Category: indie-folk


…The expanded digital album includes 11 bonus tracks in total: the three songs from the 2007 ‘End Like This’ EP, four previously unreleased outtakes, and four demos.
Makers is Rocky Votolato’s fourth album, appearing fittingly in line after 2003’s Suicide Medicine, but with a worn resilience all its own. It finds Votolato sounding older and weathered, more content than jaded, and there’s a modest quality to his steady voice that projects words as both sincere and comforting.
Some songs are country-tinged — with touches of harmonica, pedal steel, violin, and piano supporting the focal acoustic guitar — but it’s more that they simply evoke images of rural dirt roads, long walks and quiet autumn nights at home…

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Searows’ second album, Death in the Business of Whaling, pries and forces confronting emotions to surface. With the title alluding to lines from Moby Dick, Alec Duckart pieces together the divided forces of life and death, the in-between, and feelings unable to be pinpointed.
Opener Belly of the Whale envelops us into a trance, setting the tone for an album gripping at dark corners. Haunting lullabies meet lyrics of death and solitude: ‘After the plummet, sinking into the grave / I’m left in the stomach at the bottom where I live’. It feels cinematic, with instruments creeping around sparse vocals. Dearly Missed begs us to solve a puzzle ending in tragedy, soundtracked by death knells of blazing guitars. Kill What You Eat similarly builds with lyrics that lash: ‘If I say it’s not really…

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The Lowest Pair is an American folk duo made up of Kendl Winter and Palmer T. Lee, known for their intertwined vocal harmonies and banjo-forward songwriting. Formed in 2013, the pair has built a dedicated following through records that balance traditional folk roots with plainspoken, emotionally direct lyrics. Having a particularly prolific run in their early years, releasing six albums in their first seven years, the pair haven’t released a new album since 2020’s The Perfect Plan. With Always As Young As We’ll Ever Be, The Lowest Pair returns at the start of the year with an album that feels steady, focused, and fully settled into who they are. Now seven albums in, this new album also finds the duo expanding the band’s familiar banjo-driven core with lyrics that discuss…

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The warm sounds of folk guitar provide the roots of Tessa Rose Jackson’s first album under her own name, time-travelling from Bert Jansch to R.E.M. to Sharon Van Etten in every strum and squeak. The Dutch-British musician previously recorded as Someone, creating three albums in dream-pop shades, but her fourth – a rawer, richer affair, made alone in rural France – digs into ancestry, mortality and memory.
The Lighthouse begins with its title track. Strums of perfect fifths, low moans of woodwind and thundering rumbles of percussion frame a journey towards a beacon at “high tide on a lonesome wind”. The death of one of Jackson’s two mothers when she was a teenager informs her lyrics here and elsewhere: in ‘The Bricks…

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A bold statement for a new year. The seventh studio album by Australian band The Paper Kites, If You Go There, I Hope You Find It, is already, even as 2026 takes its first baby steps, an album-of-the-year contender. The majority of the album was written at a friend’s farm located within the Yarra Valley in Melbourne, and the wide-open spaces and mountain views have clearly served as an inspiration to the band. ‘If You Go There, I Hope You Find It’ is a phrase co-founder Christina Lacy wrote on a fogged-up bus window one morning, which became a quiet mission statement — a reflection on distance, devotion and the quiet hope that the people you love will find what they’re looking for, even if you can’t follow them where they go. Musically, it’s the five band…

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So far, Atlanta-based singer songwriter Diane Coll has been making music under the motto “therapy through music.” Quite a few songwriters have a similar idea, for some it works, for others, not so much. It is a somewhat lofty concept, and you really have to have clearly set vision and ideas to make it work. Both the music and lyrics have to have a detailed balance and ideas to sound plausible to listeners. For her previous four albums, it was more a hit than miss concept for Coll, and now, for Strangely in Tune, her fifth album, that therapeutic concept has its full fruition for Coll, both musically and lyrically.
Coll has that touch in music and lyrics that utilises more gentle, ethereal elements not strictly defined by any specific genre, covering…

