Everything I Ever Saw continues The Menzingers’ tradition of heartfelt storytelling through their signature Americana punk rock style. It’s an album built on consistency rather than reinvention, leaning heavily into the formula of impassioned vocals and steady rock riffs that has made the band so beloved.
The use of Shin Noguchi’s street photography for the artwork immediately stamps the album with a recognisable personality, the same intriguing, sombre vulnerability that is present across most of their album covers is undeniable here. In fact, it is one of their strongest artwork choices, second only to 2017’s After the Party, and it feels like an intentional reference to their most popular album. Many of the tracks follow suit,…
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There was a fusty, claustrophobic aura surrounding Cardiacs’ 1988 debut album, A Little Man And A House And The Whole World Window. Released 14 months later, 
The deluxe edition features 15 additional tracks: rare remixes, live versions and instrumentals.
…includes three bonus tracks: a previously unreleased alternate mix of “Dogtown”, “I Don’t Know Why” (Demo) and “Walking on Thin Ice”.
True to its name, 
Along with the lucky hundreds in attendance at north London’s Unit 58 and the car park of Leeds’ Brudenell Social Club, NME first heard 
Different When It’s Silent appears six years after the release of 
When Conal was released in 1981 on the Norwegian independent label Uniton Records with an initial run of 4,000 LPs, 
A sign of the ever-encroaching AI times in which we’re living, the words “Produced Entirely by Humans” appear on the back cover of this superb joint effort from electronic artists 
Brighton on the English South Coast has always been weird. It was built almost from scratch as a hedonistic playground by the foppish Prince Regent, later King George IV, just over 200 years ago — and ever since has attracted waves of freaks, cultists, ravers, lowlifes, and oddballs. Nowadays, it’s beset by gentrification, chain restaurants, media folk and wellness gurus, but just under the surface it still has the air of “a town that is constantly helping the police with their enquiries” as the writer Keith Waterhouse put it in the 1970s. And now, as ever, hidden away from the seafront clubs and big indie gigs, it has a wellspring of genuine eccentricity clinging on to its surreality in basement flats, weird jam sessions above pubs, smelly poetry readings, and weird…
Those who have been following 
Slow Magic is the second album by 
Inspired by a bird landing on a city windowsill, Air Signs by