When electronic-ambient-new age pioneer Jean-Michel Jarre was working on 1976’s Oxygene, in his makeshift home studio, he often had to tape down two preset buttons of his Korg drum machine to achieve the effect he wanted. Thanks to the breakout success of that record and its winning blend of bright keyboard melodies and warped analog synths, Jarre didn’t have to resort to such ad-hoc methods for long. Live in Bratislava, taped last year in front of more than 100,000 enthusiastic Slovakians, shows us how far Jarre has come from his old workspace. The spectacle can be experienced in numerous editions, from a concert film to a two-CD-set to a collector’s edition that includes a coffee table book.
And yet the bombast never overwhelms…
Category: *editions*
Hot Chip’s brand of dazed and fizzy alternative dance & synthpop has been their signature plate that’s decorated with various coats across different records, gaining them the widespread attention that has persisted ever since. Now 25 years in as a band, they’ve assembled their essential tracks within Joy in Repetition, celebrating the songs that stood out in their storied discography.
Like it or not, Hot Chip has formed an affinity for groovy repetition in their sound. Started back in 2000, each subsequent record always provides an addition to their kinetic alternative dance rollicks. Refining mid-tempo bliss and shuffling synthpop bops across The Warning to in Our Heads, dabbling further in house tones on Why Make Sense, injecting ethereal atmospherics…
The eponymous debut of Oh Wonder came about in September 2014, when the songwriting team of Anthony West & Josephine Vander Gucht embarked on a goal to record and release a song per month for a year, culminating in a full-length album. What the duo didn’t foresee was accumulating millions of digital streams of their songs in the meantime, leading to a record deal with Republic Records and sold-out future tour dates before the album was completed or they’d ever set foot on a stage.
The resultant 15-track LP (including two previously unreleased tracks, “Without You” and “Plans”) is a unified-sounding, thoroughly mellow, wistful collection of bedroom keyboard-and-drum-machine tunes defined most prominently by West and Vander Gucht’s unison vocal delivery of…
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…the legendary singer-songwriter’s Archives series continues with its first themed compilation, appropriately entitled Joni’s Jazz. These 61 selections draw from nearly every core album in the Mitchell discography with just a couple of exceptions (Clouds, Ladies of the Canyon) and reflect the breadth of the artist’s immersion into the jazz idiom in all its many varied forms.
Last year, in her liner notes to Archives Volume 4 (1976-1980), Mitchell teased, “People ask me my favorite of my albums, it’s going to be Joni’s Jazz.” It’s not difficult to see why; many of her greatest songs and performances can be found among these 61 tracks. What’s clear, too, is that Mitchell is keen to disrupt conventional notions of…
…Newly remastered by Grammy winning engineer Michael Graves.
Nearly a quarter century after bursting onto the scene in 1969 with their self-titled debut album, NRBQ delivered another patented mix of carefree musicianship and joyful spontaneity with 1992’s live Honest Dollar.
Honest Dollar gave listeners a special treat (and we’re not talking about the signed one-dollar bills the band inserted randomly into the copies of the original CD). Not only are there NRBQ classics like “Ridin’ in My Car” and “Wacky Tobacky,” but two “State” songs — “Deep in the Heart of Texas” and Carl Perkins’ “Tennessee” (with new lyrics by Terry, added with Perkins’ consent.) And how about two distinct versions of…
It’s been more than a decade since Jason Molina died at the age of 39, leaving behind a powerful legacy of stark, emotionally resonant music that made much of an earnest voice, a heart-torn story and the barest accoutrements of alt.country-into-blues-rock sound. First as Songs:Ohia and later as Magnolia Electric Company, Molina made a series of slow-burning, desolate classics, including the landmark Didn’t It Rain from 2002.
Lucas Schleicher reviewed the 2014 reissue of this disc very movingly at Dusted, writing, “The rest depends on Molina’s commanding voice and his lyrics, which swim in an ambiguous play of shadow and light. The spaces between the notes and the black quiet that laps against each strummed chord play as large a role in setting…
Texas-based duo Balmorhea (Rob Lowe and Michael A. Muller) present their latest Deutsche Grammophon album – the original soundtrack they composed and recorded for The Trap, written and directed by actress Lena Headey (Game of Thrones). Based on Headey’s BAFTA-nominated short of the same name, and starring Michelle Fairley and James Nelson-Joyce, The Trap was premiered at the Austin Film Festival in October 2023.
The Trap is a psychological drama about a woman whose solitary life is disturbed by her meeting with a troubled young man. Balmorhea’s evocative score enhances the film’s sense of isolation, mystery and unease. “The music is very honest and intimate; gravitating mostly around piano and vibraphone with atmospheric guitars…
72-track / 3 CD box set containing four hours of both groove-laden and downright rocking music from the (mostly London) Pub Rock scene’s heyday of the mid ’70s through to the early ’80s. Every track expertly and lovingly remastered by renowned studio wizard Tim Turan.
In some respects, a lavish follow-up to Grapefruit’s highly successful 2019 Surrender to the Rhythm set which highlighted Pub Rock’s pioneers. Time! Gentlemen! features a selection of cuts from many of the usual suspects of the genre such as Brinsley Schwarz, Dr. Feelgood, Chilli Willi and The Red Hot Peppers and Kokomo, but excitingly, goes beyond the usual fare by including some of their lesser-known gems. Not only a virtual treasure trove of great ’70s rock, the set also…
Newly remastered and reissued as part of Lo Recordings’ campaign to excavate all Susumu Yokota‘s Skintone releases, Image 1983-1998 might be the most revelatory of the lot.
