…collection of 13 demos, sessions tracks, radio sessions and remixes curated by the band on CD2.
Maxïmo Park are marking a major milestone as their landmark debut album, A Certain Trigger, hits its 20th anniversary. To celebrate, the band is unveiling a deluxe reissue packed with rarities, B-sides, and fan-favorite deep cuts across multiple vinyl formats. The festivities continue into 2026 with a UK tour that revisits the energy and legacy of their breakout era.
According to a press release from Maxïmo Park’s management, the special deluxe edition of A Certain Trigger is now available on a variety of different formats including a single LP, double gatefold LP, and triple LP collection. Also included on the double and triple vinyl…
You need to be logged in to view the rest of the content. Please Log In.
Widely acclaimed British band The Levellers are celebrating the 30th anniversary of their chart hit album Zeitgeist. The 
In 
“Don’t you know a warning sign when you see it?” asks Hannah Pruzinsky. Their sophomore album as 
Magnificent Fall, 
The subgenre of cumbia, cumbia rebajada, was born in the ’90s when Gabriel Dueñez was DJing a club in Monterrey. All of a sudden his tape deck overheated, and the music began to slur. The beat of tracks like El Manicomio de Vargasvil’s “Mi Abuelo” were slowed from cumbia’s usual 100 BPM chug to a sluggish 65 BPM, their once peppy choruses resembling the gurgly bass of the Star Wars character Jabba the Hut. Fortunately for Dueñez, though, the dancers loved it.
A few years ago, Dominik Eulbergreleased the magnificent Mannigfaltig, a celebration of fauna available with a boxed memory game. This year the artist ups the ante significantly. Lepidoptera began with the study and breeding of butterflies, and the choice of twelve subjects to represent the 3700 known species in Germany. Then the LP and CD, with divine liner notes, soon to be joined by videos and interactive games. Finally, the project will go on tour, but not a traditional tour; instead; Eulberg hopes to join artists and scientists on an educational tour, melding music, science and art, an original and laudable concept.
For an artist with such a distinctive sound, Henry Laufer’s music as Shlohmo is unusually pliable. Since 2009, the Los Angeles-based producer has built instrumental arrangements out of tape hiss and grainy textures, gloomy synths and gristled percussion, crunchy guitar and hard-to-identify samples, constructing a world where hip-hop, slowcore, bass music, ambient, R&B, and pop meet in a murky, disorienting middle. He’d already established himself as a leader in the L.A. beat scene when, in 2012, he flipped Jeremih’s “Fuck U All the Time” and found himself with an unexpected SoundCloud hit. The original version was all bubblegum and rosé, but in Shlohmo’s hands it became dark and unnerving, a shift that morphed the song’s meaning: What if telling…
Cambridge-formed 
Made up of an all-star roster (
Paz Lenchantin, the Argentine American bassist, has worked up a hell of a resume. In 1999, she helped form A Perfect Circle, Maynard James Keenan’s “other band” at the turn of the century. A few years later, she joined Billy Corgan’s indie-rock super-group Zwan, appearing on that group’s only full-length platter. An accomplished violinist in her own right, Lenchantin offered backing strings for a Queens of the Stone Age song in 2002. She returned to the “featured guest” post three years later on Silver Jews’ Tanglewood Numbers. Lenchantin’s C.V. and discography are not short on substance. This year, Paz releases her third solo outing, Triste.
…This new remaster, lovingly rendered from an almost impeccable source, is a revelation for anyone who wished to hear more of how this music was meant to sound. Our longtime collaborator Jessica Thompson carefully restored it with updated tools in her state-of-the-art studio.
There’s a well-known line, originating with Brian Eno, that although the first Velvet Underground album only sold 30,000 copies, everyone who bought one formed a band. Ghana-born musician 
Swiss label Bongo Joe has been an unstoppable force of cosmopolitan post-punk gems this year, and perhaps no single-artist release encapsulates their 2025 sound more cleanly than 2, the trilingual sophomore release from 
It’s weird, right? We’ve somehow stumbled into a world where, for all we’re told that algorithms homogenise music, actually more people than ever are exposed to very, very odd and abstract soundmaking.
The Numero Group kicked off their 200 line of titles in 2017 with Savage Young Dü, an unprecedented archival dive into the early works of Minneapolis punk trio Hüsker Dü. Fifty entries later in that chapter of the label’s discography, Numero has a new Dü title that takes a special look at what may be their most pivotal year as a band.
Now onto her third album, it’s clear that