Category: indie


Consistency and continuity are what make the backbone of Water Damage. The Austin-based psych/drone-rock collective consists of noise rock veterans and experimental musicians from bands like Marriage, Expensive Shit, USA/Mexico, Black Eyes and Swans, some of whom are in their third decade. Water Damage functions more as a commune with variable line-ups from five to eleven people, usually with multiple bassists and drummers. Even though they are often compared to Tony Conrad’s collaboration with German krautrock legends Faust, Outside the Dream Syndicate, their understanding of motorik rhythm comes mainly from later Fugazi albums. That’s why their albums’ titles, like 2022’s Repeater or 2023’s 2 Songs, nod to the post-hardcore band from…

You need to be logged in to view the rest of the content. Please .

To mark the 40th anniversary of their debut album, Laibach and Mute are releasing a special Laibach 40 CD box set. Originally issued in 1985 without the band’s name – as they were banned in Slovenia and Yugoslavia at the time – this legendary first album now appears on a remastered form bearing its originally intended name for the first time.
The box also features historic recordings from Laibach’s formative years. These include the cult live album Ljubljana – Zagreb – Belgrade, capturing their first concerts in 1982 across Yugoslavia, with some tracks originating from early rehearsals held in a practice space wedged between a mortuary, a dissection room, and a madhouse.
Another highlight is M.B. December 21, 1984, documenting a semi-illegal Ljubljana concert…

You need to be logged in to view the rest of the content. Please .

The sad truth about memory is that it’s inherently unreliable: when you access it, you’re not remembering the event itself so much as the last time you recalled it. It’s this malleability of history that John Calvin Abney wanted to focus on when it came to his seventh LP, Transparent Towns. “Damn the dust storm / Blowing through my head,” he bemoans the fuzziness of recollection on the title track before equally lamenting all the empty words that go unspoken: “Damn the days / We let go left unsaid.”
‘Last Chance’ finds Abney meditating on the passage of time, and while he’s got enough insight to feel the good times for what they are in the moment (“Struck by suspicion / I’d never feel what I felt then”), that doesn’t mean…

You need to be logged in to view the rest of the content. Please .

…Gloorp ’Em Up, the second release by Philadelphia electro-percussionist Garrett Burke, is a frothy little dance tape in which every rhythm is recorded by hand. Many of them were played on a MIDI controller known as a DrumKAT 3.5, a digital drum kit with small ear-shaped pads that make it look like Mickey Mouse. Between this, an SPD-SX, and other acoustic instrumentation, Burke whisks together bits and bobs from footwork, gabber, acid, and breakbeat, imbuing their clubby rhythms with a blood-pumping pulse without sacrificing the mechanized momentum of a good DJ set.
A high school marching band kid with a drumming resume that includes stints with Mothers and of Montreal, Burke has spent plenty of time behind the kit. But Gloorp ’Em Up gives…

You need to be logged in to view the rest of the content. Please .

Sculptor, installation artist and seasoned improvisor Rie Nakajima has been friends with David Toop for many years, and the two became accustomed to their regular chats – on art, music and food – to the point that when face-to-face meetings were prohibited for a spell, the two transferred their musings to email. They noticed that the style of their back and forth had changed, forcing a level of creative thought that, in Toop’s own words, wasn’t “normal or natural”, and when they reconvened in the Spring of 2022, they realized their reality had shifted. Of course, if you’ve been following either artist you may have already stumbled across last year’s excellent ‘Music for Voilà’, and this set examines their interaction with mic-ed sculptures and small instruments…

You need to be logged in to view the rest of the content. Please .

Nils Frahm shares a new CD of solo piano music, Night & Day. The CD includes all eleven tracks from both last March’s mini-album, ‘Day’, and its companion collection, ‘Night’.
The album follows Frahm’s latest live release, Paris, which came out in December 2024. With this, he also responds to repeated requests from fans for another CD release.
The tracks on ‘Night & Day’ serve as a reminder that, although Frahm has become widely acclaimed for the intricately arranged, multi-instrumental approach of his most commercially successful albums, he first made his name through meditative solo piano works. These earlier pieces include collections such as 2009’s ‘The Bells’, 2011’s ‘Felt’, and 2012’s ‘Screws’.

