Kindhearted singer-songwriter Chris Pierce has one of those indelible, soulful voices that seeps right into your head and won’t let go. You may be hooked from his opening notes and be easily compelled to listen to his meaningful, healing songs. He is a voice for the voiceless and the underserved, intent on spreading hope. Songs for the Heavy Hearted is his eighth solo album. In short, he is a freedom fighter who continues to live to fight the good fight. He says, “…Whatever happens, we have to find a way to count our blessings and seek liberty for ourselves and fight for the liberty of others.”
Pierce grew up in an interracial household and has endured violence against his family from his early childhood years. He has conquered…
Category: folk
Sounds Like Art is an exciting new concert initiative that invites musicians to perform amongst works of art in a European museum of their choice. World-renowned artist Sting performs in the beautiful surroundings of Amsterdam’s Rijksmuseum amongst paintings by Rembrandt, Vermeer and Judith Leyster, and reflects on the works of the old masters.
The 17-time Grammy Award winning artist performs a unique concert amongst masterpieces in the Gallery of Honour. Playing a rare 17th century guitar, Sting, managed by Martin Kierszenbaum/Cherrytree Music Company, reveals his love for the Old Masters and revels in the power of books and reading, while performing in the museum’s spectacular library.
From the beginning of her recording career, English singer/songwriter Elanor Moss has demonstrated a faculty for intimate, perceptive lyrics and wistful melodies, even on the partly electric, Brooklyn-recorded Cosmic EP. She takes her investigations of behaviors, outlooks, and emotions to the next level, though, on The Knife, The Needle, her poetic full-length debut. Recorded in a cabin in the Scottish Highlands with producer Peter Miles (Torres, Dodie), who also mixed the album, it sees her strip things down to bare acoustics, with Moss’ guitar subtly fleshed out by instruments like violin, flügelhorn, and double bass in arrangements by jazz and folk musician Matthew Herd. As for the vocals, Moss’ performances here are relentlessly tender, even…
Elaine Palmer grew up in an old watermill within an isolated village in rural North Yorkshire, spending much of her life travelling back and forth to family in Phoenix, Arizona. From an early age she immersed herself in music and started writing songs influenced by her surroundings both in the UK and USA, developing a repertoire which blended alt-country, Americana, folk and country rock. Elaine’s distinctive rich and expressive vocal style is characterised by her slightly husky tones, bluesy edge and the strong emotional depth which she carries through in every song she writes and performs. All of these qualities were on full display in Elaine’s most recent album Half Moon Rising which was recorded in San Diego in 2024.
Now Elaine Palmer releases her new album,…
Alex Dupree’s Talking to the Dog arrives with the unassuming confidence of a record that trusts language, melody, and lived-in performance to carry equal philosophical weight. The album’s guiding phrase, drawn from Hank Williams’ quip that writing a song is “just talking to the dog,” becomes less a playful anecdote and more a working theory of communication itself. In Dupree’s hands, that idea stretches beyond its homespun origins into something expansive: songwriting as a form of address that may or may not be understood but insists on being spoken anyway.
“New Meaning” opens and sets the tone with understated assurance. Dupree’s voice moves through a warm arrangement shaped by Aaron Stern on bass and Stephen Patterson on…
Lance Cowan hails from West Kentucky. Songwriting and singing mark the third phase of his working life. Originally employed as a journalist for a weekly newspaper, then a publicist, it was only a short jump to honing his craft as a songwriter. His excellent first album, So Far, So Good, released in 2024, was followed a year later with the critically acclaimed Against the Grain.
Continuing to write, Cowan’s third release in three years once again hits the mark and is a strong set of eleven cuts.
What stands out in the songs is Cowan’s ability to weave a story and keep your attention. The music is no-frills americana, occasionally bordering on country and with one track dipping more than a toe in the easy-listening pool.
Clayton Denwood hails from Toronto, Canada, and now resides in Bristol, South West England, via Woodstock, New York. Early influences, while he was formulating his musical style, were Bob Dylan (he was even touted at times as the new Dylan), Van Morrison, The Band and Grateful Dead and his appreciation of roots music appears to have emanated from these early days. Living in Woodstock for some years reinforced this, especially as he worked with Levon Helm, Garth Hudson and Rick Danko from The Band. He spent years honing his craft in live performances across New York City, Montreal, Toronto and London before settling in the UK several years ago. He now plies his trade across the land with appearances, with his red-hot band, at south of…
Paul McClure, on his fourth album, decided to go to pastures new and left the rural north and travelled south to East Sussex and the fine Bex-Pop Studios in Bexhill-on-Sea. For this album, Trevor Moss took over the production duties and provided bass, mandolin, banjo, and harmonica, as well as fellow musicians Thure Johansen on electric guitar and resonator guitar, violinist Henry Bristow, and Moss’s wife, Hannah-Lou, on vocals. McClure himself says, “we wanted to capture a moment, prioritising feel over perfection, and the record came together pretty quickly over a few sessions”.
We open with a really strong song, ‘I’m Not Lost’, a banjo-focused song looking at how we try and pick up the pieces again after problems and trying to stay positive with some lovely…
A dozen records into his career, Canadian country musician Corb Lund has decided to look back. His latest, Dark Horses, finds Lund stripping down some of his favorite songs from across his expansive catalog and presenting them with little more than his voice and an acoustic guitar. The result is a beautiful reintroduction to these songs, a mix of classics and often-overlooked gems laid out in their rawest form yet.
The album is sequenced chronologically, with Lund going back to 1995 for the opening song, “Untitled Waltz.” While he’s generally not one to overproduce his songs, drenching them in effects and a slew of additional instruments, there is still a stark difference between the originals and how they’re presented here. “No Roads Here,”…
What does it look like when the family business is music? In the case of The Family — a kind of “supergroup” made up of singer-songwriter Dylan LeBlanc and his father James LeBlanc, stepmother Angela Hacker, and stepbrother Bay Simpson — it’s a little messy. On the band’s first album, Delusions of Grandeur, they’re unpacking some of the baggage that splintered them apart and eventually brought them back together to FAME Studios in the LeBlancs’ native Muscle Shoals, Alabama in 2020 to record it. Released by Dylan LeBlanc’s brother-in-law’s Big Black Cow Records, Delusions of Grandeur is a true family affair, one that feels effortless in the ways it shines a light on each member’s individual artistry. LeBlanc’s woozy mysticism, his father’s easy grooves, Hacker’s…
Scarborough-based Phil Hooley is the founder of the alt-country band The Woolgatherers. Everything We’ll Never Need is his third solo album after Provenance (2023) and Songs from the Back Room (2021). He is on vocals and guitar, but has teamed up with a number of top Nashville session players. It is a slight surprise to learn that he is a Yorkshire lad, because this album very much has an American feel. It is laid-back americana with a very nice brew of country, soul, and blues that reminds you of Dave Alvin and Rodney Crowell.
Having said that, the first track, ‘Cowboy Dreaming’, has more than a whiff of the English band Dire Straits, with slide guitar picking to give it a country feel. It is a weird tale of a city-dweller going out to the Wild West to become…
Authenticity, thoughtfulness, and depth inform Minneapolis-based guitarist Zacc Harris‘s sequel to his acclaimed 2017 release American Reverie. While only one of the eight pieces is a Harris original, his fresh interpretations make the covers feel like personal expressions. Stephen Foster might be the composer responsible for “Hard Times,” for instance, yet when performed by the guitarist, bassist Matt Peterson, and drummer Lars-Erik Larson it seems more like a Harris piece than a treatment of another’s material. That many of the songs resonate so powerfully in our current climate factors into the personalized impression they make too. Bob Dylan wrote “I Shall Be Released” and “Masters of War” long ago, but each sounds no less timely when broached through…
Ed Askew was a New York artist, poet, songwriter and genuine underground legend. Having first broken through with his self-titled album in 1968 (subsequently known as Ask the Unicorn), he made ripples in the Woodstock generation, and ploughed a furrow similar to the likes of The Incredible String Band or Vashti Bunyan on this side of the Atlantic. However, this did not translate into commercial success, and he soon settled into a life of painting, writing, and teaching art. He never stopped making music, although this was generally of the home recording variety, without any particular label interest.
In 2002, a re-release of his lost second album, Little Eyes, gradually started to garner some attention, and eventually led to 2013’s…
Perhaps you’re familiar with Star Moles, the ultra-prolific recording project from Philadelphia musician Emily Moales. Perhaps you’re also familiar with Rubber Band Gun, the similarly ultra-prolific project from regular Star Moles contributor Kevin Basko; Rubber Band Gun and Star Moles dropped the song “Frodoboy” a couple of months ago. Perhaps you would also like to know about Sam and Louise Sullivan, a sibling duo who make a ton of music with Moales and Basko and who have a new album Love & Devotion.
Sam and Louise Sullivan grew up around the US, and they started playing folk music together as kids. These days, they both live in Philadelphia, where Louise runs her own ceramics business and Sam works as a teacher.
Down in rural Tennessee, place names often arose from the activities that occurred there: Whetstone Mountain, Poorhouse Branch, Tater Hill, Washboard Creek. If this folk etymology holds, it makes you wonder what was going on in Sweet Lips, Finger, and Hookers Bend. Each of these locations lends its name to a song on Sir Richard Bishop’s newest album, Hillbilly Erotica — the title of which suggests that he knows exactly what those folk were getting up to.
On Hillbilly Erotica, Bishop returns to his roots in more than one way. His paternal homestead of Enville, Tennessee, can be found among these backwoods haunts, and the album is steeped in the folk music of the region. It is a sequel of sorts to last year’s Hillbilly Ragas, which…
It is more than twenty years since Mick Flannery released his debut album Evening Train, but the tale it told of (as he puts it) “love, lust, gambling, and a faithful betrayal” has obviously preyed on his mind as he has carved out a feted musical career. Now he has reworked the songs from that record and added ten new ones into an album which accompanies a stage production. The House Must Win has already played to 17,000 people in Ireland over a five-week run. This could be termed the soundtrack album, and Flannery has clearly poured his heart and soul into it.
He has gathered a stellar cast of musicians and guest artists for the recording, including Anais Mitchell, Jenn Grand, Lisa Hannigan and others on vocals, as well as sundry Flannerys.