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Charlie Bruber started out slowly, building a name for himself in Minneapolis music circles (and elsewhere) primarily as a multi-instrumentalist and engineer. As is often the case, there is always an extra personal drive there to do your own music, in most cases as a singer-songwriter, whatever the results may be, for better or for worse.
Judging by Prized Burden, Bruber’s second solo outing and luckily for both him and all the listeners that venture into it, better is the direction he is moving in as a solo artist. No, Brugber is definitely not sticking to what is considered the ‘standard’ singer-songwriter formulas, although the album has that slow-building, often languorous feel.
The difference lies in the fact that Bruber has the ability to build his songs…

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Imagine you’re in a watering hole somewhere, the English Midlands or the U.S. Midwest. The bar is in a strip mall, but perfectly fine. Perhaps it’s called the Trysting Place or a name with the word ‘lounge’. Maybe you’re alone nursing an old-fashioned, or you’re with somebody you want to get to know a little better.
In the background, there’s a group playing. You can hear the lead guitar. It has a jazz tinge, a little bossa nova, maybe a hint of blues. There’s a real steady bass underneath the lead. And a drummer who is right there, he’s present, an important part of the sound, but you haven’t paid a lot of attention. Then the guitarist starts singing. He sounds a little like Roy Orbison mixed with Jon Hendrix. You go back to your drink,…

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Nobody knows who Daguerreotypes’ James Samimi Farr is, and judging from his expansive and warm folk debut, This Is My Way to Tell You That Everything Is Real and Is Happening Now, this knowledge has eaten away at him quietly for the better part of a decade. After abandoning his dreams of a music career in his early 20s, Farr has returned to these dreams, or perhaps to the grave where he believes they are buried. The album’s 20 songs are the resigned and rueful sound of him making amends with his obscurity, and his larger place in the universe. “If this is all there is, and we are all alone/My voice can go no higher,” he sings on “Born a Baritone.”
As a writer, Farr belongs to a long and storied line of married men wrangling poetry from…

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In the realm of indie folk music, the strength and veracity of the work springs from the sincerity in which it is sung. All of which may be worth bearing in mind when it comes to a songwriter’s jaundiced perspective on their surroundings. In terms of Wormy’s Shark River, there is an emotive in this particular record that remains unfulfilled by the close of the work.
Judging it on a commercial level, there is only one pop standout. “27 Days,” all twangy guitars and longing, dots the work with tales of British tourists undertaking the voyages that have brought them to certain fulfillment. If only the rest of the record had made similarly good use of this breezy charm, it could make an impression with the 14-year-old market, but Brooklyn…

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It’s in the nature of Jana Horn’s music to creep up on you. Just when you think you’re dealing with some pretty straightforward singer-songwriter fare, she’ll slip in a reminder that something more complex and more interesting is going on just beneath the surface. When it seems like melodic prettiness is the order of the day, a lyrical barb will lodge itself under your skin, or a brief passage of uncanny avant-pop will blindside you. Perhaps this is why her music is so difficult to pin down: her second album, The Window is a Dream (2023), saw her singing compared to Greta Kline, Nick Drake and Broadcast’s Trish Keenan and her sound described as country, jazz and post-folk. All of that is true, but none of it is quite sufficient, because Horn occupies an in-between…

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Nashville-by-way-of-Philly musician Langhorne Slim has released more than half a dozen records blending folk, Americana, and the occasional indie-pop song. But five years after Strawberry Mansion — a deeply personal, post-pandemic record that in part documented his journey to sobriety, delivered through often delicately beautiful musical movements — he has found his way to a louder amp and strapped on an electric guitar for his next offering.
Appropriately enough, he’s tapped producer Sam F. Kiszka, whose group Greta Van Fleet is one of the biggest guitar bands of the past decade. The result is a surprisingly natural evolution for Slim, keeping his deep lyrics at the core of these songs.
Even the recording process was a step out…

