“And you’re off into the burning blue” songwriter Dave Benton sings on “Ponies,” the centerpiece of Trace Mountains’ fourth full-length album Into the Burning Blue. Decorated with retro textures and violet flowers, the album begins with the crackle of a fire, as if something is burning and hatching into a new form. As Benton grappled with the end of an 8-year romantic relationship, songs were pouring out of him in quick succession, often urgently before he had logically processed the emotions himself.
Collectively, the songs are imbued with a spectrum of weighted emotions, but the blue continued to burn, with each song adopting its respective hue – a violet reclaiming of passion, a deep sea blue of sorrow, the sky blue moments of relief…
Category: indie-folk
Luv in the New World is the title of Canadian artist Joe Nolan’s new album, produced by Grammy Award winner Tyler Chester. Mostly recorded on tape live off the floor, there is an immediate rawness and warmth to the sound that adds extra weight to Nolan’s compositions, further enriched by an excellent group of accompanying musicians. The lineup might change from one song to another, but Nolan’s perfectly controlled voice remains as one of the album’s key elements.
The record kicks off with ‘Wake Up Sleepy Anna’, a smooth yet poignant track that was released as the album’s lead single. The lyrics tell the story of Anna, a fictional character who serves as a symbol for hope in uncertain times. It’s a wake-up call in which an optimistic attitude is…
You probably know Margaret Glaspy as a songwriter, first and foremost. Over three albums, the one-time Texas Fiddle championship contender and current indie folk rock icon has developed a reputation for sharp guitar work, prickly melodies and lyrical penchant for what NPR’s Ken Tucker calls “complexity that unfurls with deceptive directness.” And yet, she’s also an adept interpreter and an agile collaborator, as this seven-song covers EP demonstrates.
These songs all come from the Americana wing of popular music, not country exactly, but infused with that storytelling sensibility. “The Book of Love,” one of the Magnetic Fields’ 69 Love Songs, is, perhaps, the most urbane, puncturing sentimentality with sly lines like…
For her third album, Nashville-based Kashena Sampson pivots away from her more traditional folk-leaning roots toward a moodier, psychedelic folk-rock sound that gives her music a darker edge and continues to add to her appeal.
You can hear influences as varied as Kate Bush, Siouxsie Sioux, and Tori Amos woven throughout the nine tracks that make up Ghost of Me. That’s not to say she has completely abandoned her Americana roots; she just managed to find a darker, Gothic side to the genre by employing more synths and reverb to enhance the moodiness, while delving into deeper topics. The change is apparent on the opening title track. Backed by synthesizers, a swelling orchestra, and a lot of reverb, she essentially gives listeners…
Love’s Work is the first instrumental album by NY based songwriter/musician Zachary Cale. With his signature fingerstyle guitar technique at the forefront, the album highlights Cale’s natural sense of melody and movement.
Although referencing the John Fahey / Robbie Basho (et al) Guitar Soli genre, the album encompasses a larger brew of influence. Collaborating with the improvisational prowess of percussionist Jeremy Gustin and bassist Shahzad Ismaily, Cale’s compositions are unconstrained and free flowing, bringing to mind jazz players like drummer Billy Higgins work with Sandy Bull, and the expansive acid-folk of forward thinking roots musicians like Michael Cooper. Even without Cale’s distinctive singing, these tracks are filled…
There was an almost unnerving promise displayed on Once Now, Then Again, the breakthrough EP from Vermont based singer-songwriter Lutalo. A hushed confidence accompanied their intricate – at times lo-fi – arrangements that displayed a seasoned approach to composition far beyond their years. Off-kilter folk rubbed up against plaintive indie ruminations as Lutalo tested and found their voice.
And the intervening couple of years have merely served to embolden the artist who now returns with their debut LP The Academy, an eclectic and immediate affair stripped of any past insecurities. Named after their former school The Academy, is an intricate exploration of young adolescence set against the backdrop of a frightful and…
Music is by its very nature a mysterious phenomenon. The question of what drives people to make it (and what drives people to listen to it) has occupied philosophers, anthropologists and scientists for centuries. And it raises other questions, such as why do different people like different music? Why does one of my children like vaporwave while the other one likes Yann Tiersen? How is it that some artists become immensely popular while other similarly talented ones remain in relative obscurity?
Why, for example, aren’t The Little Unsaid as famous as Nick Cave or Radiohead? That question isn’t necessarily as flippant as it sounds. The band’s frontman, John Elliott, has a voice full of spine-tingling high notes and lovelorn eeriness…
The closer you listen to the stories Jonah Kagen tells on his debut record, Sunflowers and Leather, the clearer you see how he collected them, journeying across the United States. The process began when the 25-year-old singer-songwriter penned the lyric, “When I die I want my life to look like sunflowers and leather,” which went on to appear in the song “Matches” from 2024’s EP Black Dress. After considering what the line really meant, Kagen concluded that he hopes to leave a legacy as beautiful as sunflowers and as worn and lived-in as a leather jacket. That also meant he needed to see and experience more of the world. As Kagen recounts in the album’s accompanying Field Guide mini-documentary, he then decided to buy and renovate an Airstream trailer…
The opening of Prize Hunter, the lead song and single from Emma Pollock’s first album in 9 years, is sung over a sprightly bass line that belies a rich compendium that is the songwriter’s most personal and expressive collection to date. Recorded over five years against a backdrop of personal tumult, family grief and self-revelations, Begging The Night To Take Hold documents hardships but also points to glints of light in the darkness.
