From 2007 until 2024, a mystery worthy of Columbo confounded online music lovers on Reddit, Discord, and elsewhere.
It inspired organized, long-term team investigations; multiple YouTube video series; an endless array of fruitless searches; and a whole lot of head-scratching. The thing that all of those intrepid investigators were looking for was a song by the German group Fex — they just didn’t know it. Neither did the members of Fex, who had disbanded in 1985 without ever officially releasing the track that would eventually go viral as “The Most Mysterious Song on the Internet.”
At the dawn of the ‘80s, Germany’s NDW (Neue Deutsche Welle) movement was blossoming, with bands like Pyrolator, Die Krupps,…
Category: indie
ProtoU returns with her seventh album of experimental ambient music, characteristically combining spaciousness with layers of sound.
The overall feel is expansive, with thick, sweeping chords undergirded by manipulated white noise, rumblings, field recordings, and even what sounds like stringed instruments.
Science-fiction themed, one can easily visualize spaceships steadily traversing a panoramic backdrop of stars.
Add to that unintelligible radio transmissions, soft sequenced rhythms, and shimmering drones. While pastoral at times, the mood is also ominous, as the machinery of the cosmos is indifferent to the fragility of its inhabitants.
A frequent collaborator, ProtoU is assisted by…
As a co-founder of the electronic label Faktura, Artem Dultsev is a champion of left-field sounds from Russia’s Ural region. The austere press photos for his project metra.vestlud typically center on hooded figures, thickets of hardware, and gritty spaces. But his music is surprisingly bloopy, as if melded from digital raindrops falling on Jell-O. Dulstev’s new full-length, Ashes That Made the Shape of My Dreams, is meandering and humid, and arrives via bohemian California institution Not Not Fun, where it lands seamlessly alongside twinkly experimental releases from Shine Grooves, Yayoba, and Frunk29. More than anything else in the NNF catalog, Ashes feels like a spiritual companion to x.y.r.’s 2023 record Aquarealm: Both albums are wordless, somewhat…
Boris LIVE NOISE ALIVE -Live at Daikanyama Unit- Celebrate the 10th Anniversary of the Studio Album NOISE with a new Live Album Release. The live recording of the final show from the 2014 Live Noise Alive tour is being released as a limited 2LP with exclusive vinyl colors (Worldwide & Japan web store only).
The studio album “NOISE” was released in 2014. Starting with “PINK” in 2005, which was Boris’ breakthrough overseas, followed by “SMILE” in 2006, these two albums became the starting point for a full-fledged touring band with over 100 shows a year. After many experimental productions, the band released three albums in 2011: “Heavy Rocks”, “Attention Please” and “New Album”. After overcoming various situations…
For Berlin-based, Syrian musician Khaled Kurbeh, the vast tapestry of everyday life, with all of its chaos, routines, bureaucracy, and (mis)fortune, can be experienced through the application of predictable and unpredictable rhythms.
Rhythms that often emerge from some of the least likely places.
On Kurbeh’s first album in seven years, Likulli Fadāin Eqāéh [To Each Space its Own Rhythm], stagnation is not an issue. A matter reinforced by the track titles, with their allusions to journeys and explorations, and by the perpetually moving sounds throughout. They never stand still, even when reduced to quietly looming ambience. The subdued notes of ‘Sunūnū al-Manara [Swallow of the Lighthouse]’, for example, slide by…
When For Against singer/songwriter/bassist/guitarist Jeffrey Runnings died of an advanced form of cancer last year, he didn’t just leave behind an impossibly sterling catalog of such consistency it should make bigger, lesser bands jealous. He also contributed to his legacy one last time, completing his second solo album before he passed. Home recorded on an eight-track cassette machine, the (mostly) instrumental Piqued rolls out like a catalog of the Nebraskan’s influences: the Chameleons, Joy Division, Cocteau Twins, Gary Numan, Talk Talk, the Smiths, the Sound. That’s not to say Runnings simply displays his record collection in song, however – outside of his skill at writing beautifully melodic tunes and acerbically romantic lyrics, his most singular ability is in filtering…
