Category: indie


Haerts deliver a hushed and folky third album with 2025’s Laguna Road. The album is named after the road where the German-born/longtime Brooklyn-based duo of singer Nini Fabi and instrumentalist Benny Gebert lived and recorded the album in Pasadena, California. They had moved west following the release of 2021’s Dream Nation, as well as the birth of their daughter and were just finishing up the album when the Eaton Fire swept through Pasadena, destroying much of the community where the couple made their home. Consequently, they made the difficult decision to move back east, settling in New York’s Hudson Valley where they prepared the album’s release. Where previous albums showcased the duo’s dreamy synth pop,…

You need to be logged in to view the rest of the content. Please .

You have to be a pretty big Billy Childish fan to notice the subtle differences between his many musical projects (and there are plenty of them), but they really are there if you’re paying attention. His earlier groups, like the Pop Rivets and Thee Mighty Caesars, tended to be musically gritty but lyrically playful, while he was more willing to explore the darker side of his imagination in his blues-oriented solo recordings and latter-day acts such as the Musicians of the British Empire and CTMF. In 2022, Childish reunited one of his most prolific combos, Thee Headcoats (initially active from 1988 to 2000) to pay homage to one of his musical heroes, Don Craine of the Downliners Sect, and they cut an album, Irregularis (The Great Hiatus), that arrived in 2023.

You need to be logged in to view the rest of the content. Please .

David Morris of Red River Dialect has always been able to find the spiritual in ordinary objects. It’s a reflection, perhaps, of his training as a Buddhist monk — a habit of contemplation and co-existence with all the inhabitants of the world around him. On Basic Country Mustard, his most successful songs focus not on nature’s myriad wonders, but on what makes us human.
Consider, for instance, the title track, an extended meditation on the most plebian of condiments. Against a jangling guitar, a bouncy drum beat, and scattered piano chords, Morris observes the simplicity — just two ingredients: seeds and liquid — and the infinite variations of mustard. “The Ancient Chinese back in 1000 B.C./ The Romans and Japanese/ They all liked…

You need to be logged in to view the rest of the content. Please .

Thee Headcoatees split up in 1999, each of the four members going their separate ways in music and life and seemingly shutting the door on a career full of A+ rock & roll. Fast forward to 2024 and the band’s distaff partners, the recently reformed Thee Headcoats were recording an album and thought it would be fun to round up the members of Thee Headcoatees and get them on wax too. After some behind the scenes work soon Ludella Black, Kyra LaRubia, Bongo Debbie, and Holly Golightly were in the studio, backed by Thee Headcoats on a selection of songs written by Billy Childish, along with a few choice covers. Unlike many of their happy-go-lucky records made in their early prime, Man-Trap is an angry affair filled with songs about abuse, frustration, the ills of a society…

You need to be logged in to view the rest of the content. Please .

“When it’s looking dark, punch the future in the face,” Kurt Vile advised us many years ago. Few bands have taken on this challenge with more gusto than Home Front, the fearless synth punk duo from Edmonton whose sophomore album, Watch It Die, arrives with the violent catharsis of landing a haymaker to the teeth of death.
“In this time of madness / How does this beauty survive?” Graeme MacKinnon shouts on the album’s soaring title track. The answer, it seems, is to cram into a studio with your best friends and crank up your instruments until they’re about to give way.
It’s a formula that MacKinnon (vocals, guitar and bass) and his bandmate Clint Frazier (synths, key, drums and programming) first explored on Home Front’s acclaimed 2023 debut,…

You need to be logged in to view the rest of the content. Please .

Legendary Phoenix experimental band Paris 1942 – whose drummer was Velvet Underground icon Maureen Tucker – only existed for a year or so in the early ‘80s before core members Alan and Richard Bishop devoted their full attention to their main band, Sun City Girls. In that brief period, they rehearsed a lot, played a handful of shows and recorded a batch of songs, one of which appeared on a compilation in ’82, with a bunch more belatedly released as an album and an EP a decade later. Frustratingly, this compilation includes most – but not all – of that material, plus 11 previously unreleased tracks, sourced from the band’s mass of tapes. Why not just release it all? Too many repeated songs perhaps, but either way, this 19-song retrospective gives…

You need to be logged in to view the rest of the content. Please .

