Category: *editions*


Vinyl-on-demand presents the definitive excavation of Bryn Jones’ formative years with Complete Oblique 1980-1983, a comprehensive 7LP/7CD box set that collects every recording from the pre-Muslimgauze era. This extraordinary archaeological document captures one of experimental music’s most prolific figures in the crucial period before his transformation into the underground legend we know today. Between 1980 and 1983, working under the moniker E.g Oblique Graph, Jones was assembling what would become one of experimental music’s most singular vocabularies through minimal electronic pieces built from synths and tape manipulations. This collection gathers all three impossible-to-find cassettes originally released on “Kinematograph Tapes”…

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…Iconoclassic reissued the first two albums by Happy the Man: their 1977 self-titled debut and 1978’s Crafty Hands, originally released on the Arista label. (HTM have become prog’s Taylor Swift of sorts, securing the master rights to these albums themselves to license to the label.) Formed in Harrisonburg, Virginia, the group was influenced by European prog groups like Yes, Gentle Giant and Genesis – but created a sound all their own that expanded the constraints of the genre further through the west.
Founding members Stanley Whitaker (guitar/ vocals), Frank Wyatt (keyboards/saxophone/flute), Rick Kennell (bass) and Mike Beck (drums), plus early recruit Kit Watkins on keyboards, had a mostly instrumental, often humorously titled…

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When MONO first conceived of a live concert backed by an orchestra, it seemed like a once-in-a-lifetime dream of an event that would require a unique set of circumstances, an enormous crew of like-minded and generous contributors, and a titanic amount of luck. At exactly a decade into their career, it was by far their most ambitious undertaking. They flew from their home country of Japan – where, at the time, they were ironically less acclaimed and accomplished than in the United States and Europe – to New York City, where they assembled an orchestra, secured a historic venue near Lincoln Center, and bet on themselves to pull off a truly unforgettable evening. Not only was the concert a rousing success, but it spawned what has become a defining part of MONO’s…

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On November 6, 2018, trumpeter Jaimie Branch was onstage in Paris, France, screeching out the blues with her quartet. The music was more somber than the jam-based jazz that marked the New York native’s impressive debut album, 2017’s Fly or Die. At the same time, voters in the United States shuttled to the polls for midterm elections. The music was a plea for them to do the right thing. “The blues we played was far from where it got to on the album,” Branch writes in the liner notes of her second record, Fly or Die II: bird dogs of paradise. “But the sentiment remained: It’s a prayer for amerikkka…” In its finished form, the 11-minute “prayer for amerikkka pt 1 & 2” — positioned near the beginning of Fly or Die II — is the album’s centerpiece; its plodding…

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To Cy & Lee: Instrumentals Vol. 1 is the first full-length release by a British artist to appear on International Anthem, but even a single listen makes it clear why the Chicago-based label was drawn to it: however much these eleven pieces by Manchester-born, London-based tenor saxophonist Alabaster DePlume (real name Angus Fairbairn) might sit comfortably within a certain sub-genre of jazz, they sound like little else currently available. Much of that has to do with the generally hushed pitch of the performances but even more the fragile quiver of his saxophone.
Interestingly, while the album is cohesive, it couples instrumentals that appeared on three earlier releases — Copernicus (2012), The Jester (2013), and Peach (2015) — with two new pieces…

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Over the past few years Acid Jazz has been the proud custodian of the legendary Albarika Store label, which produced some of the finest, deepest West African cuts of the last century. The mainstay of the Albarika sound was the mighty T.P. Orchestre Poly-Rythmo, who were prolific throughout the label’s activity from the late ‘60s to the early ’80s.
When they reformed for their first-ever European tour in 2009, Benin’s T.P. Orchestre Poly-Rythmo underscored their status as one of the all-time greats of West African music.
Formed in 1968 by bandleader Clément Mélomé, their rare alchemy of scorched funk and driving Afrobeat didn’t just defy a repressive political system; across fifty studio albums, it revealed a group infinitely worthy of the world stage.

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At some point, one might ask which veteran jazz musicians did not play in the “university of jazz” called Art Blakey & The Jazz Messengers. Familiar names abound through this review, but so many more go unmentioned. Here we present a short-lived version of a group deep into Blakey’s fourth decade. We associate Blakey’s great records mostly with the ‘50s and ‘60s, but Strasbourg ‘82 (Gearbox) is as worthy as any. These nine tracks comprise around 85 minutes of straight-ahead, glorious jazz.
Branford and Wynton Marsalis arrived in 1980 but were gone by 1982. In their place, also from New Orleans came teenage trumpeter Terence Blanchard upon Wynton’s recommendation. Blanchard’s slightly older buddy, the 25-year-old…

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A 20th anniversary edition of the album, pair the original album (featuring favorites “She’s Hearing Voices,” “Helicopter,” “So Here We Are” and “Banquet”) with 23 B-sides and rarities, including nine unreleased demos and live cuts.
Silent Alarm was the culmination of several years of work by the London-based band, founded by singer/rhythm guitarist Kele Okereke and lead guitarist Russell Lissack in 1999. The band’s initial line-up featured bassist/keyboardist Gordon Moakes and drummer Matt Tong; their combination of nervy, danceable approach to post-punk and lyrical existentialism aligned perfectly with what rock radio listeners on both sides of the Atlantic were craving at the time. Positive feedback from BBC Radio 1 programmers transcended…

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American Aquarium dropped their Live at Red Rocks album and they performed their song about Wichita Falls during the concert.
It was just over a year ago that American Aquarium performed at the Red Rock Amphitheater in Colorado. This was not the band’s first show at this venue, however this one in May of 2024 was recorded for a live album. One song that a lot of folks love here locally is ‘Wichita Falls’. We have a lot of songs that mention or are written about Wichita Falls. Pat Metheny’s album ‘As Falls Wichita, So Falls Wichita Falls’ is probably the most famous nationally. American Aquarium’s song titled Wichita Falls is probably the most famous here in town. American Aquarium front man BJ Barham wrote the song after a concert in 2013 at The Iron Horse Pub.