Recorded during and immediately after the Covid pandemic at Chemikal Underground’s Chem19, Begging The Night To Take Hold takes the artist’s musical imagination and develops it into a baroque landscape, an invocation of physical and psychic place. With longterm collaborator Paul Savage in the producer and drummer’s chair…
Originally released in the UK on September 19th, 2005, KC Rules OK quickly became a fan favourite, solidifying King Creosote (aka Kenny Anderson) as a unique voice in British indie folk. The album spawned several notable singles, including “Bootprints,” “Favourite Girl,” and “678,” all of which showcased Anderson’s distinctive songwriting.
The deluxe album pulls together a collection of B sides, songs and remixes, many from the fabled Chorlton And the Wh’Earlies unreleased promo CD including four songs that are completely commercially unreleased and are currently unavailable digitally..
KC Rules OK was King Creosote’s debut album for warner Music, and in December 2009, ranked #6 in The Skinny’s “Scottish Albums of the Decade” poll.
In 2023, while the singer/songwriter/composer was touring in support of the previous year’s Better in the Shade, Patrick Watson woke up after a show in Atlanta and couldn’t speak. It turned out that he had hemorrhaged a vocal cord while singing. Uncertain, per his doctors, if he’d ever be able to speak or sing again, he continued to work on music in the months to follow and eventually had the idea to invite some of his favorite singers to perform the songs he was writing. With Watson slowly regaining limited use of his voice after several months of silence, the resulting set of hushed chamber pop, Uh Oh, consists of two solo songs and nine duets, each with a different guest vocalist. Using only two microphones and a laptop, Watson traveled to places like Paris, Mexico City…
It’s been over 25 years since Kathryn Williams self-released her debut album Dog Leap Stairs and began a career that would see her become one of the most enduring British folk artists.
The ‘folk’ tag is a bit misleading though – she’s more of a contemporary singer/songwriter than anything else, while also collaborating with artists as diverse as Withered Hand and punk artist Anna Spencer (with whom she made a children’s album). That’s all in addition to being a published novelist and a successful podcast host.
Mystery Park is Williams’ 15th solo album and is a record bathed in memories. She’s described it as her most personal record to date, and it’s certainly the sort of album that seems to be bathed in nostalgia. The fact that all of her…
After some turbulent late teen years in her former pop punk band, Mixtapes, Maura Weaver needed a break. Months became years and the songs still weren’t coming. It wasn’t until being thrust into personal heartache in 2020 that she began to write songs again and the result was her 2023 solo debut I Was Due For A Heartbreak.
The record was a personal breakthrough for Weaver, characterized by Weaver’s distinctive emotional intelligence, the record was intimate and relatable-filled with quiet moments counterbalanced by big ideas about love, loss, and life. Weaver’s sophomore effort Strange Devotion continues in a similar vein.
Written and recorded over the course of 2024 with longtime collaborator John Hoffman…
DUG is the debut project from Jonny Pickett and Lorkin O’Reilly. The latter moved to New York state from Scotland as a teenager, and he coaxes rather than bellows his lyrics in an accent which recalls other American folkies like Jeffrey Lewis or Iron & Wine.
Opening instrumental ‘Cold Frost’, with its fiddle and drone, sets the mood for an album of folk tunes which sometimes employ woodwind and brass. The title track is as welcoming as you’d expect for a song that describes “a never-ending party in the sky”. It has a stomp-clap beat and call-and-response choruses with gang vocals, while the mention of “ketamine and beer” helps position the album as alt-folk rather than folk of the straight and gentle kind. The similarly…
As if cosmically enacted, every handful of years Neko Case breaks to the surface with a new album and reminds listeners that she is one of our greatest living songwriters – perpetually becoming more fearless and adventurous. This has been true throughout her more than twenty-five-year career, during which her ferocious indie-rock and country-noir sound has swelled and shrunk to fit the mood, but the walloping impact of the universes she creates has never wavered. Listening to Case’s music will teach you about this world-human nature’s cruelty, perseverance and terrifying beauty, but the natural world as well – the moon and the stars, bees, lions and magpies. Should you encounter a wayward soul who has never heard her music, you might respond…
Nashville-by-way-of-Arkansas musician Drew Pulliam hinted at his potential with his 2023 EP.
With Back of My Mind, his debut full-length, he makes good on that early promise, offering a record that feels both assured and expansive.
At only 20 years old, he writes with a confidence and maturity that you wouldn’t expect from someone so young.
The album was produced by Grammy-winning artist Steve Azar, who has been mentoring and working with Pulliam since 2022. It’s also being released on Azar’s own Ride Records.
The opening title track is musically solid, but the intermittent falsetto is distracting and keeps it from being one of the record’s strongest moments. The rest of the album, however,…
This is Octoberman’s seventh full-length long player. It was recorded live in the studio on analogue equipment, direct to two-inch tape, without the aid of click tracks or screens.
The result is a stripped-down and laid-back album. It also has fresh instrumental touches, such as accordion, banjo, and vibraphone, which haven’t previously appeared on Octoberman releases. Half of the tracks stem from rediscovered demos on an old hard drive, while the remainder are more recent compositions.
The album artwork makes reference to the title via the parachutes which are depicted within the letter which make up the record’s name. However, chutes are also used to move things from a higher place to a lower one, so the title could…
For over 20 years, Hayden Desser has been making music on his own terms and on his own schedule. The three-time JUNO nominee has produced, engineered and mixed most of his records at home, creating a world of his own, exploring themes ranging from love lost and found to bear maulings and home invasions.
Elk-Lake Serenade was originally released in 2004, so I’m a few months late putting out this 20th Anniversary edition. In early 2002, I had just completed a few tours supporting my Skyscraper National Park record, culminating with Toronto’s Convocation Hall performance which was released as a live record that year. I settled back at home and began writing and recording what would slowly become my 4th full length studio album.