It’s not the Japanese artist’s most enjoyable record by any means, but it contextualizes everything he’d go on to create in the years that followed, from Magic Thread to Sakura. The earliest material dates from 1983 and 1984, and it’s rudimentary stuff, jammed on guitar and organ. And here’s where it gets interesting – over a decade later, between 1997 and 1998, Yokota recorded a response to those early miniatures, and that’s where we get to hear exactly how his process evolved. In the interim of course, he came in contact with acid house, which led him towards electronic…
…expanded release includes two extra tracks (‘Line Open’ and ‘Landscape’) released on a CD single promoting the soundtrack more than 30 years ago, but were not included on the original soundtrack album.
1492: Conquest of Paradise was the Greek musician’s second time scoring music for a Ridley Scott film, the pair having worked so effectively on 1982’s Blade Runner. The film celebrated the 500th anniversary commemoration of Columbus’ voyage to the New World.
The album, which won Vangelis an Echo Award for International Artist of the Year and an RTL Golden Lion Award for the Best Title Theme for a TV Film or Series in 1996, was nominated for Best Original Score – Motion Picture at the 50th…
Haruomi Hosono was obsessed with American music. Growing up in postwar Japan, he ignored domestic artists and listened to foreign sounds broadcast by the Far East Network, radio stations operated by the U.S. military. One of his childhood favorites can be considered the most consequential track of his early solo career: Martin Denny’s “Quiet Village.” The song, which nabbed the fourth spot on Billboard’s Hot 100 in 1959, brought exotica to the masses, ushering in new possibilities for sonic fantasy. “My music has always been fiction,” Denny said in 1998. “Everything comes from my imagination… it wasn’t about authenticity.” In the mid-’70s, Hosono was listening to Caribbean music but didn’t think he had the chops to make the real stuff. Exotica provided a way in…
Miguel Zenón has precious little left to prove. At 48, the alto saxophonist and composer has already run the gamut of prestigious grants — MacArthur “genius,” Guggenheim fellowship, Doris Duke Artist, among many others. He’s amassed a shelf full of academic laurels and critics’ awards, and earned the abiding love and gratitude of his fellow Puerto Ricans for exposing the world to their folkloric music through the prism of jazz. Last year, he even added a Grammy to the list.
But the Miguel Zenón Quartet remains criminally underrated, too often in the leader’s long shadow even as they give collective voice to his vivid conceptual genius — be it updating the song forms of jibara and plena, reworking the Great Puerto Rican Songbook, imagining…
Rising from the New York punk rock/new wave scene of the 1970s, Talking Heads unexpectedly became major stars, breaking through to mainstream popularity as they incorporated nervous rock & roll, arty funk, polyrhythmic worldbeat, and simple, melodic guitar pop into their eccentric but inviting music.
Live On Tour was recorded at the Agora in Cleveland on December 18, 1978 and published as promo LP for radio broadcast in 1979.
Recorded on the More Songs About Buildings and Food tour, the promo release was never officially released for the public.
This is the first official release of the full show, fully remastered from the original analog tapes and features one previously unreleased track.
On 4 December 2023, many illustrious names from the world of rock music gathered together to perform a concert to remember the legendary Gary Brooker, acclaimed front man of Procol Harum and solo artist. Gary sadly passed away in February 2022 and left an incredible musical legacy. His many musical friends and admirers came together to stage this concert to celebrate Gary’s wonderful music and life and also to feature some of the music which he enjoyed.
A stellar gathering of musicians including Roger Taylor (Queen), Mike Rutherford (Genesis, Mike & the Mechanics), Paul Carrack (Mike & the Mechanics, Ace), Andy Fairweather Low, John Illsley (Dire Straits), Mike Sanchez, Gary’s band mates from Procol Harum and many more…
Funkadelic‘s self-titled 1970 debut is one of the group’s best early- to mid-’70s albums. Not only is it laden with great songs – “I’ll Bet You” and “I Got a Thing…” are obvious highlights – but it retains perhaps a greater sense of classic ’60s soul and R&B than any successive George Clinton-affiliated album. Recording for the Detroit-based Westbound label, at the time Funkadelic were in the same boat as psychedelic soul groups such as the Temptations, who had just recorded their landmark Cloud Nine album across town at Motown, and other similar groups. Yet no group had managed to effectively balance big, gnarly rock guitars with crooning, heartfelt soul at this point in time quite like Funkadelic. Clinton’s songs are essentially conventional soul songs in the spirit…
Unique among the 1960s pop landscape, and facilitated by his own home studio set-up, Joe Meek pursued and expressed a passion for his countless hobbies through his hit records and studio productions. From the legendary ‘I Hear A New World’ sonic landscapes and the Tornados’ global hit ‘Telstar!’ to several successful horror-themed records with Screaming Lord Sutch and his smash hit laments to both Buddy Holly and Eddie Cochran, Meek’s fascinations were never far from his thoughts, often resulting in wildly imaginative and way ahead of their time recordings.
Laden with sound effects, experimental electronics, eccentric lyrics and themes that often stretched the boundaries of what pop music could be in the early 1960s, A Curious Mind showcases…