Jeremy Dower briefly appeared on the electronic music landscape with a handful of releases during the early 2000s on labels like Plug Research and Chapter Music which brought to mind the Muzak-inspired easy listening mood music of Curd Duca, but with a surreal touch of ambient techno glitchiness not unlike Uwe Schmidt/Atom Heart’s various monikers. Since that time, he’s become much more well-known as a visual artist, film director, and lecturer, and he contributed a chiptune-inspired rendition of Danny Elfman’s iconic theme to The Simpsons for a pixilated version of the show’s opening couch gag, which went viral on YouTube and was then used in the show itself. Soon after Chapter Music made Dower’s brief discography available…

You need to be logged in to view the rest of the content. Please .

As Farao, Kari Jahnsen has experimented with a range of electronic-acoustic palettes, setting her textured arrangements within indie folk, alt-pop, orchestral rock, glossier electronica settings, and combinations thereof.
With her third album, Magical Thinking, she leans into an R&B-inflected alternative dance sensibility that falls on the sleeker extreme of her output thus far, although it should be noted that both she and producer Ådne Meisfjord (120 Days) are credited with beats, synths, percussion, and, last but not least, zither. So, she hasn’t left her blended, psychedelic-leaning approach behind. It also isn’t entirely club-friendly. The album was recorded between Berlin and Oslo, Jahnsen’s former and re-adopted base, respectively.

You need to be logged in to view the rest of the content. Please .

Singer/songwriter runo plum started devoting more time to her music in 2020 during COVID-19 shutdowns, resulting in a handful of singles and EPs over the next four years. Not a spare solo act, she wrapped her intimate, introspective songs in atmospheric full-band arrangements early on, and she recorded her debut album in a remote cabin in Vermont with producer Lutalo (a fellow Minneapolis-born singer/songwriter and Winspear labelmate who also played drums on the record) and guitarist Noa Francis (plum’s partner). Titled patching, the breakup- and isolation-inspired album opens with “Sickness,” a song with both a light bounce and notes of melancholy, and with strummed acoustic and electric guitars, all combining to underscore lyrics…

You need to be logged in to view the rest of the content. Please .

It’s been a significant year for chamber-pop band Winterpills. The Western Massachusetts quintet recently marked their 20th anniversary with a remixed reissue of their debut album — complete with a pair of bonus tracks — and now they’ve returned with This Is How We Dance, their eighth album and first release in nine years.
Across these 12 songs, the rich melodies, shimmering guitars, and evocative lyrics serve as a reminder that even after a long hiatus, Winterpills have lost none of their luster. In fact, they may sound better than ever. Philip Price, the band’s principal lyricist, can summon a mood with just a small turn of phrase, and when his voice intertwines with Flora Reed’s, their harmonies create the luminous core of the band’s sound.

You need to be logged in to view the rest of the content. Please .

Pavement took different forms on each of the five albums they released during their initial hot streak in the ’90s, setting the tone for both the indie rock of their day and all that followed with each iteration. While their album output was relatively scant, the impression they made was outsized, and their combination of songwriting excellence and genre-defining laconic style made for multiple classic tunes on most of their albums. Hecklers Choice: Big Gums and Heavy Lifters is like a best-of compilation, and not Pavement’s first. In 2010, Quarantine the Past collected over 20 of the band’s best-loved and most-requested songs, making for a playlist that omitted a lot of the experimental sidetracks and oddball moments that showed up on most of the albums.

You need to be logged in to view the rest of the content. Please .

The title of this latest album from Wyldest (aka Zoë Mead) feels like an existentially accurate description on today’s world turmoil.
An examination of the world on a micro and macro level, it sees the London-based singer-songwriter – who has long been acutely talented at portraying introspectiveness in her writing – look more outward for personal upheaval, finding more artistic freedom in the process.
‘After the Ending’ paints this picture vividly. Wyldest’s vocals lilt over shimmering guitars via pop-imbued melodies. It may sound bright, but the track was actually written after Mead received a diagnosis of endometriosis. This forced her to contemplate the prospect of a life-threatening illness and temporarily pause…

You need to be logged in to view the rest of the content. Please .