1. The Heartbreakers – Chinese Rocks
2. Mudhoney – Revolution
3. The Gamblers – LSD-25
4. Otis Redding – Day Tripper
5. Charlie Parker – Moose the Mooche
6. The Orb – Little Fluffy Clouds…
7. Barrington Levy – Sensimelea
8. King Gizzard & The Lizard Wizard – Catching Smoke
9. The Fall – Mr. Pharmacist
10. Lil Green – Knockin’ Myself Out
11. John Prine – Sam Stone
12. Bert Jansch – Needle of Death
13. The Purple Gang – Granny Takes a Trip
14. The 13th Floor Elevators – Roller Coaster
15. Love – Signed D.C.
…The record has been lovingly remastered and cut from the original tapes by John Baldwin at Infrasonic Sound in Nashville, TN.
After recording the material that would later comprise the bulk of Invisible Hits, The Soft Boys recorded their masterpiece, the shimmering neo-psychedelic Underwater Moonlight.
Essentially, the band didn’t change their style for the record — they merely perfected it. The Soft Boys don’t hide their influences — whether its the ringing guitars of the Beatles and Byrds or the surreal humor of John Lennon and Syd Barrett — but they assimilate them, resulting in a fresh, edgy take on ’60s guitar pop. Robyn Hitchcock‘s subject matter tends to be more explicitly weird and absurdist than his influences, as titles…
Rebecca Schiffman is an indie-pop songwriter who’s been on the scene for a couple decades already, making noise in New York in the early 2000s. But she gets deep into grown-up problems with her fantastic fourth album Before the Future. It’s a sly, candid sleeper of an album, where Schiffman sets out her life like a box of snapshots, while narrating the details in her dry, matter-of-fact deadpan voice.
A native Manhattan hipster kid relocated to L.A., she sings anxious vignettes about everyday life, whether it’s grief, romance, or parenting. But it all adds up to a charmer about careening through adulthood with a head full of memories that give you no peace — so your only option is to translate them into songs, to give them some…
The instinctive collaboration between Aho Ssan & Resina(Niamké Désiré & Karolina Rec) started at the Unsound Festival, continued on Rhizomes and blossoms on Ego Death, an engaging nine-part suite for cello and electronics. At the core of the project is a question once relegated to the realm of sci-fi, but which now seems increasingly possible: what happens when human intelligence is transferred to the electronic realm? Various television shows, from Pantheon to Upload, have speculated about the possibilities, while the film Lucy now seems surprisingly prescient. The album honors each of these by wondering about Ego Death and whether it would benefit or hinder the individual. Cleverly, the interplay between organic and electronic instrumentation…
Northern Irish duo Bicep were on a trip to Greenland, and when the pair’s Andy Ferguson visited the country’s famous Russell Glacier, he says he found it to be “like an orchestra of noise. The squeals and crashes that the ice makes were truly otherworldly.”
While many of us will never get the chance to hear these sounds in person, this glacier and other voices of the Arctic, human and otherwise, are incorporated into the lauded electronic duo’s new collaborative project Takkuuk.
Taking its name from the Inuktitut word meaning to look closely, Takkuuk is an audiovisual installation from Bicep (Ferguson and Matt McBriar) visual artist Zak Norman and filmmaker Charlie Miller that delves into the lives, communities…
In 2023, a Wisp song became the first overnight success in the almost four-decade history of shoegaze. Recorded using iPhone earbuds over a YouTube producer’s instrumental, ‘Your Face’ was immediately beguiling, like a lost Deftones song tinged with sweet alt-pop yearning. Natalie Lu, then just 18, had a viral TikTok hit on her hands. She’s since signed with Interscope, opened for Slowdive, played Coachella, and on last year’s debut EP Pandora, proved that ‘Your Face’ was no fluke.
