sides, a live show from the time and a complete disc of demos from Chapel Studios.
Having exorcised enough bile for two bands on their rickety release Interim, The Fall loosen up their attitude, tighten up their delivery, and squeeze out a rocking album that relies heavily on its highlights. Fortunately, there’s plenty, most hitting with the thwack of the “Sparta FC” single or the Light User Syndrome album. “Pacifying Joint” is a punchy exercise in hooks and sheen, “What About Us” is snide Mancabilly of the highest order, and “Blindness” hypnotizes and chugs its way into the Top 25 original Fall tracks ever. Flashiest of the lot has to be a soaring cover of the Move’s hippy anthem “I Can Hear the Grass Grow,”…

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Author Philip K. Dick spent his career poking at the porous boundary between reality and illusion, questioning the reliability our perception and memory. Using motifs such as artificial intelligence (AI), mind-altering drugs, simulated realities, and corporate and governmental power, he examined our sense of identity, the nature of truth, and the very essence of reality. Given recent advances in AI as well as ongoing sociopolitical changes, Dick’s work now seems more prescient than ever.
Ubikuitous, yet another thematic compilation from Unexplained Sounds Group, uses experimental ambient and acousmatic music – with a touch of glitch and techno – to explore these concepts. Many of the 14 tracks employ synth-based droning with dark overtones as a core element,…

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Magma’s Cosmic Masterpiece: The Absolute Classic Live Album That Redefined Progressive Music Magma’s mythic 1975 live set, captured in full fire at Paris’ Taverne de l’Olympia, returns to mark its 50th anniversary with a stunning new edition. Presented as an exclusive 2LP pressing on translucent blue vinyl and housed in a deluxe gatefold sleeve, this release honors one of the most powerful live documents in progressive music history. Widely hailed as one of the greatest live albums ever recorded, Live captures the band at their most transcendent, delivering a performance that shattered genre boundaries and redefined the possibilities of rock. The recording radiates raw intensity, precision, and an otherworldly vision that remains unmatched decades later.

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Chicago-born record label International Anthem capped off an entire year of anniversary activities (under the IA11 chrysanthemum banner) with a very special event celebrating the label’s actual eleventh solar return at their new Southside Chicago HQ inside Theaster Gates and Rebuild Foundation’s latest space-based project, The Land School.
The evening featured a performance by Rob Mazurek with Matthew Lux and Mikel Patrick Avery (the ensemble behind Alternate Moon Cycles, the very first album in the IARC catalog, which was originally released December 2nd, 2014), in what Mazurek refers to as “A Polysonic Resonance Field in One Continuous Movement.”
About the performance, Mazurek recalls: “At the invitation of International Anthem, I gathered…

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1. The Black Crowes – Cruel Streak
2. Snail Mail – My Maker
3. Andrew Wasylyk – Private Symphony #2
4. Courtney Barnett – Mantis
5. Spencer Cullum’s Coin Collection – Rowan Tree
6. Flea – Traffic Lights (feat. Thom Yorke)
7. Bruce Hornsby – Indigo Park
8. Tinariwen – Imidiwan Takyadam
9. Ellie O’Neill – Anna with the Silver Arrow
10. The Long Ryders – Stand a Little Further in…
11. Bonnie “Prince” Billy – Hey Little
12. Memorials – Dropped Down the Well
13. Charlotte Cornfield – Lost Leader
14. Billy Fuller – Rummer
15. The New Pornographers – Ballad of the Last Payphone

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1. The Studio 68! & Dani Turner – Funky People
2. The Delines – The Meter Keeps Ticking
3. Altin Gun – Öldürme Beni
4. Bill Callahan – Stepping Out for Air
5. Marielle V Jakobsons – Everything Lost Remains
6. Ulrika Spacek – Picto
7. Iron & Wine – In Your Ocean
8. Cardinals – I Like You
9. Crooked Fingers – Haunted (feat. Sharon Van Etten)
10. KMRU – With Trees Where We Can See
11. Hen Ogledd – Clara
12. The Wave Pictures – The House Painted Blue
13. Buck Meek – Ring of Fire
14. Clémentine March – Lucie
15. Isabel Pine – Fables

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After topping the U.K. dance charts with his first two albums and garnering Brit Award nominations, Barry Can’t Swim presented a volume of the Late Night Tales mix series, showcasing music he’s fond of but wouldn’t necessarily be appropriate for him to drop in a club. While there’s a little of the type of lush, organic house that he produces, much of the mix is more downtempo, often exploring Balearic chillout territory, but also venturing into a few other directions.
Loket’s cosmic trip-hop number “Afternoon at Barenquell” is an early highlight, working up a jazzy groove before clearing out for a lovely string-based coda. Following a short excerpt of Superpitcher’s 20-minute, harp-based chugger “Yves,” a handful of introspective pieces…

