Philly-based indie pop outfit The Tisburys have slowly been evolving their sound record to record and have landed on a particularly inspired form of modern power pop with Still Life Revisited, their fourth effort.
Musically, the songs are punctuated with horns, synth, and stellar harmonies throughout, while lyrically, the band manages to tackle some pretty lofty themes dealing with growing up, finding your own family, and looking back.
While 2022’s Exile On Main Street had a decidedly ‘90s college rock vibe, you can hear echoes of everyone from Squeeze and Teenage Fanclub to The Hold Steady weaved throughout the new record. Songs like “Forever,” with its impossibly addictive choruses, and…
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Torn between shoegaze and drum & bass?
It’s been four years since Chicago’s 
The term disc rot refers to the gradual deterioration of optical media, particularly CDs and DVDs. Discs suffering from this affliction would bloom with weird splotches like some sort of infernal pox, leaving the media that remains distorted, sickly, blemished and stained.
Victoria Winter coos softly in a vortex, her baby-talking sweetness pushing up through blistered waves of guitar dissonance. 
The follow-up to the eclectic, style-ingesting 
On his second album Quit to Play Chess, the singer/songwriter and producer 
…Big city life, the fabulous and melancholy new album by 
Sakte Film (Slow motion) is the sixth and most ambitious solo album of Norwegian, Oslo-based guitarist, multi-instrumentalist, and composer 
Remastered and expanded, featuring ‘Cry Wolf’ b-side ‘The Mirror Is Gone’ and the 5-track pre-cursor EP ‘Inconsiderate Bitch’.
It’s hard to pinpoint the exact moment Turin Brakes realised their next record would be their tenth. But when they did, it surely hit with significance. In a 2000 interview, frontman Olly Knights predicted the band would release ten albums – and now, 25 years on from their debut, that vision has come true.
…this new edition runs over two discs with the album being packaged with the ‘Fine Friend’ EP and a great selection of previously unheard tracks and demos as handpicked by the band.
Orbital’s second self-titled masterpiece in two years completed the job, initiated by their “green” 
The promise of a Florry show, a now familiar caravan that has been honed over ambitiously trekked zig zags across America and Europe since the release of Dear Life Records debut The Holey Bible, is the redemptive promise and prodigal joy of rock and roll guitar music.
Seattle drone-rock titans Earth release their latest live document, 
“My agent used to tell me: ‘You give people the shits,’” sings 
A former Grange Hill star, a throng of spandex-clad dancers and a man gyrating in what seems to be a studded Roman centurion’s loincloth: