…features two bonus tracks not on the original album. The bonus tracks, “My Lover” and “I Love(d) New York”, were originally left off the initial release due to vinyl space constraints.
Seven albums in, White Lies continue to evolve while keeping their signature mix of shadowy synth-pop and widescreen emotion intact. Night Light finds the London trio leaning deeper into electronic textures than ever before, with the guitars now playing a supporting role to shimmering synths, pulsing basslines, and Harry McVeigh’s commanding baritone.
It’s a sleek, modern evolution that keeps the band’s DNA intact while exploring new sonic territory. The album bursts to life with ‘Nothing On Me’, a quickfire opener that clocks in at just…
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…’Growing Pains (Deluxe)’ features six added tracks, including “Heavy Heart,” and “Tumbleweed,” and four acoustic tracks that were recorded at Second Nature Vintage in Nashville.
What is a watch bird? In 
Since the dissolution of Yura Yura Teikoku, Shintaro Sakamoto has refined a solo language built on understatement. Where his former band favoured volatility, his solo records proceed at lower pressure, privileging texture, spacing and grooves that remain deliberately underdeveloped. On his fifth solo album, Yoo-hoo, that approach resolves into a two-part movement, the record gradually shifting from suspension into motion without ever announcing the change. ‘Is There a Place For You There?’ establishes the album’s opening register, its unhurried and blown-out vocal and flattened delivery setting a mood of controlled inertia, melting against, even slowing the beckoning rhythm of Yuta Suganuma’s drums. The early stretch is governed by tactile…
…The expanded digital album includes 11 bonus tracks in total: the three songs from the 2007 ‘End Like This’ EP, four previously unreleased outtakes, and four demos.
The Live at City Gardens EP features a blistering six-song soundboard recording captured live on February 11, 1984, at the legendary punk club City Gardens in Trenton, New Jersey.
Somewhere in an old mill in Yorkshire, a man – maybe – has been buried under patch cables, feeding electricity through modular synths long enough for the hum to be part of the drizzly landscape. That no one really knows who they are feels appropriate. Their anonymity has become part of the machinery, like an unlabeled switch. 
Although Whitney K is widely characterised as being the artistic expedient of itinerant Canadian musician Konner Whitney (see what he did there?), his latest recording venture 
Searows’ second album, 
When Chilli Jesson first appeared on the cover of NME way back in 2012, it was as one half of the most charismatic, chaotic indie frontman double act since Pete ‘n Carl. Palma Violets, the headline declared, were “the best new band in Britain”. Jesson, their bassist and sometime vocalist, was the effortlessly cool mouthpiece of the operation. But behind the youthful bangers and artfully dishevelled hair, Jesson’s adolescence had been tumultuous. At 14, he lost his father to drug addiction, and it’s this grief that – almost 20 years on – the musician addresses with his new venture, Dead Dads Club.
The Lowest Pair is an American folk duo made up of Kendl Winter and Palmer T. Lee, known for their intertwined vocal harmonies and banjo-forward songwriting. Formed in 2013, the pair has built a dedicated following through records that balance traditional folk roots with plainspoken, emotionally direct lyrics. Having a particularly prolific run in their early years, releasing six albums in their first seven years, the pair haven’t released a new album since 2020’s 
The warm sounds of folk guitar provide the roots of 
The Necessaries came together in 1978 and in the too-brief lifespan of the band counted among their members, Ed Tomney (Rage to Live, Luka Bloom), Jesse Chamberlain (Red Crayola), Ernie Brooks (Modern Lovers), Arthur Russell (The Flying Hearts), Randy Gun (Love of Life Orchestra).
Julian McCamman is getting a fresh start. Last summer, just a year after his band 
British duo 
Part of Rhino’s annual “Start Your Ear Off Right” promotion is a very welcome surprise: a remastered and expanded edition of one of the most underrated albums by British pop/rock band 
Away marks