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There’s a slight “Sympathy For the Devil” tone to the opening seconds of “Pendulum Swing”, the first track on the US country adjacent stylist and former Grammy nominee Courtney Marie Andrews’ ninth studio album – the descending piano figure, the circling percussion. As the song opens out, it develops into a dark-light exercise in contrasts, along the lines of the more muted moments of Fleetwood Mac’s Rumours.
Ambiance set, the ensuing nine tracks evince a similar restraint, where a low-key vibe is punctuated by flashes of gospel-esque drama. A lot of Valentine, Andrews’ first album on her own Loose Future label, is recognisably rooted in country. “Cons & Clowns” has a Dolly Parton vibe. “Only the Best” is similarly slanted.

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Having been friends and occasional touring partners for well over a decade, Asheville, NC-based singer-songwriter-guitarist Tyler Ramsey and My Morning Jacket guitarist Carl Broemel have at long last made their full-length recorded debut with Celestun. A marvel of interwoven musicianship and testament to the duo’s singular camaraderie, the album encapsulates the two veteran guitarist-songwriters’ mutual admiration and effortless compatibility as they swap and share nine new songs of dazzling dexterity and grace recorded almost entirely recorded on acoustic guitars. Though their initial objective had been all instrumental, the natural flow of the sessions led the duo to begin incorporating vocal tracks. Stark yet intricately arranged songs…

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On Bloodline, singer-songwriter Mon Rovîa approaches his complex upbringing with an impressive clarity of vision. Born in Liberia during the West African nation’s civil war, Janjay Lowe was adopted by a white American family that moved around the U.S.; eventually, Lowe would come to call Tennessee home.
As a teen, he picked up his brothers’ taste for Fleet Foxes and Bon Iver, but seeing few Black artists working in that genre, Lowe started making R&B. As he found a TikTok following, he gradually re-introduced those indie-folk influences, embracing the ukulele he’d played as a kid and coming to recognize his place in a long lineage of Afro-Appalachian music. Bloodline, his full-length debut, follows a series of EPs and…

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Throughout her debut record, Things I’ve Said Before, classically trained folk musician Remi Goode relies solely on a nylon-stringed guitar. While this is not unheard of for country and folk musicians — Willie Nelson has been playing one for 55 years — it’s certainly not the norm nowadays. But the choice gives rich warmth and softer tones to an already ethereal sound.
The nine-track record – the recording of which was split between various bedrooms and a proper studio – has an intimacy to it that feels almost intrusive. With “Don’t Drive Me Home,” the set begins on a mellow note — acoustic guitar and soft violin framing Goode’s warm, confident vocals in a bittersweet song of conflicted love. While not every song that follows is as placid,…

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In Piers Haggards’ 1971 folk horror classic, Blood on Satan’s Claw, a remote, idyllic rural community has its peace burst into flames when someone unwittingly unearths a deformed skull from a freshly plowed field. Suddenly and with no warning, the town’s previously cloistered innocent youth turn to the dark side, guided by their beautiful, charismatic leader into wanton acts of lust and bloodshed.
On their debut LP, Beck Goldsmith and Jonathan Dix plow a similar furrow, unearthing the magic, the darkness and the light lurking just beneath the surface of the workaday world. Inspired by Max Porter’s folk horror novel Lanny, Underneath the Earth is a stunningly beautiful series of vignettes exploring the natural world,…

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David Garland may not be a household name for many, but he’s a singer-songwriter, composer, instrument designer, illustrator, graphic designer, journalist, and former New York City radio personality. Over the years, he has recorded with a diverse range of artists, including John Zorn, Sufjan Stevens, Meredith Monk, and Sean Lennon. The latter described Garland as someone who “pushes the limits of acceptable harmony and dissonance, yet never at the expense of beauty”. It’s an impressive resume that barely scratches the surface, and his wild, eclectic work continues on a new album that sees the multifaceted artist grappling with loss, specifically his wife’s death from cancer six years ago.
The Spark was recorded primarily in Garland’s…

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