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In the five years that they’ve been active, it sometimes seems as if Purelink are dissolving right before our eyes. They’ve never again released anything quite as corporeal or propulsive as their debut EP, which paired visceral dub techno with rolling drum’n’bass.
On their 2023 debut album, Signs, glitchy drums crackled in a pastel haze, and last year’s Faith was even more ethereal; the trio’s individual identities melted together under cover of amorphous arrangements that suggested fogbanks, blizzards, and other zero-visibility conditions.
Anyone who has seen Purelink live, however, knows how much physical heft they’re capable of conjuring — a bold, bassy throb that sets bodies in motion even in the absence of obvious…

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Why it’s volume two from the Rotting Tapes series that’s being given a vinyl reissue, rather than volumes one, three or four is anybody’s guess, but why not? All four tapes contained two tracks each, all were recorded live in Tokyo in the first half of 1982, and all feature the duo Michio Kadotani (1959-1990, vocals/guitar) and Nanjo Asahito (bass), this time joined by an uncredited drummer. The group was well-named; although the music at times seems like impenetrable, formless sludge, there’s often a real beauty and poetry to it, too. When Rotting Telepathies performed together, there was, perhaps fitfully, a unique alchemy, and when it works, it’s glorious, presaging the more fully formed music of noisy, doomy Japanese bands like Gallhammer, but it’s also…

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Intensely expressive free-verse vocal laments over sliding violins, hammered santouri, guitar, and oud – the hybrid sounds of the Mediterranean in the early 20th century.
“Aman Aman” cry the singers on these recordings, their voices preserved on 78rpm discs cut between 1911-1935. The phrase roughly translates to “mercy,” a call of despair, but also one of joy and admiration. On many of these sides, that full range of emotion is transmitted at once.
Some of these artists are legends, others lost to time. Nearly half are female vocalists, a big part of the Cafe Aman tradition but not as well represented on contemporary releases. All were affected by conflicts leading up to the Asia Minor Catastrophe of 1923, and the forced…

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One of the clearest examples of an album that crafts a strange and beautiful world not quite like any other is Rocketship’s 1996 full-length debut A Certain Smile, A Certain Sadness. Even upon arrival, this was an experience unto itself, and 30 years later, these eight songs of bittersweet bliss still feel new.
Rocketship spiked their deliciously melodic indiepop with buzzing organs, spacey interstitials and motorik repetition, aligning them with mid-90s peers like Stereolab and Unrest. “A Certain Smile, A Certain Sadness” is an album of unrepentantly vulnerable melodies, unusual seventh chords, lingering ambient interludes, and soft sentiments released at a time when unfriendly, self-conscious punk rock was the order of the day…

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Many extraordinary works fade quietly into obscurity, only to be rediscovered years later. Roland Brival’s Créole Gypsy belongs firmly to this overlooked category, a staggering, deeply political, and intensely beautiful work of Pan-Caribbean spiritual jazz that has remained a ghost in the annals of music history since 1980. Now, rescued from obscurity and newly remastered by Soundway Records, this holy grail of Antillean music finally demands the reckoning it has always deserved. Appreciating Créole Gypsy begins with understanding the life and perspective of its creator. Born in 1950 in Fort-de-France, Martinique, music represents just one dimension of Roland Brival’s versatility. He is a celebrated novelist, poet, literature critic, painter,…

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St. Vincent has released Live In London!, a new digital album capturing her acclaimed orchestral performance at Royal Albert Hall.
Recorded during last year’s BBC Proms, the album documents a unique collaboration between Annie Clark and conductor Jules Buckley, backed by a 60-piece orchestra. The performance saw St. Vincent reimagine material from across her career, transforming fan favourites and deeper cuts into sweeping, cinematic arrangements.
Spanning 19 tracks, Live In London! draws from a catalogue that stretches from her 2007 debut Marry Me through to 2024’s All Born Screaming, showcasing the evolution of one of modern music’s most inventive artists. Songs including Digital Witness, Los Ageless and Slow Disco are given…

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Supertramp followed an unusual path to commercial success in the 1970s, fusing the stylistic ambition and instrumental dexterity of progressive rock with the wit and tuneful melodies of British pop, and the results made them one of the most popular British acts of the ’70s and ‘80s, topping the charts and filling arenas around the world at a time when their style of music was supposed to have fallen out of fashion.
Supertramp was formed in 1969 by pianist and vocalist Rick Davies. Davies had been a member of a group called the Joint, who had found a financial backer in Dutch millionaire Stanley August Miesegaes; Miesegaes had grown disenchanted with the Joint, but saw promise in Davies, and he offered to bankroll a new band if Davies wanted…

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