You need to be logged in to view the rest of the content. Please .

November 1978. Henry Cow disbands after a decade of music that redefined the boundaries of experimental rock. November 2022. Four founding members return to the stage. Not to look back – but to improvise the present. Fred Frith (guitar, violin, electronics), Tim Hodgkinson (keyboards, saxophone, lap steel, electronics), Chris Cutler (drums, percussion), John Greaves (bass, vocals): the original core reunited under the name Henry Now. The key is in the name – as Clive Bell noted in The Wire, this is not a nostalgia project.
No scores. No prepared material. Only the instinct honed over fifty years of sonic exploration. For many, the music of Henry Cow represented a transformative listening experience…

You need to be logged in to view the rest of the content. Please .


1. Tobacco City – Buffalo
2. Florist – Have Heaven
3. Nico Georis – Geological Observations
4. Dean Wareham – Yesterday’s Hero
5. Eiko Ishibashi – October
6. Brown Horse – Dog Rose
7. Black Country, New Road – Besties
8. The Waterboys – Hopper’s On Top (Genius)
9. Songs Of Green Pheasant – Dark
10. Valerie June – Sweet Things Just for You
11. Index For Working Musik – Sister
12. Jason Isbell – Foxes in the Snow
13. Sam Akpro – Evenfall
14. Snapped Ankles – Pay the Rent
15. Butler, Blake & Grant – Bring an End

You need to be logged in to view the rest of the content. Please .

Digging up information on lo-fi pop entity Great Area feels almost counterintuitive, given her sparse online presence and succinct promotional materials accompanying her latest record, Good Coding, courtesy of fellow absurdist Lolina’s Relaxin label. The musical project by London artist Georgie Nettell presents itself in the form of brief, laconic pop songs which tread the line between social commentary and disillusionment, chronicling moments of city life with little apparent enthusiasm, and yet all the more entertaining for their honesty.
The two-minute bop “100% enthusiastic”, from last year’s sample-heavy LP light decline, might be the perfect introduction to the Great Area treatment: a recalcitrant beat and a wistful bassline conjure a sense of mischief, until…

You need to be logged in to view the rest of the content. Please .

Few bands come out of the gate sounding as genuinely unique and beholden to little that came before as Camper Van Beethoven did when their debut album, Telephone Free Landslide Victory, first appeared in 1985. They also managed to do so with a loose-limbed amiability suggesting it happened by mistake, or at least without too much conscious effort.
Camper Van Beethoven’s easygoing fusion of folk-rock, ska, indie rock, world music, psychedelia, and punk (the latter more in attitude than attack, though “Club Med Sucks” builds up an impressive head of steam) is smart, but also playful, as if some guys with really good record collections threw all they loved at a wall and it not only stuck, but managed to be funny at the same time.

You need to be logged in to view the rest of the content. Please .

A seminal moment in modern acoustic guitar music is being revisited as Drag City released the 10th-anniversary reissue of Land of Plenty, the spellbinding 2015 debut from duo Bill MacKay & Ryley Walker.
To put things in perspective, 2015 was the same year Walker released his debut follow-up, Primrose Green. MacKay had yet to sign to Drag City (this would happen in 2017 with Esker), but released an album of John Hulburt tunes on Tompkins Square – Sunrise: Bill MacKay Plays the Songs of John Hulburt. Walker was also a Hulburt fan, having co-produced Hulburt’s 1972 private press LP, Opus III, the same year.
…The story of Land of Plenty is one of immediate artistic connection. After first…

You need to be logged in to view the rest of the content. Please .

Italian-born, France-located artist, Ailise Blake, who also operates under the moniker Ali Macabre, has been around for a while, both as a member of the bands J.C. Satan and La Secte du Futur and as a solo artist, has just released her second solo album, Soave.
This somewhat dry introduction hardly gives you an inkling of what Blake is on here. First off, that Ali Macabre moniker is just an indication that Blake has a detailed focus on all things connected with all things connected with magic, in her case, that of the ceremonial kind.
At the same time, she explains the title of the album: “I titled this album ‘Soave’ not only because of the sound of the word itself, which to my ears sounds like the wind, but because…

You need to be logged in to view the rest of the content. Please .

