In the five years that they’ve been active, it sometimes seems as if Purelink are dissolving right before our eyes. They’ve never again released anything quite as corporeal or propulsive as their debut EP, which paired visceral dub techno with rolling drum’n’bass.
On their 2023 debut album, Signs, glitchy drums crackled in a pastel haze, and last year’s Faith was even more ethereal; the trio’s individual identities melted together under cover of amorphous arrangements that suggested fogbanks, blizzards, and other zero-visibility conditions.
Anyone who has seen Purelink live, however, knows how much physical heft they’re capable of conjuring — a bold, bassy throb that sets bodies in motion even in the absence of obvious…
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As this fourth release from electronic ambient-rock collaborators 
On his sixth LP 
You could count the number of intelligible words across IOWA on your fingers if you wanted to.
The Funkhaus complex in Berlin, originally built in the 1950s, was in Communist times the home of an East German radio station. After the fall of the Wall, it fell into disrepair and remained neglected until Nils Frahm oversaw a restoration of Studio 3 where he has subsequently recorded his own music during the last ten years or so.
Los Angeles-based duo 
Following 
Some artists follow a consistent developmental path in their work, others are more mercurial, the routes they take less predictable by comparison. That overly simplistic binary’s challenged by German ambient pioneer 
In this unusual album, 
The cover of Tectonic Particles looks like it could be a photo of organic matter shot through a microscope. It suits both the album and the label, Quiet Details, who have a specific vision: each of their releases is meant to elaborate what the phrase “quiet details” as interpreted by the artist. In this case, the artist is 
In 1974, Phaedra redefined the landscape of electronic music. What began as an experimental session at Richard Branson’s Manor Studios in Oxfordshire became a seismic event in modern sound.
“I became interested in the idea that recording is a bottomless medium,” explains multi-instrumentalist 
We always want life to make sense, yet despite our best efforts, it does not. This is the starting point for Asymmetry, which distills a lifetime of thoughts and emotions into 88 keys. 