To understand Doves’ enduring appeal, one must look past the anthemic sweep of their sound and into the nuanced poetry of their lyrics. Their songwriting achieves a rare balance, framing intimate battles of love, loss, and resignation against a gritty, panoramic Northern backdrop.
It is this duality that allows their words to transcend the typical swagger of British rock: “Son, what have you done; you’re caught by the river; you’re coming undone…” (Caught By The River) stands out for its harrowing elegance.
Whether capturing fleeting acceptance; “If this is our last Summer, why should we care?” (Snowden). Or the sudden jolt of time passing;“You turn around and life’s passed you by…” (There Goes The Fear). They ensure their melancholic heart…

You need to be logged in to view the rest of the content. Please .

Titling her new EUSEXUA companion album Afterglow might have suggested that FKA twigs was set to use her second album of 2025 to take things from the pulverising, euphoric beats of the club towards contemplative, hazy conversations back at hers for the afters. Press play on opening track ‘Love Crimes’, though, and it seems she has simply stepped outside for a cigarette break, before returning inside to be smacked in the face with techno bass even harder and more ferocious than anything on the first album.
Inspired by her experiences clubbing in Prague while filming for The Crow, EUSEXUA was a dazzling techno-pop reinvention for twigs, with both her most sugary pop hooks and hardest beats. Across her first two albums, LP1 and MAGDALENE…

You need to be logged in to view the rest of the content. Please .

Tony Molina fits grace into the smallest spaces. His songs are abbreviated, mostly in the one to two minute range, but never in a hurry. They make their point with radiant jangles and bittersweet curves of melody, sketch out an indelible chorus, and trail off. If you’re in too much of a hurry for Teenage Fanclub, these songs have the same ineffable bright-and-shadowy wistfulness, without the guitar breaks and middle 16s.
On This Day is typical Molina in that it contains 21 songs, a few of them heart-stopping, and lasts just 23 minutes. It is, perhaps, a bit less amplified than earlier albums like the 2018’s Kill the Lights or 2019’s Songs from San Mateo County, an album whose fuzz-crusted sweetness called Bandwagonesque, but shorter.

You need to be logged in to view the rest of the content. Please .

…2025 Kevin Vanbergen remaster.
Serving as an introduction to the U.S. market, Gala compiles the band’s first three EPs and adds a couple outtakes. One thing that went overlooked about Lush was their ability to veer from violent and edgy noise breaks to pop effervescence. They were always capable of spewing out Saturday morning glow and Sunday evening doom from song to song. Their early reliance on sheets of distortion, buried vocals, and production issues didn’t help this situation. As a result, their out-the-gate raw talent went rather unnoticed, evidenced on their earliest works. Scar demonstrated their under-appreciated diversity immediately. “Thoughtforms” is an example of their heavenly pop greatness, with the vocals sweeter and…

You need to be logged in to view the rest of the content. Please .

…contains a new remaster of the original album plus eight original demos, two new mixes, various B-sides and rarities, and a previously unreleased concert recorded at SHIBUYA-AX in Tokyo in March 2001.
Green Day’s sixth album, 2000’s Warning, arrived nearly three years after the band’s multi-platinum Nimrod. It built on the expansive sound of Nimrod by incorporating even more varied textures drawing on pop and folk styles. Now, 25 years later, Billie Joe Armstrong, Mike Dirnt, and Tre Cool are revisiting Warning in a new Super Deluxe Edition.
With longtime producer Rob Cavallo moving up to the executive producer’s position, Green Day self-produced Warning – their first self-produced major label effort. (R.E.M. producer…

You need to be logged in to view the rest of the content. Please .

A lot of fun can be had with the original instrument, the human voice. One need not include lyrics, simply a sense of exploration, a willingness to reach past the boundaries of conversation, perhaps a bit of harmony and rhythm. In Solids for Voices, Copenhagen’s Valby Vokalgruppe accomplishes all these things, offering “Platonic solids reimagined as sound objects.”
The album also includes one of the oldest works ever featured on our site, Athénaios Athenaíou’s “Delfiske Hymne,” inscribed in 128 BC. While listening to this ancient hymn, one is connected with the distant past, while gleaning the continuity of humanity, stretching its vocal wings to communicate with the divine.
The majority of the pieces are composed by…

You need to be logged in to view the rest of the content. Please .