From their home in Belgium, Slow Crush have carved out a place at the forefront of modern shoegaze. The band’s distinct sound, built on shimmering textures and propulsive rhythms, has earned them a dedicated global following.
After a few years of deliberate quiet and reflection, they’re ready to re-emerge with something new and transformative. Their latest album, Thirst, released on Pure Noise Records, is a powerful leap forward. The band decamped to The Ranch in Southampton, U.K., to work with producer Lewis Johns, creating a ten-track cascade of sound that is both heavier and more emotionally resonant than anything they’ve done before.
…The Belgian quartet’s vocalist/bassist Isa Holliday says that the overarching themes on…

You need to be logged in to view the rest of the content. Please .

The inimitable Richard Youngs returns to Black Truffle with this third full-length for the label, Hidden. Like CXXI and Modern Sorrow, Hidden unfolds across two side-long pieces at once eminently listenable and possessed of the ‘bloody-minded’ dedication to ‘having an idea and sticking with it’ that Youngs himself has identified as one of the key qualities of his work.
At the core of both pieces are rapid, randomised arpeggios generated with a Moog Grandmother, hypnotic patterns that wouldn’t be out of place on a Berlin School classic. Alongside these arpeggios, across the seventeen minutes of the first side-long piece Youngs builds an airy structure of shakers, synthetic handclaps and a brief, repeated sample, impossible to identify but…

You need to be logged in to view the rest of the content. Please .

In the same way that the legendary label, 4AD had their in-house collective, This Mortal Coil, a revolving door of music makers generally associated with it, so John Michael Zorko gathers around him many of the great and good who orbit the Projekt Records sun to weave together the sonic beauty of that defines his Falling You project.
And it is not just the form that draws comparison to that earliest of British independent labels, the music found on Metanoia, the latest album, could easily have been one of the 4AD stable, back in the day. Metanoia means to change, but more specifically, a transformation forged from adversity, an idea first found in the writing of ancient Greece, and specifically in Ovid’s Metamorphoses, which this album takes as…

You need to be logged in to view the rest of the content. Please .

…This 15th anniversary remaster of ‘Gateway’ includes a bonus disc with eight additional unreleased tracks mostly from the 2010 era.
On Gateway, Erik Wøllo presents the kind of travelog predicted by Joe Meek with I Hear a New World, a soundtrack of a visit to an alien world. The roots of the release are more readily placed in late-’70s space rock and ’80s new age, though, and while Gateway is an enjoyable listen, it’s not very inspiring in feeling like a new launching point for both sound and style. The elegant blend of dreamy synth loops, deep bass tones, soft electric guitar parts, and more simply doesn’t break through into a new, striking synthesis. There’s no question that Gateway is both well-performed and arranged; it’s a lovely sounding effort…

You need to be logged in to view the rest of the content. Please .

As the news buzzes with updates on global tariffs, Zones Portuaires 2 lands with unexpected relevance. Maritime ports have been plunged into the headlines, their workers feeling the impact while having nothing to do with the decisions. Zones Portuaires 2 honors those caught in the middle while emphasizing free trade and the health of international relations.
The first volume of Zones Portuaires was released in 2013, a double disc featuring éric la casa and cédric peyronnet. The recordings of harbors in France and Belgium highlighted the sonic wealth found at the intersection of nature and humanity. la casa’s follow-up, twelve years in the making, expands the project’s geographical scope: “the Gulf of Oman in Abu Dhabi, the harbour…

You need to be logged in to view the rest of the content. Please .

Iranian percussionist Mohammad Reza Mortazavi is a master of traditional Persian instruments, the tombak (a goblet drum) and the daf (a frame drum). A virtuoso since childhood, he’s firmly embedded in the tradition of these ancient drums, constructed of wood and skin. Yet he’s also deeply committed to extending their range and possibilities in bold new ways.
On stripped-back and intimately recorded tracks like ‘Void’, it feels like the drum is mere millimetres from our ears, as we hear the textures of fingertips striking skin, and the myriad sonorities and timbral possibilities created by subtle variations in placement. He really makes the drum sing, creating a hypnotic rhythmic cascade from the leanest of source material. But pieces like…

You need to be logged in to view the rest of the content. Please .