…CD edition features the Bob Dylan cover “In the Summertime”.
Margaret Glaspy’s latest album, I Am Both, is a low-key masterwork of observational wisdom, lilting melodies, and sharp wit. She delivers her stinging lines with a conversational ease, wielding the authority of hard-won experience over ringing guitar licks that echo the guilelessness of her storytelling. Her intimacy compels us to immediately identify with the singer, even when she is singing about people other than herself.
…On songs such as the dreamy “Common Ground” and the more somber “Petty”, the singer bites off lyrics about mutual disappointments. She keeps the lyrics simple to show how basic and trivial spitefulness can be, and at the same…
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Sometimes, all you need is a change. When 
How to honor women? 
In the music industry, rawness is a commodity. Struggle and hardship alone are not enough. They have to be tapped into. They have to be shaped. This process of shaping is sometimes called art, but it also results in a product fit to be sold and consumed, however ragged, however scratchy it may seem. Some artists understand that they are trapped in this paradoxical bind, but they don’t necessarily know how to escape from it. Elliott Smith and Kurt Cobain fall into this group. Others have successfully learned to laugh at it from the outside, using surreal humour as a distancing technique even as their music leans into the lo-fi. Think early Stephen Malkmus.
t would be hard to find a more arresting opener to any album of 2026 than the jarring discordant flutes and blast of brass which announce 
Interviewed by MOJO around her 2020 album 
In retrospect, 
Over the past several years, Maris O’Tierney established herself as an engaging, evocative songwriter and musician as one half of Maeve & Quinn, the duo she formed with her twin sister, Bryce. The pair released exquisite records such as the EPs Something Overheard, Something Overhead (2018) and Star-Crossed (2021), as well as 2023’s full-length release, Another Door, drawing inspiration from multiple points of origin: where they grew up (Alaska), the country of their heritage (Ireland), and their current hometown (Chicago). While Maris has stepped out with her first solo album under the moniker 
Singer-songwriter 
It is tempting to search the 
Who needs a style when you’ve got the songs? We’re living in a musical landscape mediated by algorithmic overlords, in which listeners often seek to be soothed by (possibly evil) ambient tones, burrow deeper into (often frictionless) aesthetics they already like, and passively consume (AI-generated?) tracks suited for various lifestyle functions. People of taste have been decrying the public’s preference for familiar slop over challenging, adventurous, hard-to-categorize art from time immemorial, but in the music world, the streaming era has intensified the primacy of vibes over tunes. 
It is more than twenty years since 
It doesn’t seem that long ago that singer-songwriter 
…features twelve new songs widely available for the first time: stripped-back versions of songs written before the recording of ‘I Don’t Know How But They Found Me!’ had finished, live favourites heard on McRae’s recent headline tours and festivals appearances, a new version of “Mother Wound” featuring Maisie Peters as well as new tracks elsewhere featuring contributions from Brandi Carlile and Brittney Spencer.
If there were a collective appreciation of dramatic album intros of the year, then Babylon, the latest offering from 
For listeners drawn to the quietly adventurous music of Aldous Harding, Cate Le Bon or Jessica Pratt, Half Truth, by California songwriter Avery Hellman, who performs as 
SYML releases deluxe of live album 
She may have recently come to wider attention thanks to her theme song (“The Wise Man’s Song”) and score for the hit Mackenzie Crook series Small Prophets, but for those of us in the know, Amelia Baker, better known as