On their debut album One More Thing, Lime Garden‘s unapologetically messy, vulnerable chronicles of the highs and lows of their lives as early twentysomethings were a study in contrasts: irreverent, self-aware indie rock set against introspective ballads. On Maybe Not Tonight, their perspective has shifted. As they trace a night out from beginning to end — and the self-doubt and bravado in between — Lime Garden is bigger, brasher, and a lot more pop.
The band enlisted an A-list producer for their second album (Charlie Andrew, who’s worked with artists ranging from Wolf Alice to David Gilmour) and it definitely sounds like it: Maybe Not Tonight is a wall-to-wall collage of noisy rock and electronic sheen. “Cross My Heart” piles…
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Although it still contains signs of the project’s distinctive blend of earthy folk-rock, woozy psychedelic pop, and whimsical electronics and effects, something feels more than a little more mature and serious on Johnny Lynch’s sixth 
“I hate this country, and I hate this island – but sometimes the people make it all worthwhile,” sings Simon Tyrie on ‘Space un the Cab’, the wonky disco banger that kicks off 
After 
On the first two 
A flicker of light was the namesake of 
…
Following albums made in his home state of New Jersey, across New York State, and while living in rural Pennsylvania and New Hampshire, 
If 2025 was the year the UK reclaimed its rock ‘n’ roll crown with the Oasis reunion, 2026 is officially the year 
Maria Taylor started working on Story’s End — her latest LP — six years ago, beginning with a handful of quiet, stripped-down demos in her home studio. There was no real rush to follow up her 2019 self-titled effort, but fractures in both her marriage and a close friendship found her leaning back into these songs once again.
Offering up more of her perceptive, increasingly world-wise songs, Responsible Friend is Elizabeth Ziman’s sixth 
Emerging out of semi-nowhere — well, Northwich — the Charlatans were saddled with a name that lent itself to jibes about their quality and the early burden of being a one-hit wonder with “The Only One I Know.” That all changed when Some Friendly, the group’s debut, planted itself at the top of the UK charts in 1990. Drawing on Martin Blunt’s background in mod and psych outfits, Rob Collins’ outrageously funky keyboards and Tim Burgess’ unexpected star quality, Some Friendly combines the joyous bounce of baggy with the good natured immediacy of indie pop, then wraps it up in state of the art production. Some of the lyrics betray Burgess’ sharp-tongued punk background — “You’re Not Very Well,” the opener, expresses anything but sunny sentiments…
Minneapolis-based novelist, songwriter and vocalist Dan Hornsby is not the first to lead a band, but might be among the first ones to set his lyrical vision through jangly guitar rock with his band True Green.
During the late ’70s, the beginnings of a wave of music heavily inspired by the garage rock and psychedelia of the 1960s began to swell. Chalk it up to many factors — the availability of a number of reissues, especially the Pebbles series, a disillusionment with the restrictive rules of punk rock, the passage of enough time so that the era seemed glamorous, the chance to get cheap vintage gear — but the result was an underground that evolved in many interesting directions and even went quite overground at different times. Cherry Red’s 2026 collection