If Not Winter, her first full-length, sheds Wisp’s mystique and places her fully in the spotlight – with artwork and music videos that style her as a medieval fantasy heroine. The lead single ‘Sword’ shows she’s upped her ambitions. It has more precise arrangements, a much clearer…
Debby Friday is a Nigerian-Canadian singer-producer who found some success a couple of years ago with her debut album Good Luck. It won the Best Electronic Album 2023 Polaris Prize, the Canadian equivalent of a Grammy or Brit. That album had a moody rock-tronic feel.
The new one, created in her new London base with her guitarist, the Australian producer Darcy Baylis, is more straightforward EDM, but draws from a varied palette and retains her personality. It’s a likeable club-centric outing.
Initially, it appears she’s going to go 4/4-bangers-all-the-way but, as the album goes on, she becomes more lyrically reflective. She’s said the relentless touring after her debut wore her down, and the lyrics sometimes reflect this.
…With 2015’s Untitled and 2018’s Only Love, the band zeroed in on a brutal and ballistic yet polarizingly art-damaged form of hardcore. Their extremely intense music boasted a kind of blunt-force accessibility.
…The Armed pushed their conceptual elements to the brink with 2021’s ULTRAPOP, an album cycle where the rollout threatened to overwhelm the music but the music was too overwhelming to be denied. Then, with 2023’s Perfect Saviours, they delivered what band mastermind Tony Wolski called “our completely unironic, sincere effort to create the biggest, greatest rock album of the 21st century.” That endeavor failed on its own terms; Perfect Saviours was good, but it wasn’t as gripping as the albums that came before it,…
…featuring B-sides and previously unreleased acoustic tracks, and limited edition bundles.
Coles Corner is Richard Hawley’s fourth solo offering. He still tours as a guitarist with Pulp and does session work for a number of artists, but it is clear from his catalog that his true passion lies with making his own records. His production style is simple yet elegant, warm and graceful, with lots of space for the listener to enter into. Hawley’s love of Roy Orbison, Elvis, and Scott Walker has left the best possible mark on him as a singer and songwriter: He understands that in writing a song, the most important thing is to make it immediately available to the listener as either a lived or desired experience. He paints his lyrics with melodies to get that across, then records with…
In the fertile atmosphere of the 1960s, a genre emerged in Germany that borrowed from the electronic, hypnotic, repetitive, and psychedelic trends of the time – albeit in a rough style that some might consider typically German. This genre, dubbed ‘Krautrock’ by the British music press, influenced not only rock musicians but artists across other genres as well. Thousands of miles westward, in the United States, another trend known as ‘drone music’ developed built on sustained low-frequency repetitions that created a meditative effect, a feature naturally found in many Asian and Middle Eastern instruments. Imagine these two trends combined, with a stronger emphasis on the latter, and you get an experimental album made in 2025 with…
To understand Thank You Kirin Kiki, the ambitious and stunning debut album from jazz and ambient multi-instrumentalist Rindert Lammers, it’s essential to get the proper context. In Hirokazu Kore-eda’s 2018 film Shoplifters, Japanese actress Kirin Kiki plays the grandmother of a family who have all fled or lost their own families. In one of her final scenes (both onscreen and in her real life), Kiri looks at her family and says “thank you” twice, an improvised moment for the actress, who passed away later that year.
This moment had a profound effect on Lammers, a Dutch musician born in 1994 who was raised in a musical family and influenced by jazz and progressive rock. Experiencing the sudden loss of three loved ones while studying history…
When legendary musician, poet and novelist Francis Bebey passed away suddenly in 2001, Cameroon lost one of its most celebrated artists. Bebey’s music still holds a magnetic pull for audiences globally. His legacy is continued and honoured through the career of his son Patrick who notably covered his Dad’s famous ‘Coffee Cola Song’. With Trésor Magnétique, Africa Seven is releasing a sizable collection of unheard cuts, alternative versions and outtakes. The tapes were discovered among Patrick’s collection of artefacts from his father’s life and carefully digitised at Abbey Road.
The set bursts with the energy and originality that defined Bebey Sr’s career. Far from being a curio for completists, the album is a great introduction to his oeuvre. The extended version…
