This legendary solo performance, originally captured for broadcast on the King Biscuit Flower Hour, stands as a testament to David Crosby’s indomitable spirit and unparalleled artistry. Emerging from a dark chapter following his time in prison, Crosby delivers a profoundly moving and musically rich experience that resonates deeply with fans. Blending his soulful solo work with timeless CSNY classics, this concert not only marks his triumphant return but also chronicles his journey from the brink of despair to a resurgence of creative brilliance. It’s a rare and unforgettable glimpse into the heart of a true music legend.
The album captures a concert from 1989, marking a period of Crosby’s creative resurgence after a difficult time.
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Following on from the Second Language’s label recent re-emergence out of semi-hibernation, with The Declining Winter’s still-sublime Last April, comes a return-within-a-return from visual artist and onetime pastoral-psych legend 
A lot of tribute/cover albums can often leave you a little underwhelmed and wondering if the artist is just going through the motions or has run out of ideas. Positively Folk Street is most definitely not one of those albums.
Somewhere in the ‘60s, the folk movement and the psychedelic rock scene intersected and a new sound emerged combining mellow acoustic sounds with further-out ideas that broke from folk traditions. This psychedelic folk-rock sound was wide-ranging, from the more straightforward sounds of bands like Fairport Convention and early Jethro Tull to the acid-tripping bliss of communal groups like the Incredible String Band.
Whilst working as a contract sheep shearer across the hill farms of Wales, Tom Jenkins wrote poems inspired by the stories of his fellow workers and the harsh realities of Wales’ industrial and agricultural heritage. Mixing English and Welsh languages, Jenkins has crafted these poems into the collection of 10 songs that make up When the Coal Dust Settled.
Somewhere in his native South Carolina, the Oregon-based 
So Much I Still Don’t See is Sam Robbins’ third album after his debut, Finally Feeling Young (2021) and 2022’s 
In true folk-rock style, the origins of 
After parting with Warner Bros., their label of nearly a decade, Seattle folk-rock stalwarts the Head and the Heart made a conscious shift to revisit their indie roots. Their breakout success amid the wave of early-2010s indie folk bands led to a sonic transformation when they entered the major-label system. Greater exposure and bigger shows led to a bigger team and an inevitably slicker sound on albums like 
In 2023, at age 73, film director 
Even today, Japan remains a thriving capital of recorded music – and, in particular, physical media. In the 1970s, it wasn’t uncommon for top-tier American artists, from Andy Williams to The Supremes, to record live albums exclusively for the Japanese market. Among those artists was Yusuf, a.k.a. Cat Stevens, whose 1974’s Saturnight: Live from Tokyo was the singer-songwriter’s first concert LP. Now, following its reissue last November as part of Record Store Day’s Black Friday event, Saturnight is coming to wide-release vinyl, CD, and digital/streaming on May 2 from UMe and Cat-o-Log Records.