Undergoing an experience not unlike how Brian Eno came to his own experiments with ambient music, finding himself deaf in one ear and now hearing sound differently before, not to mention suffering auditory hallucinations, Jon DeRosa experimented with making music in an attempt to make sense of these disconcerting experiences. In that creative and therapeutic place No Solace in Sleep was born. Twenty-five years on from this extraordinary, in the very real sense of the word, debut album, it has been remastered by ambient/electronic pioneer Taylor Deupree a process which has unlocked an even brighter, deeper, broader, and stunning sonic experience.
As the name he chose for the project suggests, this this is an album that creates a tonal…
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Enigmatic, prolific singer/songwriter and author known for his genre-defying work and contrary personality.
Leif swears off the ambient house of 2021’s ‘9 Airs’ and rediscovers his childhood guitar on 
Works in Metal is alchemic in its offering as 
…Working, for the first time, under her given name rather than the usual moniker of Ale Hop, 
The 
Julian Cope’s Head Heritage label recently unearthed another entry in its “Ambient Autumn” series: the archival release 
Isobel Waller-Bridge has had a highly eclectic career to date. Primarily it’s involved being a film and television composer, working on her sister Phoebe’s smash Fleabag, Autumn De Wilde’s update of Emma and the acclaimed dark comedy Sweetpea. One of the things underpinning these projects across a range of disparate genres is the breadth of Isobel’s score, suiting both period works, epics and intimate character-driven projects.
With his tenth Spotted Peccary release Along the Coppermine Ridge, 
Belarus is not a place necessarily known for its transparency, which is why Krope feels like such an unexpected and extraordinary psychogeographic ramble around a country largely estranged from the rest of Europe.
…features the remastered original stereo mix, along with an extended introduction version of ‘Rubycon’ mixed by Steven Wilson. The set also features the complete concert recorded at The Rainbow in London in October 1974 over 2 CDs and the complete concert at The Royal Albert Hall in April 1975 (which featured Michael Hoening replacing Peter Baumann) also over 2CDs.
Nine years have passed since 
From Academy Award® winning writer/director Chloé Zhao, 
Originally issued in 1998, 
Narcomancer covers a lot of ground. The album’s opening tracks are reminiscent of acousmatic music in the GRM sense, loose structures built from overlapping fragments of sound. Undergirding these complex textures are brooding and dark layers of synth that move slowly with a muted sense of dread. However, they are punctuated by abrupt bursts of shimmering tones, falling musical figures, didgeridoo, weird vocalizations, and soft beats. The album employs ambient, techno, and electroacoustic techniques without falling clearly into any of these genres.