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Toyah’s 1994 studio album was recorded with Salisbury band Friday Forever and includes eight re-recordings of classic Toyah material and six original compositions. CD1 adds four tracks of which three are previously unreleased. This includes demos of album tracks Invisible Love and Lu$t For Love, first recorded in 1992 with Kiss Of Reality.
CD2 contains 16 rarities with seven of these previously unreleased. CD2 features the long-awaited release of original material Toyah wrote with members of Girlschool for their ‘supergroup’ project Strange Girls, who played live UK gigs and supported The Beach Boys in Germany. Long desired by fans who saw the Strange Girls live gigs; these three studio demos were recorded in 1991 but have remained unheard until their…

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Toyah’s 1991 solo album Ophelia’s Shadow is released as an expanded Deluxe 2CD Edition for the first time ever. Packaged in deluxe 7”-sized gatefold packaging, it continue the series of expanded solo Toyah albums released by Edsel.
Alongside the studio album that features Robert Fripp playing guitar on two tracks, CD1 adds six tracks Toyah recorded in 1993 with Kiss Of Reality, previously available on a very rare CD released only in Germany.
CD2 adds a full 1992 concert recording of Toyah and Kiss Of Reality in Warsaw, Poland. All 10 live tracks are previously unreleased with highlights being the otherwise unrecorded vocals for Amazon, Daydreaming and Shirt Of The Muse plus a rendition of Toyah’s 1987 album track…

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…John Belushi’s widow Judy Belushi Pisano recently rediscovered the live album, which features 13 previously unreleased recordings. The musicians backing up “Joliet” Jake E. Blues and Elwood J. Blues (Belushi and Dan Aykroyd, respectively) are the original band members, a who’s who of notable soul men and bluesmen: members of Booker T. and the M.G.’s, the Bar-Kays, Howlin’ Wolf’s band, and the Saturday Night Live band at the time, including Steve Cropper, Donald “Duck” Dunn, Matt Murphy, and Paul Shaffer. The set list includes songs that appeared on the group’s 1978 album, Briefcase Full of Blues.
…It’s the perfect tribute to one of Belushi and Aykroyd’s most enduring projects together: beginning as a warm-up act for tapings of…

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The Raspberries blazed briefly but brightly.
When Eric Carmen and Wally Bryson of Cyrus Eyrie teamed up with Jim Bonfanti and Dave Smalley of The Choir, the result was pure bliss. The Raspberries emerged from the ashes from the two bands, and over the course of four albums originally released between 1972 and 1974 – three with the original line-up, and one with just Carmen and Bryson joined by new members Michael McBride and Scott McCarl – they came to define power pop. Despite placing just one Top 5 single in the U.S. and two more Top 20s, The Raspberries’ influence has happily endured for decades, inspiring countless other groups and setting a joyful standard for impeccably crafted rock with big melodies, crisp guitars, youthful…

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Self-described “indie groove” outfit Goose employs a dynamic, genre-blending sound rooted in American traditional rock, jazz, funk, folk, and progressive rock. Drawing inspiration from jam band legends like Phish, Grateful Dead, and Umphrey’s McGee, the band quickly rose through the ranks of the scene, maintaining a prolific live performance schedule and releasing a steady stream of concert albums (2024’s Live at the Greek Theater) and studio efforts (Shenanigans Nite Club (2021), Dripfield (2022), and Chain Yer Dragon (2025).
On June 28, 2025, Goose made their debut at the world’s most famous arena, Madison Square Garden, with a sold-out performance exceeding four hours. This limited-edition box set…

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…Following last year’s set 1976 – chronicling the breakthrough albums Jailbreak and Johnny the Fox – the Irish band release ’74-’75, a deep dive into Nightlife and Fighting. The 7CD box set chronicles the making of those two seminal albums which were the first to feature the “classic” quartet line-up with guitarists Scott Gorham and Brian Robertson joining frontman/bassist Phil Lynott and drummer Brian Downey.
Nightlife came first in 1974, produced by Lynott and Ron Nevison, whose credits would grow to encompass albums by Ozzy Osbourne, Jefferson Starship, Survivor, Heart, Chicago, KISS, and other marquee artists with a big sound. Nevison helped the band bring out the innate soul in its hard-rocking songs, finding the subtleties…

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…features the complete original record remastered by David Grisman, plus outtakes and alternate versions (including two previously unreleased tracks) from Dawg’s vault.
The second full-length collaborative effort between Jerry Garcia (guitar/vocals) and David Grisman (mandolin, mando-cello, tenor banjo, vocals) is arguably their most endearing as well. Just as its title suggests, Not for Kids Only (1993) is an album of folkie standards and traditional tunes that is — as Grisman so eloquently depicts in his liner notes — “our answer to ‘Barney.'”
The material chosen is comprised of songs they had undoubtedly encountered at one time or another during their respective careers, both of which were deeply rooted in…

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