This legendary solo performance, originally captured for broadcast on the King Biscuit Flower Hour, stands as a testament to David Crosby’s indomitable spirit and unparalleled artistry. Emerging from a dark chapter following his time in prison, Crosby delivers a profoundly moving and musically rich experience that resonates deeply with fans. Blending his soulful solo work with timeless CSNY classics, this concert not only marks his triumphant return but also chronicles his journey from the brink of despair to a resurgence of creative brilliance. It’s a rare and unforgettable glimpse into the heart of a true music legend.
The album captures a concert from 1989, marking a period of Crosby’s creative resurgence after a difficult time.
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In 2021, Emily Frantz and Andrew Martin released their exquisite, self-titled, debut album, appearing as Watchhouse, after more than a decade of making music as Mandolin Orange. On their new album, 
Born in Birmingham and now based on the Isle of Wight, 
Following on from the Second Language’s label recent re-emergence out of semi-hibernation, with The Declining Winter’s still-sublime Last April, comes a return-within-a-return from visual artist and onetime pastoral-psych legend 
The CD contains ten covers of 78-era songs by artists such as Luther Dickinson, Eden & John’s East River String Band w/ R.Crumb, William Tyler, Muireann Bradley, Gwenifer Raymond, Michael Hurley and more. Eight of the ten songs were recorded specifically for the project.
1. Jimmy Reed – Big Boss Man
A lot of tribute/cover albums can often leave you a little underwhelmed and wondering if the artist is just going through the motions or has run out of ideas. Positively Folk Street is most definitely not one of those albums.
Somewhere in the ‘60s, the folk movement and the psychedelic rock scene intersected and a new sound emerged combining mellow acoustic sounds with further-out ideas that broke from folk traditions. This psychedelic folk-rock sound was wide-ranging, from the more straightforward sounds of bands like Fairport Convention and early Jethro Tull to the acid-tripping bliss of communal groups like the Incredible String Band.
Joku Raja Rakkaudesakin (‘Even Love Should Have Its Limits’) – a phrase the Finnish folk duo of violinist Kukka Lehto and keyboardist Tero Pennanen, aka 
Whilst working as a contract sheep shearer across the hill farms of Wales, Tom Jenkins wrote poems inspired by the stories of his fellow workers and the harsh realities of Wales’ industrial and agricultural heritage. Mixing English and Welsh languages, Jenkins has crafted these poems into the collection of 10 songs that make up When the Coal Dust Settled.
Travellers’ songs sung in Scots are the focus of Josie Vallely, a gutsy, Glasgow-based artist performing as 
When she was a child and he a young father, 
Suzanne Vega returns with Flying With Angels, her first new studio album in eleven years, produced by longtime collaborator Gerry Leonard. This limited edition deluxe CD bookpack presents the album in an elegant hardbound format, featuring a 36-page booklet filled with exclusive photographs, artwork, and in-depth insights into the creative process behind the music. Included is a bonus 6-track CD of Suzanne’s original demos, offering a rare glimpse into the early stages of songwriting and arrangement for Flying With Angels.
On first listen, 
Somewhere in his native South Carolina, the Oregon-based 
“Banjo, harp, drums…what the hell is that?” Those words, spoken by drummer Antonio Sanchez at a concert played by himself, banjoist Béla Fleck, and harpist Edmar Castañeda, the men who made BEATrio, this international group’s debut album. Fleck played with both men previously: He met the Mexican jazz drummer at a tribute to Hindustani percussionist Alla Rakha, and then they played together as a duo in Mexico opening for Dave Matthews. Fleck and the Colombian harpist played a duo in Riverside Park, and performed similarly at 2019’s Big Ears Festival.
…In 2012,