Discontinuity was conceived as a response to the deteriorating conditions in the U.S. I examined on my previous album Continuity. Media capture, heightened surveillance, and the consolidation of control over our information have reshaped our world, and I wanted to see what resistance might look like by gathering a polity of remixers.
Where Continuity traced how systems designed for transparency instead function as tools for manipulation, Discontinuity responds by presenting the remix as an analog for personal resistance: the individual act of reclaiming control through deliberate obfuscation.
In a landscape like this, resistance can take many forms: privacy tools that create gaps in data collection, platform exodus…
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“Creative inspiration is often like vapor, appearing and dissipating quickly” says Vicky Mettler, aka 
…includes three new acoustic versions of previously released songs as well as two entirely new tracks including previously released single ‘Pity,’ and fun, rocking indie folk anthem, ‘Fell in Love (Couldn’t Get Out)’ featuring Cat Clyde.
Released in 1974, 
The 2LP set pairs the original album with a specially curated collection of B-sides, showcasing the depth and creativity surrounding the 
…features nine previously unreleased tracks and demos.
The guitars gather like a thundercloud, buzzing with electricity, threaded through with the sweet smirk of melody. On their fifth full-length, the loud but tuneful San Francisco outfit known as 
Exclusively reissued on CD for the first time in over twenty years, presented in Deluxe 7” sized packaging with 2CDs featuring the album newly mastered, plus a comprehensive selection of the best of the original era remixes. Also features brand new sleeve notes written by author Kevin Sampson, The Farm’s former manager.
Brighton folk-rockers Levellers have been one of Britain’s most enduring and best-loved bands for nearly 40 years. And part of that incredible success has been built on the timeless anthems that comprised their platinum-selling, second album 
Can 
A lot of the music covered under the “post-punk revival” centers around the poppier set of bands from the early ’80s, the ones you can still hear on the radio today – your Cure, Joy Division and Gang of Four.
As a club DJ, radio broadcaster, podcaster, and label founder, Jamz Supernova has become one of the U.K.’s foremost tastemakers, exposing audiences to music from around the world, particularly from regional dance music scenes. Her first official release is 
…Now teaming up with the pastoral synthesist Dorian Concept, 
…features seven previously unreleased bonus tracks from the same period, as well as a comprehensive selection of remixes from artists like Max Cooper, Robot Koch, and Aparde.
There’s a hollow space surrounding the guitar solo on “Shiver,” an absorbent deep cut on the second studio album from British indie-pop darling Rachel Chinouriri. The production is both distant and overwhelming as it mirror the 27-year-old’s inner turmoil. She’s feeling alone again, haunted by memories, and it’s like her words are vanishing into thin air before reaching anyone who will listen. Still, she sings, “Life goes on, and on, and on.” But what does she want that life to look like?
In 1988, The House of Love’s debut album arrived as a fully-formed piece of pop perfection, following two years of intensive writing, rehearsing and live performances. The Gift explores those two years, as the band leapt from the Camberwell squat scene into the centre of the UK’s indie world as it went overground.